Your search: Classical Music » Artist: Catherine Bott
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Vivaldi: Gloria; Motets; Cantatas
(1997)
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performed by
Academy of Ancient Music , Carolyn Watkinson (contralto) , Catherine Bott (soprano) , Catherine Mackintosh (violin) , Christopher Hogwood (harpsichord) , Emma Kirkby (soprano) , James Bowman (counter tenor) , Judith Nelson (soprano) , New London Consort
composed by
Antonio Vivaldi
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Handel: Rinaldo
(2000)
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performed by
Academy of Ancient Music , Ana-Maria Rincon (soprano) , Bejun Mehta (counter tenor) , Bernarda Fink (mezzo-soprano) , Catherine Bott (vocals) , Cecilia Bartoli (mezzo-soprano) , Daniel Taylor (counter tenor) , David Daniels (counter tenor)
composed by
George Frederick Handel
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Gabriel Fauré: Requiem
(1994)
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performed by
Alistair Ross (harpsichord) , Catherine Bott (soprano) , Gerard Causse (viola) , Gilles Cachemaille (vocals) , Nona Liddell (violin) , Sabine Vatin (piano) , Monteverdi Choir (choir, chorus) , Salisbury Cathedral Choristers (choir, chorus)
composed by
Camille Saint-Saëns , Claude Debussy , Gabriel Fauré , Maurice Ravel
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J. S. Bach: Magnificat, BWV 243a; Cantata, BWV 63
(1997)
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performed by
Andrew King (tenor) , Catherine Bott (soprano) , Christopher Robson (counter tenor) , Elisabeth Scholl (soprano) , Michael George (bass) , New London Consort , Paul Agnew (tenor) , Philip Pickett (conductor)
composed by
Johann Sebastian Bach
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Torke: Music on the Floor; Four Proverbs; Monday; Tuesday
(1994)
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performed by
Argo Band , Catherine Bott (soprano) , London Sinfonietta
composed by
Michael Torke
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Virtuoso Italian Vocal Music
(2007)
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performed by
Catherine Bott (soprano) , New London Consort , Philip Pickett (recorder) , Philip Pickett (conductor)
composed by
Biagio Marini , Cipriano de Rore , Claudio Monteverdi , Emilio de' Cavalieri , Francesca Caccini , Francesco Rasi , Giacomo Carissimi , Girolamo Frescobaldi , Giulio Caccini , Luigi Rossi , Luzzasco Luzzaschi , Marco da Gagliano , Stefano Bernardi
This recording, made in the late '80s, was among those that opened up the monodic style -- the virtuoso recitative-like vocal, accompanied by a small continuo group, that helped pave the way for opera -- to an understanding beyond the world of specialists. Although other singers have come along and, to borrow an expression from the bluegrass world ...
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Bach: Christmas Oratorio
(1999)
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performed by
Andrew King (tenor) , Catherine Bott (soprano) , Helen Parker (vocals) , Julia Gooding (vocals) , Mark Chambers (vocals) , Mark Rowlinson (vocals) , Michael Chance (counter tenor) , Michael George (bass) , New London Consort , Paul Agnew (vocals)
composed by
Johann Sebastian Bach
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Essential Hyperion, Vol. 2
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performed by
Andrew Dale Forbes (bass) , Angela Hewitt (piano) , Ann Murray (mezzo-soprano) , Anthony Rolfe Johnson (tenor) , Binchois Consort , Catherine Bott (soprano) , Chilingirian Quartet , Christine Schäfer (soprano) , Christopher Dearnley (organ)
composed by
Alexander Glazunov , American Traditional , Amy Woodforde-Finden , Anonymous , Anonymous, English , Antonio Vivaldi , Benjamin Britten , Biagio Marini , Camille Saint-Saëns , Charles Villiers Stanford , Claude Debussy , Claudio Monteverdi , Diego Ortiz , Edward Elgar
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The Pilgramage to Santiago
(2007)
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performed by
Ana-Maria Rincon (soprano) , Catherine Bott (soprano) , Catherine King (mezzo-soprano) , Jaqueline Barron (soprano) , Jenevora Williams (mezzo-soprano) , John Mark Ainsley (tenor) , Julia Gooding (soprano) , Kristine Szulik (alto) , Michael George (baritone)
composed by
Alfonso X (el Sabio) , Anonymous, Codex Calixtinus , Anonymous, Codex Las Huelgas , Anonymous, El Escorial Codex J.B.2 San Lorenzo , Martin Codax
One of the most painful results of the reorganization of the former Polygram under the Universal Music Group banner was that the musical world bade farewell to the L'Oiseau Lyre imprint. However, in time Decca came to realize that the lyrebird of old had a certain cachet with classical music buyers, and it reintroduced some titles beginning in ...
