This is a quiet, chamber performance of a magnificent group of Henry Purcell's sacred works, originally issued on the Columns Classics label in 1997; listener reactions to it will likely depend on how the individual listener feels about the trend toward the downsizing of Baroque performance forces. The Clare College Choir, Cambridge, is a youthful ...
Robert King may have planned to end his series of recordings of the sacred music of Vivaldi with his grandest and most popular piece of sacred music, the Gloria, RV 589, but he couldn't have planned to end it with Vivaldi's Nisi Dominus, RV 803, because when the series began, the Nisi Dominus had not yet been found hidden among the Galuppi sacred ...
For those who believe in Original Sin, Predestination or, for that matter, Karma, here's a two disc set of the complete "Penitential Psalms" of Orlandus Lassus fabulously performed by Henry's Eight and marvelously recorded by Hyperion. Gloomy but glorious works that hope for the best while assuming for the worst, Lassus' setting of seven ...
In this, the sixth volume of John Eliot Gardiner's Bach cantata pilgrimage, Gardiner, the Monteverdi Choir, the English Baroque Soloists, and soloists present three cantatas for the Twelfth Sunday after Trinity (recorded live in the Jakobskirche in Köthen on September 10, 2000) and three cantatas for the Thirteenth Sunday after Trinity (recorded a ...
Nicolas Gombert, active in the first part of the sixteenth century, was of the generation that followed Josquin Desprez and may have been Josquin's student. His a cappella choral music, said one laconic but spot-on contemporary, "avoids rests." In place of the gracefully alternating pairs of voices in Josquin's sacred works the listener hears ...
The small chorus that calls itself the Sixteen, together with its director Harry Christophers, has made numerous exemplary recordings of Renaissance and Baroque choral works, recording the music on its own Coro label and presenting it in compelling ways. The group doesn't have the purity of other Renaissance choirs, nor the power of other Baroque ...
John Blow described Venus and Adonis as a masque, but for all intents and purposes, it's an opera, as fully as Dido and Aeneas is, and it should make anyone who considers the Purcell the first English opera think again. The two works have much in common in their dramatic structure, subject matter, length, and level of musical expressiveness. Based ...
John Blow described Venus and Adonis as a masque, but for all intents and purposes, it's an opera, as fully as Dido and Aeneas is, and it should make anyone who considers the Purcell the first English opera think again. The two works have much in common in their dramatic structure, subject matter, length, and level of musical expressiveness. Based ...
The Bach cantata pilgrimage of conductor John Eliot Gardiner, with his Monteverdi Choir and English Baroque Soloists, began on Christmas of 1999 and continued through the year 2000. At first the musicians retraced some of Bach's steps through northern Germany, then performed in a variety of churches in England and northwestern Europe, matching the ...
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