The Best of Fauré (1997) more music like this

performed by Colm Carey (organ), Dong-Suk Kang (violin), Francois-Joël Thiollier (piano), Jean Martin (piano), Lisa Beckley (soprano), Oxford Camerata, Oxford Schola Cantorum, Pascal Devoyon (piano), Pierre-Alain Volondat (piano)
composed by Gabriel Fauré

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Fauré: Requiem; Messe basse; Cantique de Jean Racine (1994) more music like this

performed by Colm Carey (organ), Lisa Beckley (soprano), Nicholas Gedge (bass), Oxford Camerata, Oxford Schola Cantorum, Jeremy Summerly (conductor)
composed by Déodat de Sévérac, Gabriel Fauré, Louis Vierne

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Ave Maria: Sacred Arias and Choruses (1997) more music like this

performed by Anna di Mauro (mezzo-soprano), Camerata Budapest, Colm Carey (organ), Ingrid Kertesi (soprano), József Mudd (tenor), Jozsef Mukk (tenor), Lisa Beckley (soprano), Priti Coles (soprano), Scholars Baroque Ensemble, Hungarian Radio Chorus (choir, chorus)
composed by César Franck, Charles Gounod, Franz Schubert, Gabriel Fauré, Gaetano Donizetti, George Frederick Handel, Georges Bizet, Giuseppe Giordani, Johann Sebastian Bach, Ludwig van Beethoven, Wolfgang Amadeus Mozart

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Thomas Tallis: Lamentations and Contrafacta (2004) more music like this

performed by Adrian Hutton (bass), Alicia Carroll (soprano), Andrea Brown (soprano), Andrew Hewitt (tenor), Andrew Hope (baritone), Angela Heinkel (soprano), Ashley Stafford (alto), Ben Davis (baritone), Ben Turner (alto), Chapelle du Roi, David Barclay (tenor)
composed by Thomas Tallis

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Heinrich Schütz: Musikalische Exequien (1998) more music like this

performed by Caroline Trevor (alto), Carolyn Sampson (soprano), Diana Moore (alto), Francis Steele (bass), James Gilchrist (tenor), Jonathan Arnold (bass), Jonathan Brown (bass), Libby Crabtree (soprano), Lisa Beckley (soprano), Matthew Vine (tenor)
composed by Heinrich Schütz

The small chorus that calls itself the Sixteen, together with its director Harry Christophers, has made numerous exemplary recordings of Renaissance and Baroque choral works, recording the music on its own Coro label and presenting it in compelling ways. The group doesn't have the purity of other Renaissance choirs, nor the power of other Baroque ...

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