Bach: St. John Passion; Mass in B Minor; Easter Oratorio; Ascension Oratorio [Box Set] (2002) more music like this

performed by Andrew Tusa (tenor), Caroline Trevor (alto), Charles Daniels (tenor), Christian Fliegner (vocals), David Thomas (bass), Emily van Evera (soprano), Emma Kirkby (soprano), Emma Kirkby (soprano), Evelyn Tubb (soprano), Margaret Cable (alto)
composed by Johann Sebastian Bach

There are many, many good things about Andrew Parrott and the Taverner Consort and Players' Bach performances -- their luminous colors, complete clarity, utter lucidity, and structural integrity -- that there is an uneasy feeling in criticizing them for their occasional flaws. When Parrott's Bach is good, it is as great as any that has been ...

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Purcell: Love's goddess sure was blind; Raise, raise the voice; Laudate Ceciliam; From those serene and rapturous joy (1992) more music like this

performed by Andrew Tusa (tenor), Gillian Fisher (soprano), James Bowman (counter tenor), King's Consort, Mark Padmore (high tenor vocal), Mary Seers (soprano), Michael George (bass)
composed by Henry Purcell

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Purcell: The Complete Odes and Welcome Songs (Box Set) more music like this

performed by Andrew Tusa (tenor), Charles Daniels (tenor), Charles Daniels (alto), Charles Pott (bass), Crispian Steele-Perkins (trumpet), Gillian Fisher (soprano), James Bowman (counter tenor), James Bowman (alto), James Bowman (vocals), John Mark Ainsley (tenor)
composed by Henry Purcell

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Purcell: Sacred Music (2000) more music like this

performed by Alexander L'Estrange (treble), Andrew Tusa (tenor), Daniel Johnston (treble), Geoffrey Cryer (counter tenor), Howard Moody (organ), Jeremy Cox (bass), Michael Morton (bass), Philip Goldsworthy (treble), Rufus Müller (counter tenor), Rufus Müller (tenor)
composed by Henry Purcell

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The Study of Love: French Songs and Motets for the 14th Century (1992) more music like this

performed by Andrew Lawrence-King (harp), Andrew Tusa (tenor), Christopher Page (lute), Donald Greig (baritone), Gothic Voices, Julian Podger (tenor), Leigh Nixon (tenor), Margaret Philpot (alto), Rogers Covey-Crump (tenor), Stephen Charlesworth (baritone)
composed by Anonymous, Codex Faenza, Anonymous, French, Guillaume de Machaut, Pycard, Solage

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Heinichen: Dresden Concerti Highlights more music like this

performed by Andrew Tusa (tenor), Anne Sofie von Otter (mezzo-soprano), Anthony Rolfe Johnson (tenor), Charles Daniels (tenor), Charles Pott (baritone), Crispian Steele-Perkins (trumpet), David Munrow (shawm), Early Music Consort of London, English Baroque Soloists
composed by Antonio Vivaldi, George Frederick Handel, Giovanni Antonio Rigatti, Gregorian Chant, Guillaume de Machaut, Heinrich Schütz, Henry Purcell, Jean-Philippe Rameau, Johann David Heinichen, Johann Sebastian Bach, Marin Marais

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The Voice in the Garden: Spanish Songs & Motets, 1480-1550 (1993) more music like this

performed by Andrew Lawrence-King (medieval harp), Andrew Tusa (tenor), Christopher Wilson (vihuela), Donald Greig (baritone), Gothic Voices, Julian Podger (tenor), Leigh Nixon (tenor), Rogers Covey-Crump (tenor), Stephen Charlesworth (baritone)
composed by Anonymous, Spanish, Enrique, Francisco de Peñalosa, Gabriel Mena, Juan del Encina, Julius da Modena (aka Julio Segni), Luis de Milán, Luys de Narváez, Various Composers

Helios' The Voice in the Garden, featuring Gothic Voices under Christopher Page and originally released on Hyperion, comes from a time when the early music revival movement was at its peak of popularity and is nevertheless outstanding even within that context. Subtitled "Spanish Songs and Motets, 1480-1550," this disc presents a mixed recital of ...

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Händel: Israel in Egypt; Zadok the Priest; The King Shall Rejoice (1995) more music like this

performed by Andrew Tusa (tenor), Ashley Stafford (alto), Christopher Purves (bass), Donna Deam (soprano), Elisabeth Priday (soprano), English Baroque Soloists, Jonathan Peter Kenny (alto), Julian Clarkson (bass), Michael Chance (alto), Nicolas Robertson (tenor)
composed by George Frederick Handel

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Lancaster and Valois: French & English Music, ca. 1350-1420 (1992) more music like this

performed by Andrew Lawrence-King (medieval harp), Andrew Tusa (tenor), Charles Daniels (tenor), Christopher Page (medieval lute), Donald Greig (baritone), Gothic Voices, Leigh Nixon (tenor), Margaret Philpot (alto), Rogers Covey-Crump (tenor)
composed by Anonymous, Anonymous, Codex Faenza, Anonymous, French, Baude Cordier, Fonteyns, Guillaume de Machaut, Johannes Cesaris, Nicholas Sturgeon, Pycard, Solage

Lancaster and Valois: French & English Music, ca.1350-1420 features the English early music vocal group Gothic Voices firing on all cylinders in a much loved repertoire: surveying musical currents beginning with Guilliame Machaut and leading up to the dawn of the Renaissance in about 1420. This era is the dominion of single-named composers ...

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The Medieval Romantics: French Songs & Motets (1340-1440) (1991) more music like this

performed by Andrew Lawrence-King (medieval harp), Andrew Tusa (tenor), Charles Daniels (tenor), Christopher Page (medieval lute), Gothic Voices, Leigh Nixon (tenor), Margaret Philpot (alto), Rogers Covey-Crump (tennessee music box), Rogers Covey-Crump (tenor)
composed by Adam de la Halle, Anonymous, Codex Chantilly, Anonymous, Codex Paris Reina 6771, Anonymous, French, Anonymous, Montpellier MS, Gilet Velut, Guillaume de Machaut, Guillaume Dufay, Jaquemin de Senleches, Johannes de Lymburgia, Johannes de Porta, Solage

One could not be blamed for thinking the title of this Gothic Voices collection of late fourteenth and early fifteenth century French chansons and motets -- The Medieval Romantics -- as a little oxymoronic. After all, didn't the Romantics live some four centuries later? Yes, they did, but there's no shortage of examples of late medieval music that ...

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