Since Kamran Ince's Symphony No. 3, "Siege of Vienna" (1994-1995) and his Symphony No. 4, "Sardis" (1999-2000) are programmatic in nature and not designed to meet expectations of the classic form, one may wonder why these works are not simply called tone poems. Ince paints vivid scenes of war's brutality and tragedy in the Symphony No. 3, and ...
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