About this title: Charles Pierre Baudelaire (1821-1867) est un pote franais. Il se vit reprocher son criture et le choix de ses sujets. Il ne fut compris que par quelques-uns de ses pairs. Aujourdhui reconnu comme un crivain majeur de lhistoire de la posie franaise, Baudelaire est devenu un classique. Barbey dAurevilly voyait en lui un Dante dune poque dchue. Au ...
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Note: This is a general synopsis. Each listing is described below.
Binding: Mass Market Paperback
Publisher: Livre de Poche
Date Published: 1998
ISBN-13:9782253007104ISBN:2253007102
Description: Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! read more
Description: Acceptable. Ships from the UK. Former Library book. Shows definite wear, and perhaps considerable marking on inside. Your purchase also supports literacy charities. read more
Binding: Hardcover
Publisher: Barnard & Westwood, Ltd
Date Published: 1946
Description: Hardback, ex-library, with usual stamps and markings, in fair all round condition suitable as a reading copy. Ships within 24 hours. French text. read more
Binding: Hardcover
Publisher: Basil Blackwell, Oxford
Date Published: 1943
Description: Hardback, ex-library, with usual stamps and markings, in poor all round condition, suitable as a reading copy.., 400grams, ISBN: read more
Binding: Hardcover
Publisher: Editions Garnier Freres, Paris
Date Published: 1961
Description: French text. Hardback, ex-library, with usual stamps and markings, in fair all round condition, suitable as a study copy.., 500grams, ISBN: read more
Binding: Softcover
Publisher: Librairie Larousse, Paris
Date Published: 1959
Description: Choix de poemes. French text. Softback, ex-library, with usual stamps and markings, in fair all round condition, suitable as a study copy.., 150grams, ISBN: read more
Binding: Hardcover
Publisher: Basil Blackwell, Oxford
Date Published: 1962
Description: Edited by Enid Starkie. English and French text. Hardback, ex-library, with usual stamps and markings, in fair all round condition, suitable as a study copy.., 400grams, ISBN: read more
Binding: Softcover
Publisher: Basil Blackwell, Aylesbury
Date Published: 1959
Description: Edited by Enid Starkie. Softback, ex-library, with usual stamps and markings, in poor all round condition, suitable as a reading copy.., 350grams, ISBN: read more
Binding: Softcover
Publisher: Hatier, Paris
Date Published: 1972
Description: Analyse critique par Georges Bonneville. Softback, ex-library, with usual stamps and markings, in fair all round condition., 150grams, ISBN: read more
Description: Ex-library, with usual stamps and markings, in fair all round condition, suitable as a reading copy. Ships within 24 hours. pp., 150grams, ISBN: 2038700117. read more
Description: Mass Market Paperback. Very Good/No Jacket. First Thus. Foreign. 12mo-over 6¾"-7¾" tall. good tight clean copy no real signs of wear.340pp. read more
Binding: Paperback
Publisher: The Echo Library
Date Published: 2008
ISBN-13:9781406872354ISBN:1406872350
Description: New. BRAND NEW and ready for dispatch. Delivery normally within 4/7 days. Our reputation is built on our Speedy Delivery Service and our Customer Service Team. read more
Binding: Trade paperback
Publisher: Éditions Garnier frères
Date Published: 1961
Description: Former owner's signature on title page. Small rips and rubbing to jacket. No other Writing. No Highlighting. Text in French. 490 p. Selecta.. "Note bibliographique": p. [xxviii]-xxix. read more
Description: Les Fleurs du mal, choix de poems, (in French) by Charles Baudelaire, Classicques Larousse, paperback, 1959110 pages, some ink notes in margins. read more
Description: Tony George-Roux. Very Good. No Jacket. 12mo-over 6¾"-7¾" tall. Not dated, owner inscription dated 1924, covers soiled, text clean and sound. read more
What can you say about a person whose very surname has become a synonym for debauchery, for louche and antisocial behavior?
Many people try to live their lives to schock others, at one phase or another of their youth, especially. But for Baudelaire, all this came naturallly. No affectation, as far as I can tell.
I wonder a bit about poeple these days who have the Baudelaire name in France. Do they get tired of explaining all of it....
"My love of literature began at a young age, in part, with French literature. I loved translations of Alexander Dumas and when I grew past romantic adventures, I was entranced at the clinical realist precision of Balzac. I briefly dated a French woman in New York City who begged me to move with her to Marseilles where I would attend the University of Marseilles (she had magically already procured an application) at the expense of French taxpayers (what liberals call "universal education") so long as I learned to speak French in 9 months time. I never left the States and never learned French.
However, if I did learn French, it would be mainly to read Baudelaire in the original. I doubt many readers picking this book up will be aware of the atom bomb it dropped on Paris when it was published. Reading it now it may still sound fresh, irreverent, decadent, and Satanic, but you have to multiply that by a factor of 100 to get the 19th century reaction. To add some perspective, this decadent evil little book of poems dealing with lesbianism, artifice, death, a dog corpse festering and open like the legs of a prostitute...this was circa the Civil War! Baudelaire was lucky he was only fined for "indecency" but a few of the poems were outlawed in France until (are you setting down?) 1949!
I don't want to discuss the poems or do explications of them. Any serious poet should own this book. Baudelaire was a masterful poet, a brilliant critic, he was THE reason Edgar Allen Poe was introduced to the Continent via his translations, and he virtually threw his artistic back out writing these poems. He would never surpass them and would spend years editing the volume and perhaps basking in the rays of their infamy. Baudelaire is a prime example of quality over quantity. I will take Les Fleurs Du Mal over a dozen books of poetry from a lesser poet and he stands head and shoulders over his contemporaries. The French Symbolists were nebulous...rather like a Romantic poet who smoked too much opium. Baudelaire on the other hand, had a keen mind sharp as a knife and wrote verse that was outrageous in its subject matter as it is technically brilliant. You have the tenants of symbolism, the mysterious music of Nature, the sublime, the absinthe-fueled hallucinations, but they are there in Baudelaire with a wicked energy. There are a handful of books in modern times that have shocked. Ulysses, Tropic of Cancer, a few others. One has to read Les Fleurs Du Mal with the understanding that it is among their company."
"What can i say? One of the greats that hits you right in the stomach. something that everyone can go back to. Was one of the originals that made me REALLY try and read/learn french. At least poetry. Have to disagree with people who say hes too dark. I feel that hes just not afraid to addres anything. Within that addres theres the strength to touch: vulnerability, sexuality, the physical body, etc. Isnt true passion seen with the hands; felt with the mouth?"
"I was so taken by this book that I memorized whole passages to repeat if only to myself at various times of the day. As I recall, my friends began to think I was mentally ill. Nevertheless, the power of this book was immense on my life as a college junior, I think, and it caused me to fall in love with everything that was French, cynical and wearing a beret, much like a Parisian waiter on his day off. I actually picked this book up because I loved the name, but it also began a long term love affair not only with Baudelaire, but Rimbaud and especially Verlaine. These poets literally opened up a new level of excitement in me for the depth at which the human spirit could both soar and sink, if one were truly willing to be led. I can still smell the acrid Gauloises cigarettes I smoked, but maybe that was just my imagination walking by the Seine so late at night and thinking these wonderful thoughts!"
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