A few aging listeners will recall a time when the only way to hear most of the music of Anton Webern was through the recordings of Robert Craft. Few of those listeners will recall those performances with pleasure. Webern's music was new then, so most of it had never been recorded before, so no one really knew how it went. That Craft had his ...
This collection of flute chamber music by Lowell Liebermann shows the continuing influence of Shostakovich in American compositional circles. How could he not be influential? He drew the wrath of a murderous bureaucracy, something of which most American composers can only dream. The three pieces recorded here, two trios for flute, cello, and piano ...
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