No matter how many times you've heard Le nozze di Figaro, you owe it to yourself to hear this Le nozze di Figaro. It is fresh and funny and silly and moving and enchanting and as wise and as knowing as the work itself. The singers are the ideal kind of opera singers who make you forget they're singing because their acting is so good and their ...
Natalie Dessay's Amor, a collection of operatic scenes and lieder of Richard Strauss, is anchored by her all-star turn in the role of Zerbinetta. It is one of her calling cards, and for good reason: her blend of attitude, sparkle, and vocal agility are perfectly matched to the part. Every phrase she utters effuses the manipulative charm at the ...
There are folks out there who never care to attend another Measure for Measure, who never care to watch another Modern Times, and who never care to hear another Le Nozze di Figaro because to them, comedy is obviously a lesser art form than tragedy. To them one can only say: "too bad!" because as this immensely musical and enormously humorous ...
In the crush of mezzo sopranos actively recording, Angelika Kirchschlager's warm and direct voice stands somewhat apart from the perhaps overly subjective Cecilia Bartoli and the possibly overly objective Anne-Sofie von Otter. This combination has worked well in many, even most, of Kirchschlager's recordings: her disc of Korngold and Mahler songs ...
This is among the more successful entries in Sony's (Insert Name of Great Composer Here) Collection series, and the new listener to classical music will generally enjoy it. The music included leans pretty far in the direction of Bach's great tunes as opposed to his dizzying intellectual accomplishments, his total mastery of harmony, or his ...
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