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Twilight: The Complete Illustrated Movie Companion
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by
Mark Cotta Vaz
Designed as a celebration of the film--opening on November 21--this lavishly illustrated paperback edition is an exclusive behind-the-scenes guide featuring full-color photos of the cast, locations, and sets, as well as storyboards, interviews, details of special effects, and more.
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1001 Movies You Must See Before You Die
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by
Stephen Jay Schneider (Editor)
This special edition of the acclaimed film reference guide is packed with virtually everything movie-lovers need to know about the films they simply must see. Schneider and his team of writers have brought the book up to date by including the most memorable movies released during the past five years.
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In the blink of an eye : a perspective on film editing.
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by
Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his ...
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Understanding movies
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by
Louis Giannetti
For undergraduate courses in Introduction to Film, Introduction to Cinema, and Film Appreciation. Understanding Movies is the best selling film text on the market! Designed to help students analyze movies with precision and technical sophistication, this book focuses on formalism-how the languages of the film (e.g., camera work, editing, ...
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The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age
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by
Steven Ascher, Edward Pincus
The bible for filmmakers and videographers alike, this handbook highlights the techniques and technologies needed for the digital age. 143 photos.
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Film Directing Shot by Shot: Visualizing from Concept to Screen
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by
Steven D Katz
This international best-seller is filled with visual techniques for filmmakers and screenwriters who want to expand their stylistic knowledge.
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Looking at Movies: An Introduction to Film
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by
Richard Barsam
Looking at Movies, Second Edition, offers students everything they need to understand and appreciate film: a visually dynamic presentation, more help with film analysis than any other text, and a sophisticated and integrated media package featuring nearly four hours of moving-image content.
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Cinematic Storytelling
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by
Jennifer Van Sijll
What the industry's most succcessful writers and directors have in common is that they have mastered the cinematic conventions specific to the medium.
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Making Movies
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by
Sidney Lumet
Director Sidney Lumet's guide to the art of making movies begins in unlikely surroundings: the Ukrainian National Home on Second Avenue in New York City. Explaining how the antiquated and unprepossessing but very spacious ballroom is his favored venue for rehearsing a film in preproduction, Lumet kick-starts an enthralling, sequential trip through ...
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Leonard Maltin's Movie Guide
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by
Leonard Maltin
An invaluable tool in navigating the plethora of movies available on the steadily mushrooming number of cable TV channels, as well as in deciding which DVD or video rental is worthy of a trek down to the store to spend your hard-earned cash, LEONARD MALTIN'S MOVIE GUIDE 2005, its eponymous editor's ever-expanding compendium of movie reviews, has ...
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American Cinema/American Culture
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by
John Belton
An insight into the interplay between the film industry and mass culture in America, which examines the industry, its narrative conventions and cinematographic style. The work also presents a sweep of film history, using five genres - silent film melodrama, American comedy, the war film, film noir and the making of the West - as the basis for ...
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Leonard Maltin's Classic Movie Guide
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by
Leonard Maltin
The author of the annual Leonard Maltin's Movie Guide presents a detailed overview of classic films, with capsule reviews of more than seven thousand movies, along with a complete listing of classic movies on DVD, a series of Top Ten lists, and a star and director index. Original.
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Film: An Introduction
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by
William H Phillips
This clear, straightforward and lavishly illustrated text takes the reader through the basics of film analysis, drawing on an unrivalled range of film for discussion, including both those the student will already be familiar with and those their teachers will want them to be familiar with. Beginning with a consideration of the techniques used in ...
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Film Theory and Criticism: Introductory Readings
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by
Leo Braudy (Editor), Marshall Cohen (Editor)
Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. ...
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Film History: An Introduction
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by
Kristin Thompson
Written by two leading film scholars, this text acknowledges the contributions of Hollywood and films from other US sources, as well as examining film-making internationally. Concepts and events are illustrated with over 1400 frame enlargements. The text takes a holistic approach by providing an in-depth look at the historical influences of film ...
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Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
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by
Mark Harris
Harris examines the human drama behind the making of the five films nominated for Best Picture of 1967 and, through them, the larger story of the cultural revolution that transformed Hollywood--and America--forever.
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Flashback: A Brief History of Film
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by
Louis D Giannetti
For undergraduate courses in Introduction to Film and Film History in departments of English and Communications. Consolidating major figures and film movements into their decade of greatest influence or prestige, this "no-nonsense" book offers a generously illustrated, concise, and very readable history of fiction movies with an emphasis on ...
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On directing film
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by
David Mamet
Based on a series of classes Mamet taught at Columbia University's film school, "On Directing Film" employs his unique perspective as a playwright, screenwriter, and director of his own films--"House of Games" and "Things Change"--to illuminate how a film comes to be. Mamet examines each step--from script to cutting room--through the lens of a ...
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Don't Look Down
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by
Jennifer Crusie, Bob Mayer
Lucy Armstrong agrees to finish directing an action movie, and is flabbergasted by the insanity that abounds on the set: the directing staff has quit; the make-up artist is suicidal; the stars are egomaniacs; the stunt director is her ex-husband; and the lead actor has hired an ex-Green Beret as a consultant! Green Beret Capt. J.T. Wilder thought ...
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Reel Spirituality: Theology and Film in Dialogue
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by
Dr. Robert K Johnston, Ph.D.
The inaugural text for Baker Academic's Engaging Culture Series, Johnston's book provides readers with a theological perspective for interpreting films and the film industry. Johnston is a professor of theology and culture at Fuller Theological Seminary.
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Past Imperfect: History According to the Movies
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by
Mark C Carnes (Editor)
A collection of 60 essays on the interaction between history and the movies. Contributors include: Stephen Jay Gould on "Jurassic Park"; Dee Brown on "Fort Apache"; Antonia Fraser on "Anne of the Thousand Days"; James McPherson on "Glory"; Frances FitzGerald on "Apocalypse Now"; and Clayborne Carson on "Malcolm X". Other authors include Simon ...
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Sight Sound Motion: Applied Media Aesthetics
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by
Herbert Zettl
This book should be of interest to undergraduate courses in film studies.
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The Film Experience: An Introduction
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by
Timothy Corrigan, Patricia White
"The Film Experience "is a comprehensive introduction to film that treats students as the avid movie fans they are while surpassing all other texts in helping them understand the art form's full scope, breadth, and depth. Like other introductory texts, it offers strong coverage of film's formal elements, but goes further by situating this formal ...
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Kiss of the Spider Woman
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by
Manuel Puig
Sometimes they talk all night long. In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, ...
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Directing Actors
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by
Judith Weston
Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.
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