Cecilia Bartoli maintains a near-perfect mezzo-soprano instrument, which she patently refuses to expose to material that might damage it; never will we hear Bartoli in voice-destroying roles such as Carmen nor in heavyweight mezzo parts such as those encountered in Wagner's Ring cycle. Even though she is a "mainstream" classical artist, the most ...
Anne-Sofie von Otter's Music for a While finds her diving into geographically diverse songs of the Baroque period with the same flair and joyful curiosity that animate all of her projects. She shows a refreshing willingness to change her vocal sound and technique to suit the task at hand, leaving whatever operatic ego she carries with her at the ...
In a sense, Rolando Villazón's collection of Handel arias might be considered a crossover album. It faces the risks of albums that attempt to meld two musical styles in the hope of creating something fresh and appealing, but that run the risk of alienating fans of the styles being merged, who can be put off by what they perceive as musical ...
In a sense, Rolando Villazón's collection of Handel arias might be considered a crossover album. It faces the risks of albums that attempt to meld two musical styles in the hope of creating something fresh and appealing, but that run the risk of alienating fans of the styles being merged, who can be put off by what they perceive as musical ...
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