This two-disc set is volume 21 in conductor John Eliot Gardiner's series of recordings of Bach's complete sacred cantatas -- a project dubbed "The Bach Cantata Pilgrimage" because each disc preserves a complete concert given at different locations around the world. On the first disc, recorded at King's College Chapel in Cambridge on March 5, 2000, ...
Claudio Monteverdi's sacred music has been ripe for a top-notch complete traversal such as it is now receiving from the King's Consort and conductor Robert King. As choirmaster of St. Mark's Cathedral in Venice for the last 30 years of his life, Monteverdi wrote a lot of sacred music and explored many of the myriad sonic configurations possible in ...
What we have here, ladies and gentlemen, is that rarest of rare things: a genuine world-premiere recording of a piece by Johann Sebastian Bach appropriately entitled Alles mit Gott und nichts ohn' (All with Got and Nothing Without). A single-movement cantata setting of a birthday ode for Duke Wilhelm Ernst of Saxe-Weimar composed in 1713, the work ...
Brand new Bach! What more does anyone need to hear? Discovered in 2005, the strophic aria Alles mit Gott und nicht ohn' ihn (All things with God and nothing without Him) for soprano with a continuo of lute, organ, and bass, plus a ritornello of two violins and viola, is gloriously ripe Bach from 1713 written for the 52nd birthday of his patron, ...
Even at their most celebratory, John Eliot Gardiner's performances of Bach's cantatas are essentially very personal. In this two-disc set of seven cantatas for the Fourteenth Sunday after Trinity and for the Feast of St. Michael and All Angels, Gardiner and his English Baroque Soloists and Monteverdi Choir deliver performances that have an inward, ...
The 22nd and final volume in Ton Koopman and the Amsterdam Baroque Orchestra and Choir's series of recordings of Bach's cantatas includes two of his final Lutheran cantatas, all four of his short Catholic masses based on movements taken from earlier cantatas, and an early secular version of one of the sacred cantatas plus arrangements of two ...
John Stainer's The Crucifixion is England's best-known example of the musical Passion -- inspired equally by the Passion settings of J.S. Bach, the oratorios of Felix Mendelssohn, and traditional Anglican service music. The resemblance to Bach is in the structural alteration between choruses and solo-voice recitatives; Mendelssohn's influence can ...
The pairing of the Australian-British-American Percy Grainger, whose brief works drew heavily on the folk songs of those countries, with the hefty late Romanticism of Norway's Edvard Grieg, seems odd at first. But the two met and spent considerable time together in the months before Grieg's death in 1907, and Grainger later championed the Four ...
With this set of 12 cantatas, a few of them quite short, Dutch historical-instrument conductor Ton Koopman approaches the end of his monumental traversal of the complete Bach cantata corpus. The cantatas here mostly date from the last two decades of Bach's life. By this time Bach had cantatas from earlier cycles ready for most occasions pertaining ...
The "Bach Pilgrimage" of conductor John Eliot Gardiner, with his English Baroque Soloists and Monteverdi Choir, was among a most ambitious musical project: a concert tour devoted to Bach's complete church cantatas, played on historical instruments, matched to the liturgical year in something like real time, and passing through the cities where ...
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