Colin Davis' 2004 recording of Verdi's Falstaff is a strong entry in the LSO Live series, anchored by Michele Pertusi's wooly but authoritative turn as the titular anti-hero. Falstaff, though immensely entertaining on-stage, is one of the hardest operas to capture in recordings: the dense interplay of characters, the busy stage action, and the ...
Hansel und Gretel has probably been performed and recorded in English translation more than any other foreign language opera, due at least in part to widespread efforts to market it as a "starter" opera for children, and therefore make it as user-friendly as possible. Chandos' admirable Opera in English series has produced many landmark English ...
Even if one always has doubts about Simon Rattle conducting Mahler -- doubts about his sincerity and his seriousness -- even if one has always questioned his radically wrong tempos in the Second and Fourth and his amazingly uncomprehending interpretations of the Sixth and Seventh -- one has to admit that Rattle has over time gradually been getting ...
If, in the 20 years spent recording Mahler's 10 symphonies plus his symphonic song cycle Das Lied von der Erde and symphonic oratorio Das Klagende Lied, Simon Rattle was at first determined to deliver performances contradicting accepted standards and at the end equally determined to deliver performances conforming to accepted standards, he ...
Chandos continues its admirable series of operas translated into English with Janácek's Katya Kabanova, its fifth opera by the composer. In spite of Janácek's insistence that his operas be performed only in the original language because of the inextricable link between the text setting of the Czech and the syntax of the music, it's hard to deny ...
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