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Props to Helplessness Blues for making the fretless zither cool again. On their second album, Fleet Foxes continue to take their music in unusual ...Show synopsisProps to Helplessness Blues for making the fretless zither cool again. On their second album, Fleet Foxes continue to take their music in unusual directions, creating a baroque folk-pop sound that hints at a number of influences -- Simon & Garfunkel, Fairport Convention, the Beach Boys -- but is too unique, too esoteric, too damn weird to warrant any direct links between the Seattle boys and their predecessors. It's still a downright gorgeous record, though, filled to the brim with glee club harmonies and the sort of stringed instruments that are virtually unknown to anyone who didn't go to music school (and even if you did, when's the last time you rocked out on the Marxophone?). Relying on obscure instrumentation can be a dangerous game, and Fleet Foxes occasionally run the risk of sounding too clever for their own good, as if the need to "out-folk" groups like Mumford & Sons and Midlake is more important than writing memorable, articulate folk tunes. But Helplessness Blues has the necessary songs to back it up, from the slow crescendos of the album-opening "Montezuma" to the sweeping orchestral arrangement of the encore number, "Grown Ocean." Robin Pecknold remains the ringleader of this Celtic circus. His is the only voice to cut through the thick, lush harmonies that Fleet Foxes splash across every refrain like paint, and his lyrics -- rife with allusions to the Bible, Dante the Magician, and the poetry of W.B. Yeats -- reach beyond the territory he occupied on the band's first record, which painted simple geographical portraits with songs like "Sun It Rises," "Ragged Wood," "Quiet Houses," and "Blue Ridge Mountains." On Helplessness Blues, he's just as interested in the landscape of the human heart. Still, it's the music that stands out, and the band's acoustic folk/chamber pop combo makes every song sound like a grand tribute to back-to-the-land living. ~ Andrew Leahey, RoviHide synopsis
Description:Fair. ***TOO LARGE for INTERNATIONAL SHIPPING! ! *** Includes...Fair. ***TOO LARGE for INTERNATIONAL SHIPPING! ! *** Includes original case, booklet, and artwork. CD is heavily scratched. All items shipped to US include delivery confirmation. Thanks for looking!
Description:Fair. Some shelf wear, may contain highlighting/notes, may not...Fair. Some shelf wear, may contain highlighting/notes, may not include cdrom or access codes, customer service is our top priority!
Description:New. Buy with confidence-Satisfaction Guaranteed! Delivery...New. Buy with confidence-Satisfaction Guaranteed! Delivery Confirmation included for all orders in the US.
Description:New in new packaging. USA Orders only! Brand New product!...New in new packaging. USA Orders only! Brand New product! please allow delivery times of 3-7 business days within the USA; Attention UK customers, please use our UK account ImportCDsUK, thank you.
Description:BRAND NEW. 2011 album from the critically adored Seattle band....BRAND NEW. 2011 album from the critically adored Seattle band. The first Fleet Foxes album (Fleet Foxes) was released on Sub Pop in 2008, and though the band s intention was to record a new album in the 6-8 months following its release, the reception of the record was such that Fleet Foxes found themselves very busy, touring consistently through the end of 2009. Drawing inspiration from Folk/Rock from about 1965 to 1973, and Van Morrison s Astral Weeks in particular, Helplessness Blues sees Fleet Foxes heighten and extend themselves, adding instrumentation (clarinet, the music box, pedal steel guitar, lap steel guitar, Tibetan singing bowls, vibraphone, etc., along with more traditional band instrumentation), with a focus on clear, direct lyrics, and an emphasis on group vocal harmonies.