Handel: Water Music (1983) more music like this

performed by Allan Vogel (oboe), Boyce Hood (trumpet), David Shostac (flute), Douglas Davis (cello), Ilkka Talvi (violin), Janet Lakatos (viola), Kenneth Munday (bassoon), Patricia Mabee (harpsichord), Paul Shure (violin), Robin Graham (horn), Susan Ranney (bass)
composed by George Frederick Handel

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Cristal: Glass Music Through the Ages (2002) more music like this

performed by David Shostac (flute), Dennis James (harmonica), Dennis James (cristal bachet), Emerson String Quartet, Ensemble Stradivaria, Gary Bovyer (clarinet), Geri Rotella (flute), John Ellis (oboe), Julie Gigante (violin), Leslie Reed (oboe)
composed by Alessandro Scarlatti, David August von Apell, Dennis James / Amy Crocker, Fred Schnaubelt, Gabriel Fauré, Garry Eister, Johann Adolf Hasse, Johann Schultz, Joseph Aloys Schmittbauer, Wolfgang Amadeus Mozart

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Love Letters more music like this

performed by Anita Swearengin (piano), David Shostac (flute)
composed by Claude Debussy, François Borne, Grigoras Dinicu, Martin Scot Kosins, Theobald Boehm

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Romantic Flute (1996) more music like this

performed by Antoinette Perry (piano), David Shostac (flute), Gayle Levant (harp), James Smith (guitar), John Walz (cello), Roland Kato (viola)
composed by Claude Debussy, François-Joseph Gossec, Gabriel Fauré, Johann Pachelbel, Johann Sebastian Bach, Marin Marais, Wolfgang Amadeus Mozart

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Masterpieces Rediscovered (1996) more music like this

performed by Antoinette Perry (piano), David Shostac (flute)
composed by Joseph Rheinberger, Paul Graener, Richard Stöhr, Salomon Jadassohn, Shevchenko

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Terry Riley: In C (1968) more music like this

performed by Darlene Reynard (bassoon), David Rosenboom (viola), David Shostac (flute), Edward Burnham (vibraphone), Jan Williams (marimbaphone), Jerry Kirkbride (clarinet), Jon Hassell (trumpet), Lawrence Singer (oboe), Margaret Hassell (piano)
composed by Terry Riley

Terry Riley would certainly bristle at the idea of there being a "definitive" version of In C since it was created with the intention of having an infinite number of interpretive possibilities, but this version, a reissue of the original Columbia recording, led by the composer, has a certain authority since it was the means by which the piece was ...

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