Josef Matthias Hauer, to judge from his writings and accounts of his social interactions with his contemporaries, was the Rodney Dangerfield of the Viennese serialists; he just couldn't get any respect. Having developed a parallel but markedly individual system of serial tonal organization a little ahead of Arnold Schoenberg's first published ...
Egon Wellesz's Symphony No. 1 from 1946 isn't too bad. At its best, it's second-rate early Berg and at its worst, it's second-rate late Berg. The Symphony No. 8 from 1969 isn't too good. At its best, it's third-rate late Schoenberg and at its worst, it's fourth-rate late Schoenberg. And the Symphonischer Epilog from 1970 isn't any better -- just ...
Where does Egon Wellesz (1885-1974) fit into the Austro-Germanic symphonic tradition? Near the end: although a prolific and successful composer in his native Austria, Wellesz only started composing symphonies after he fled to England following the Anschluss. As the two works on this disc from the '50s demonstrate, Wellesz was just about but not ...
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