About this title: The murder of an elderly curator at the Louvre soon entangles Harvard symbologist Robert Langdon in a race against time to decipher a labyrinthine puzzle before an ancient secret--and an explosive historical truth--are lost forever.
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Description: Good. Purchasing this item supports Pierce County libraries. Thriftbooks and PCL have partnered to help raise additional funds for the library system. Ex-Library book-will contain library markings. Light shelf wear and minimal interior marks. Millions of satisfied customers and climbing. Thriftbooks is the name you can trust, guaranteed. Spend Less. Read More. read more
Description: Good. Light shelf wear and minimal interior marks. Millions of satisfied customers and climbing. Thriftbooks is the name you can trust, guaranteed. Spend Less. Read More. read more
Description: Good. Light shelf wear and minimal interior marks. Millions of satisfied customers and climbing. Thriftbooks is the name you can trust, guaranteed. Spend Less. Read More. read more
Description: Good. Purchasing this book supports the King County Library System Foundation. Thriftbooks and KCLSF have partnered to help raise additional funds for the library system. Ex-Library book-will contain library markings. Light shelf wear and minimal interior marks. Millions of satisfied customers and climbing. Thriftbooks is the name you can trust, guaranteed. Spend Less. Read More. read more
Description: Good. Light shelf wear and minimal interior marks. Millions of satisfied customers and climbing. Thriftbooks is the name you can trust, guaranteed. Spend Less. Read More. read more
Description: Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. Shipped to over one million happy customers. Your purchase benefits world literacy! read more
Description: Acceptable. Former Library book. Shows definite wear, and perhaps considerable marking on inside. Shipped to over one million happy customers. Your purchase benefits world literacy! read more
Description: Good. Shows some signs of wear, and may have some markings on the inside. Shipped to over one million happy customers. Your purchase benefits world literacy! read more
Description: Acceptable. Shows definite wear, and perhaps considerable marking on inside. Shipped to over one million happy customers. Your purchase benefits world literacy! read more
Description: Acceptable. May have wear or tear to spine, edges and or cover. Creases in spine. Bent/rounded corners. May have highlighting/notes. read more
Description: Acceptable. Book is in good reading condition. Cover has wear at edges and corners. Spine has wear at edges. Dust jacket has some wear. read more
Description: Very good. Light wear to edges and pages. Cover and spine show no easily noticeable damage. A tradition of southern quality and service. All books guaranteed at the Atlanta Book Company. read more
Description: Very good. Light wear to edges and pages. Cover and spine show no easily noticeable damage. A tradition of southern quality and service. All books guaranteed at the Atlanta Book Company. read more
Description: Good. Dust Cover Missing. Only lightly used. Book has minimal wear to cover and binding. A few pages may have small creases and minimal underlining. Book selection as BIG as Texas. read more
Description: Good. Dust Cover Missing. Only lightly used. Book has minimal wear to cover and binding. A few pages may have small creases and minimal underlining. Book selection as BIG as Texas. read more
Description: Good. Dust Cover Missing. Only lightly used. Book has minimal wear to cover and binding. A few pages may have small creases and minimal underlining. Book selection as BIG as Texas. read more
Description: Good. Only lightly used. Book has minimal wear to cover and binding. A few pages may have small creases and minimal underlining. Book selection as BIG as Texas. read more
"If for some reason you haven't heard of the Da Vinci Code before now, I have no help for you. I live under a fairly substantive rock, and even I had heard of this book to death. I had even attempted to read it once or twice, during my stint at Waldenbooks, but couldn't really get into it. So I gave up, and decided to relegate it to the same place as Titanic and Forrest Gump-works of popular culture that I have no interest in, and therefore, will not partake of. But in a testament to the power of the feminine wile, SV convinced me to read it, and so, at the suggestion of Professor Mortis, borrowed a copy from my local library before setting out for the Thanksgiving holiday (Thanks to PG and Laurion for their lending offers, though I did not take them up on it.).
So what did I think of this incredibly popular, highly controversial work that sold literally millions of copies, spawned a movie, and produced comments from the Vatican itself? In a word, it's bad. Other appropriate single words might be awful, atrocious, terrible, or abominable. Other similar synonyms can be found here.
The Da Vinci Code is a combination of bad writing, shoddy history, poor plotting, and unconvincing characters that blends together to form a barely readable work. The fact that anyone took this work seriously in any capacity is amazing to me. The characters are flat, boring, and none of them exceed two dimensions at best. The "history" is so riddled with holes as to be completely unbelievable to the semi-alert observer (my favorite part is the explanation of how the Church's desire to destroy the "sacred feminine" is responsible for Orthodox Jews and devout Muslims barring women from certain rites.). And finally, the plot just makes no damn sense. Even the much vaunted puzzles are fairly trite, and usually explained so quickly that it's barely worth thinking about. The final puzzle that the main character is faced with is so mind-bogglingly obvious that anyone who knows how to draw a Mogen David (Star of David) can figure it out instantly.
So the question for me became this: given how awful this book is, why the hell is it so popular? I can offer the following explanations/observations.
