J.C. Bach's six Sonatas, Op. 16, are so representative of the chamber music of the age, not to mention that they are extremely pleasant and charming, that it makes perfect sense to perform them on period instruments. For this recording, Miklós Spányi is playing a tangent piano and Benedek Csalog a Baroque flute. The tangent piano falls somewhere ...
Like the boys' choirs of the old English cathedrals, that of the Thomaskirche in Leipzig has survived until the present day. In the nineteenth century it faced something of an identity crisis but was helped by the rediscovery of the music of the Thomaskirche's former cantor: Johann Sebastian Bach. It was specifically Bach's unaccompanied and ...
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