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Delectatio angeli: Music of Love, Longing & Lament
(2006)
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performed by
Catherine Bott (soprano) , Mark Levy (fiddle) , Pavlo Beznosiuk (fiddle)
composed by
Anonymous, Codex Las Huelgas , Anonymous, English , Bernart de Ventadorn , Etienne de Meaux , Francesco Landini , Guillaume Dufay , Jehan Vaillant , Johannes Bedyngham , Johannes Ciconia , Matteo da Perugia
While a program of works for soprano plus a pair of fiddlers might seem unlikely to succeed with a larger audience, soprano Catherine Bott and fiddlers Pavlo Beznosiuk and Mark Levy, taking their performing repertoire from the twelfth through fifteenth centuries and their interpretative stance from pop music, make Delectatio angeli riveting from ...
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Ecstatic Collection: Music by Michael Torke (Box Set)
(2004)
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performed by
Apollo Saxophone Quartet , Argo Band , Balanescu Quartet , Catherine Bott (soprano) , John Harle (saxophone) , Kurt Ollmann (baritone) , Michael Torke Band , Present Music Ensemble , Valdine Anderson (soprano) , Netherlands Radio Choir (choir, chorus)
composed by
Michael Torke
Ingenuity and facility are the boon and bane of Michael Torke's talents, and both are intertwined in the works covered on this 2004 box set from Ecstatic Records. For all his brilliant orchestration, original formal concepts, and occasionally daring uses of styles, there seem to be opposing qualities of commercial slickness, clever game-playing, ...
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London Pride
(2004)
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performed by
Catherine Bott (soprano) , David Owen Norris (piano)
composed by
Bennett Scott , David Owen Norris , Donald Swann , Ewan MacColl , George Gershwin , Harold Fraser-Simson , Harry Dacre , Jimmy Kennedy , Jonathan Dove , Kit Hesketh-Harvey / Richard Sisson ['Kit and the Widow'] , Lionel Monckton , Madeleine Dring , Manning Sherwin
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Vaughan Williams: Sinfonia Antartica; Toward the Unknown Region
(1989)
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performed by
Catherine Bott (soprano) , Roderick Elms (organ) , London Symphony Chorus (choir, chorus) , London Symphony Orchestra , Bryden Thomson (conductor)
composed by
Ralph Vaughan Williams
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Carmina Burana, Songs of the Middle Ages
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performed by
Catherine Bott (soprano) , Michael George (baritone) , New London Consort , Philip Pickett (conductor)
composed by
Anonymous, Carmina Burana
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Vivaldi: Laudate Pueri, Dominum
(2004)
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performed by
Catherine Bott (soprano) , Cecelia Bruggemeyer (double bass) , Jane Rogers (viola) , Purcell Quartet , Richard Boothby (cello maker) , Stephen Preston (flute)
composed by
Antonio Vivaldi
Chandos first issued this disc of Catherine Bott and the Purcell Quartet back in 1997 as Vivaldi: In furore. Here it comes again, this time with a snazzier, more exotic front cover as Vivaldi: Laudate Pueri, Dominum. Nothing else about the package or contents have changed, and this is good news as this disc is one of the best Baroque offerings to ...
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Walton: Hamlet; As You Like It
(2007)
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performed by
Catherine Bott (soprano) , John Gielgud (speech/speaker/speaking part) , Academy of St. Martin-in-the-Fields , Neville Marriner (conductor)
composed by
William Walton
On this CD, Neville Marriner conducts music by William Walton from two Shakespeare films, arranged as suites by Christopher Palmer. Laurence Olivier starred in As You Like It (1936) and directed and starred in Hamlet (1948). As You Like It definitely has the sound of a film score; it was only Walton's second, and he seems caught up in the ...
