Santiago De Murcia Codex (2005) more music like this

performed by Ami Flamer (violin), Anne Gastinel (cello), Arianna Savall (vocals), Concerto Italiano, Cyril Dupuy (cymbalom), Discantus, Doulce Mémoire Ensemble, Ensemble Kapsberger, Francesca Vicari (violin), Gérard Barreaux (accordion)
composed by Anonymous, Antoine de Lhoyer, Christoph Willibald Gluck, Einojuhani Rautavaara, Fillippo Azzaiolo, Franz Liszt, Frédéric Chopin, Giovanni Paolo Foscarini, Gregorian Chant, Jean-Marie Leclair, Johann Sebastian Bach, Johannes Brahms, John Dowland

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Ockeghem: Missa sine nomine; Missa quinti toni (1994) more music like this

performed by Schola Discantus
composed by Johannes Ockeghem

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Campus Stellae (1994) more music like this

performed by Anne Guidet (chant), Brigitte Le Baron (chant), Brigitte Lesne (chant), Caroline Magalhaes (chant), Catherine Schroeder (chant), Catherine Sergent (chant), Claire Jequier (chant), Discantus, Emmanuelle Gal (chant), Laurence Brisset (chant)
composed by Anonymous, Gregorian Chant

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Johannes Regis: Missa Ecce Ancilla Domini; Missa Dum Sacrum Mysterium (L'Homme Armé) (2000) more music like this

performed by Schola Discantus (choir, chorus)
composed by Johannes Regis

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Johannes Ockeghem: Missa De plus en plus; Missa Fors seulement (1997) more music like this

performed by Schola Discantus
composed by Johannes Ockeghem

Of course, there are other composers who wrote sacred music in the late Medieval period. When the primary source of commissions was the church, who else would they write for? And, of course, there are other composers of ethereal music in the late Medieval period. When the fundamental principal of composition was imitative modal counterpoint, how ...

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Pierre de la Rue: Missa di Sancta Anna & Lamentatione Jeremaie (1996) more music like this

performed by Arthur Rawding (alto), Arthur Rawding (tenor), Bradford Findell (soprano), Eleanor Kelley (counter tenor), Glenn Billingsley (tenor), Glenn Billingsley (bass), John Delorey (counter tenor), Malanie Frost (soprano), Mark Risinger (bass)
composed by Pierre de la Rue

Many considerations go into making a top-quality recording of Renaissance choral music. First, one needs to identify a work out of the huge and largely uninvestigated corpus of Renaissance sacred music that deserves recording. Then one needs to seek out the proper liturgical incipits that connect to the music that is being recorded, as that ...

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The Spirit of Tomorrow (1995) more music like this

performed by Alla Francesca, Ami Flamer (violin), Antonio Fantinuoli (cello), Barbara Schlick (soprano), Concerto Italiano, Discantus, Europa Galante, Fabio Biondi (violin), Fabrizio Cipriani (violin), Georges Rabol (piano), Gérard Barreaux (accordion)
composed by Alessandro Scarlatti, Anonymous, Anonymous, Llibre Vermell de Montserrat, Antonio Vivaldi, Byzantine Chant, Claudio Monteverdi, Felix Mendelssohn, Francesco Maria Veracini, Franz Joseph Haydn, Frédéric Chopin, Giovanni Pergolesi, Ignacio Cervantes

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14th Century French Sacred Music Vol. 1 more music like this

performed by Arthur Rawding (tenor), Bradford Findell (counter tenor), John Delorey (counter tenor), Paul Guttry (baritone), Schola Discantus (choir, chorus)
composed by Anonymous, French, Baralipton, Baude Cordier, Defronciaco, Egidius De Thenis, Graneti, Jean Tapissier (Jean de Noyons), Loÿs

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Echoes of Jeanne d'Arc (1996) more music like this

performed by Elizabeth Douthitt (treble), Kenneth Fitch (counter tenor), Melanie Frost (treble), Neal Rogers (contratenor), Perry Cook (tenor), Schola Discantus
composed by Reginaldus Liebert

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Eya Pueri (2001) more music like this

performed by Coro Easo (choir, chorus), Discantus (choir, chorus)
composed by Anonymous, Manuscrit du Puy, Christmas Traditional, Gregorian Chant, Plainchant

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Sacred Music [Box Set] (2007) more music like this

performed by Andreas Scholl (alto), Anne-Lise Sollied (soprano), Barbara Schlick (soprano), Christoph Prégardien (tenor), Concerto Italiano, Deborah York (soprano), Ensemble Baroque de Limoges, Frederic Caton (bass), Gotthold Schwarz (bass), Leipzig Concerto Vocale
composed by Anonymous, Anonymous, Codex Engelberg 314, Anonymous, Graduel de Pairis, Anonymous, Hortus deliciarum, Anonymous, Hymnaire de Pairis, Anonymous, Latin, Antonio Vivaldi, Hildegard von Bingen, Johann Sebastian Bach, Various Composers

This collection of sacred music from different eras is merely a repackaging of some aging items from the catalog of the French label Naïve, which acquired the Opus 111 label some years ago; one of the discs in the set bears that imprint. These aren't necessarily the absolute top-of-the-line recordings from Naïve, but they're enough to provide a ...

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