First off, Brown employs a clever (and I use the term loosely) narrative structure in which he ends every single chapter on a cliffhanger. This forces the reader to continue reading, hoping to reach a payoff or stopping point that is never quite realized. Thus the reader keeps going to the next chapter, hoping to finally hit a point where the story will relax, only to discover that the story never really relaxes. It just plods relentlessly forward, like the Terminator chasing Sarah Connor with a SuDoKu puzzle.
In a similar vein, Brown keeps his chapters short. In fact, I've read verse poetry that was longer than some of the chapters in this book (and considerably better written). This helps the reader feel as though they are making progress, because they're suddenly on Chapter 44, and can reach Chapter 50 with only a few extra minutes of reading. Hooray for the short attention span.
Likewise, Brown taps into some popular political and historical fallacies that are guaranteed to make him well-liked. Namely that the Catholic Church is an evil conspiracy (Christianity is one of the few religions it's still ok to hate in this day and age, after all) and the notion that ancient Europeans were all ecologically conscious, goddess-worshipping pacifists until the evil patriarchy destroyed their edenic culture. And hey, both of those are popular, if totally un-nuanced and historically questionable viewpoints, but shoddy history is always popular with the masses. The popularity of this book is proof enough.
Knowing that I'm one of the last people in the United States to have read this book, I can hardly imagine my recommendation can save anyone at this point, but on the off hand chance it can-don't read this book. It's a waste of time. At the very least, take it out of the library so you don't put more money into the pocket of an author of questionable talent. There's much better writers in this world."
"I found this book condescending, unexciting, and ill thought-out. I wanted it to be better. I had been TOLD it was fun. I was lied to. This is an awful book."
"Caveat Academics!!! I won't belabor the obvious, as it's been done quite well by other reviewers, but I just couldn't stand not to add my own "hear hear!" to the fray. If you're going to create a character who is an expert, PLEASE PLEASE PLEASE make sure you check your facts! Whoever edited this drivel ought to be sewn in a sack with a rabid raccoon and flung into Lake Michigan.
And just as a matter of good taste - your expert should not be an expert in everything under the sun. That's one of the hallmarks of poor writing.
Even if I were not a practicing pagan, I would find it stretching credibility that every single item the characters run across is a symbol of goddess worship. Five pointed star? Goddess worship. Chalice? Goddess worship. Porcelain toilet bowl? Goddess worship. Pilot ball point pen? Goddess worship. You get the general idea. Not only is every item part of the mythology of the divine feminine, but every number is also part of the divine feminine. Hello? Is a cigar NEVER just a cigar?
And some of the claims of symbolism are just plain wrong, as the editor would have found out if he'd bothered to do some fact checking. Remember those military chevrons that, because of the way they were pointed, represented the female divine and those poor slobs of soldiers had been running around all these countless centuries with goddess symbols flaunted on their uniforms without knowing it? The only problem with that premise is that the chevrons facing in their current direction is relatively recent - according to my military historian husband, they faced the OPPOSITE direction for quite some time before being reversed (for what reason, I have no idea...unless the generals all got together and decided they didn't have quite enough goddess symbols on their uniforms and needed it fixed post haste).
My theology professor ended up traveling around the country giving talks about this book to thousands of interested people. He loves the book if only because he's now giving pretty much the same information that he used to give to dozing freshman and sophomores to packed theaters of interested listeners. He tells a story about being somewhere in southern Ohio and making a joking remark about the celice being something that all Catholics wore and how now the secret was out, and there was a lady in the back row who elbowed her husband and said "See? I told you so!" The increased interest in history is about the only positive thing that's come out of this book. Honestly, you don't need to make anything up about the Catholic church to point out that it's been the source of some horrible things.
I could go on about the poor research and editing in this book, but others have done a pretty thorough job of finding the problems with it.
If you want a decent page turner, go for it. If you want something well researched and accurate, give this one a big ol' pass."
"For the most part, it seems that people either passionately love this book or they passionately hate it. I happen to be one of the former. For my part, I don't see the book so much as an indictment of the Catholic Church in particular but of religious extremism and religion interfering in political process in general. The unwarranted political control granted to extreme religious organizations like the CBN is an issue that we will be forced to address one way or the other. To my eye, our political process has been poisoned by it and the danger of theocracy is quite real. Furthermore, Brown's indictment of the Church for removing or suppressing feminine divinity figures is justified and needs a much closer look. Women do not have enough of a role in religion, religious practice, heroic myths, and creation myths, nor are they portrayed as divinity figures enough. In short, our religious systems and institutions lack balance and have a bias to suppress issues, stories, and roles that empower women to live as equals to men. Finally, Brown wrote his story simplistically, in my view, to spread his tale to as broad an audience as possible. Though it is not as pristine a narrative as, say, Umberto Eco, the message it conveys is one that needs to be heard. More obscure books on the matter are not as accessible as Da Vinci Code and if someone were to write an accessible book of genius on this subject, I would give him/her all due praise. In the meantime, Dan Brown is telling a story that needs to be told. It is one that has been kept quiet and in the dark for far too long."
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