Canciero de la Catedral de Segovia more music like this

performed by Ensemble Daedalus
composed by Anonymous, Antoine Busnois, Francisco de la Torre, Hayne van Ghizeghem, Heinrich Isaac, Jacob Obrecht, Johannes Tinctoris, Juan de Urrede, Juan del Encina

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Johannes Prioris: Requiem; Missa super "Allez Regrets" more music like this

performed by Ensemble Daedalus
composed by Johannes Prioris

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Behold, and See (2000) more music like this

performed by Academy of Ancient Music, Bach Collegium Japan, Bernhard Hunziker (tenor), David Schrader (harpsichord), Ensemble Daedalus, Istvan Kovacs (bass), Jakob Staempfli (bass), John Elwes (tenor), John Mark Rozendaal (cello), Les Flamboyants, Musica Ficta
composed by Anonymous, Anonymous, Codex Franus, Birgitta von Schweden, Eustache du Caurroy, Francesco Corteccia, George Frederick Handel, Gregorian Chant, Guillaume Dufay, Heinrich Schütz, Hildegard von Bingen, Joan Cererols, Johann Melchior Gletle, Josquin Desprez

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Il Cantar Moderno more music like this

performed by Ensemble Daedalus
composed by Anonymous, Anonymous, Canciero de Montecassino, Anonymous, Italian, Gilles de Bins dit Binchois, Heinrich Isaac, Johannes Cornago, John Dunstable, Pietro Oriola

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The Art of Melancholy (2006) more music like this

performed by Ensemble Daedalus, Roberto Festa (recorder), Ensemble Daedalus (choir, chorus), Roberto Festa (conductor)
composed by Anonymous, Carlo Gesualdo, Cipriano de Rore, Gioseppe Caimo, Giovanni Maria Trabaci, Giovanni Salvatore, Girolamo Frescobaldi, Johannes Hieronymus Kapsberger, John Dowland, John Wilbye, Josquin Desprez, Juan Blas de Castro, Luca Marenzio, Luys de Narváez

This ambitious German release takes an unusual cross section of music from the late sixteenth and early seventeenth centuries, which is conventionally divided up by composer, country, genre, or patron. Here the Ensemble Daedalus and its director Roberto Festa instead examine a single affect, melancholy, as it manifested itself in various places ...

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Delizie Napolitane (2005) more music like this

performed by Brigitte Gasser (tenor violin), Ensemble Daedalus, Hugh Sandilands (guitar), Hugh Sandilands (lute), Josep Benet (tenor), Josep Cabre (baritone), Luciano Catapano (tenor), Luciano Catapano (guitar), Pascal Bertin (counter tenor)
composed by Anonymous, Italian, Bernardo Pasquini, G. Capolongo, Gabriel Fallamero, Giovan Tomas di Maio, Orlande de Lassus, Perissone Cambio, Vincenzo Gorzanis

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Musa Latina: l'Invention de l'Antique (2009) more music like this

performed by Ensemble Daedalus, Roberto Festa (flute), Roberto Festa (percussion), Roberto Festa (conductor)
composed by Anonymous, Italian, Antonius Capreolus Brixien, Bartolomeo Tromboncino, Cipriano de Rore, Claude Le Jeune, Franchino Gaffurio, Franciscus, Jacques Arcadelt, Petrus Tritonius

Opera was born, the inquirer into the genre's origins soon learns, when a group of Florentine experimenters trying to revive the power of ancient drama hit on a new kind of musical declamation. More obscure is the long history of such experiments over almost the entire Renaissance period, even though what was being reborn in the "Renaissance" was ...

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