Naïve continues its admirable series of complete recordings of Vivaldi's operas with Atenaide, an opera seria that was not successful at its 1728 premiere, and received no further performances during the composer's lifetime. This recording was made as a result of the first modern production, which was presented in the same Florentine theater in ...
Even at a time when technically daunting violin concertos were all the rage, the six concertos assembled on this disc were remarkable for their difficulty; indeed, they were the most difficult concertos Vivaldi ever wrote. The B flat major Concerto that concludes the set at hand, for instance, may be the single most virtuosic work in the violin ...
The general wall of obscurity surrounding Vivaldi's operas seems to be lifting. Tito Manlio, a large work composed in 1719 for a royal wedding that was called off at the last minute, was recorded on LPs in the 1970s and in 2006 received two new recordings, released at nearly the same time. So much for the theory that opera on recordings is dying! ...
These performances of the first six of Corelli's Concerti Grossi, Op. 6, may be a bit too much for some listeners. Modo Antiquo is an Italian period instrument ensemble that plays with an Italianate intensity of expression and heightened lyricism that might be too emotional for those listeners who like their period instrument practice on the dry ...
Vivaldi's operas are rarely recorded and even less often performed, but happily they are gradually gaining more exposure. The most familiar and most frequently recorded is his 1727 Orlando Furioso. The fact that it has been on the public's radar is due largely to an excellent 1977 recording starring Marilyn Horne and Victoria de los Angeles, which ...
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