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Handel: Opera Arias
(2007)
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performed by
Alastair Ross (harpsichord) , Angela Fast (cello) , Catherine Bott (soprano) , Emma Kirkby (soprano) , Katharina Arfken (oboe) , Rachel Brown (flute) , Rachel Brown (flute) , Robert Farley (trumpet) , Brandenburg Consort , Roy Goodman (conductor)
composed by
George Frederick Handel
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Handel Classics
(2004)
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performed by
Catherine Bott (vocals) , Collegium Musicum 90 , I Musici de Montréal , Purcell Quartet , Sellers Engineering Band , Sophie Yates (harpsichord)
composed by
George Frederick Handel
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Handel: Italian cantatas & trio sonatas
(1998)
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performed by
Caroline Kershaw (oboe) , Catherine Bott (soprano) , Catherine Mackintosh (violin) , Catherine Weiss (violin) , Jonathan Manson (violoncello) , Purcell Quartet , Richard Boothby (violoncello) , Richard Boothby (viola da gamba) , Robert Woolley (harpsichord)
composed by
George Frederick Handel
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Bach: Matthäus Passion; Johannes Passion; Markus Passion; Lukas Passion [Box Set]
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performed by
Catherine Bott (soprano) , Charlotte Lehmann (soprano) , Connor Burrowes (treble) , David James (alto) , David Thomas (bass) , Elisabeth Künstler (alto) , Emma Kirkby (soprano) , Georg Jeiden (tenor) , Gordon Jones (baritone) , Graeme Nicolson (tenor)
composed by
Johann Sebastian Bach
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Bo Holten: The Marriage of Heaven and Hell
(2003)
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performed by
Catherine Bott (soprano) , Kim Porter (alto) , Micaela Haslam (soprano) , Neil MacKenzie (tenor) , BBC Singers (choir, chorus) , Bo Holten (conductor)
composed by
Bo Holten
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Vaughan Williams: The Complete Symphonies [Box Set]
(1992)
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performed by
Brian Rayner Cook (baritone) , Catherine Bott (soprano) , Roderick Elms (organ) , Yvonne Kenny (soprano) , London Symphony Chorus (choir, chorus) , London Symphony Orchestra , Bryden Thomson (conductor)
composed by
Ralph Vaughan Williams
As the kingdom entered the digital age, the stereo Ralph Vaughan Williams cycles, the venerable Adrian Boult/London Philharmonic of EMI and the heroic André Previn/London Symphony of RCA, began to seem old-fashioned, faded, and no longer relevant to listeners. So the cry went out into the land for a new, digital Vaughan Williams cycle, and, lo, ...
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Purcell: Sweeter than Roses
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performed by
Academy of Ancient Music , Anthony Rooley (lute) , Catherine Bott (soprano) , Catherine Mackintosh (violin) , Christopher Hogwood (spinet) , Christopher Hogwood (organ) , Emma Kirkby (soprano) , Ian Partridge (tenor) , James Bowman (counter tenor)
composed by
Henry Purcell
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Bach: Johannes Passion
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performed by
Catherine Bott (soprano) , John Mark Ainsley (tenor) , Michael Chance (alto) , Paul Agnew (tenor) , Stephen Richardson (bass) , Stephen Varcoe (bass) , Choir of King's College, Cambridge (choir, chorus) , Brandenburg Consort , Stephen Cleobury (conductor)
composed by
Johann Sebastian Bach
By the time this performance of Bach's St. John Passion was recorded in 1996, the strict lines dividing the rigorously historically informed performance practice movement and more contemporary practices had sufficiently blurred to allow both approaches to be blended to excellent effect by the masterly conductor Stephen Cleobury. The sensitive but ...
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Haydn: Arianna a Naxos; Scots Songs; English Canzonettas
(2002)
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performed by
Alison Bury (violin) , Anthony Pleeth (violoncello) , Catherine Bott (soprano) , Frances Kelly (harp) , Lisa Beznosiuk (flute) , Melvyn Tan (fortepiano)
composed by
Franz Joseph Haydn
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