Steve Reich: Music for 18 Musicians (1978) more music like this

performed by Bob Becker (xylophone), Bob Becker (marimba), David Van Tieghem (piano), David Van Tieghem (marimba), David Van Tieghem (xylophone), Elizabeth Arnold (vocals), Gary Schall (marimba), Gary Schall (maracas), Glen Velez (marimba), Glen Velez (xylophone)
composed by Steve Reich

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Steve Reich: Octet; Music for a Large Ensemble; Violin Phase more music like this

performed by Bob Becker (xylophone), Chris Finckel (cello), Claire Bergmann (viola), David Van Tieghem (xylophone), Douglas Hedwig (trumpet), Ed Joffe (sax), Edmund Niemann (piano), Elizabeth Arnold (vocals), Gary Schall (marimba), Glen Velez (marimba)
composed by Steve Reich

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Toru Takemitsu: From me flows what you call Time; Twill by Twilight; Requiem (1998) more music like this

performed by Bob Becker (percussion), John Wyre (percussion), Nexus, Robin Engelman (percussion), Russ Hartenberger (percussion), William Cahn (percussion), Pacific Symphony Orchestra
composed by Toru Takemitsu

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Steve Reich: Phases [Box Set] (2006) more music like this

performed by Ananda Goud (mezzo-soprano), Bang On A Can, Barbara Borden (soprano), Bob Becker (percussion), Brooklyn Philharmonic [members of], Cheryl Bensman Rowe (soprano), Deborah Redding (violin), Donald Palma (bass), Evan Ziporyn (clarinet)
composed by Steve Reich

Steve Reich has a remarkable arrangement for a composer in that he is an exclusive artist for Nonesuch and has been so for more than two decades. Back in 1996, when Reich celebrated his 60th birthday, Nonesuch issued a 10-CD box set of "everything" -- all of the works in the Warner Classics vaults that he had recorded, including some new at the ...

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Takemitsu: Chamber Music (2003) more music like this

performed by Bob Becker (percussion), David Swan (piano), Erica Goodman (harp), Joaquin Valdepenas (clarinet), John Wyre (percussion), Norbert Kraft (guitar), Robert Aitken (flute), Robert Aitken (flute), Robin Engelman (vibraphone), Robin Engelman (marimba)
composed by Toru Takemitsu

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Nexus Now (1989) more music like this

performed by Bob Becker (animal sounds), Bob Becker (marimba), Bob Becker (chinese gong), Bob Becker (quica), Bob Becker (suspended cymbals), Bob Becker (crotale), Bob Becker (bells), Bob Becker (chang chiki), John Wyre (chinese gong), John Wyre (temple bowls)
composed by Bob Becker, John Wyre, Robin Engelman, Toru Takemitsu, William Cahn

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Prouesse: New Music for Viola (1992) more music like this

performed by Bob Becker (percussion), Rivka Golani (viola), Russ Hartenberger (percussion)
composed by Ann Southam, David Jaeger, Jean Papineau-Couture, Marjan Mozetich, Steve Tittle

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How Do I Love Thee: Love Songs for the Romantic at Heart (1994) more music like this

performed by Adriane Rosen (bass viol), Amy Shulman (harp), Barbara Northcutt (oboe), Ben Lanzarone (keyboards), Bob Becker (viola), Carol Greenfield (bassoon), Carole Koenig (dulcimer), Charles Davis (cornet), Doug Lyons (french horn), Frank Marocco (accordion)
composed by John Axelrod

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Nexus Plays the Music of John Hawkins, Jmes Tenney and Bruce Mather (1997) more music like this

performed by Bob Becker (marimba), John Wyre (cowbell), John Wyre (vibraphone), John Wyre (roto toms), John Wyre (drums), John Wyre (tubular bells), John Wyre (sound effects), John Wyre (glockenspiel), Nexus (percussion), Nexus, Robin Engelman (marimba)
composed by Bruce Mather, James Tenney, John Hawkins

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Music For 18 Musicians (1978) more music like this

performed by Bob Becker (marimba), Bob Becker (xylophone), David Van Tieghem (piano), David Van Tieghem (marimba), David Van Tieghem (xylophone), Elizabeth Arnold (vocals), Gary Schall (marimba), Gary Schall (maracas), Glen Velez (marimba), Glen Velez (xylophone)
composed by Steve Reich

If Steve Reich's Music for 18 Musicians is simply described in terms of its materials and organization -- 11 chords followed by 11 pieces built on those chords -- then it might seem utterly dry and monotonous. The actual music, though, is far from lackluster. When this recording was released in 1978, the impact on the new music scene was immediate ...

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