The Triumph of Beauty and Deceit (1995) more music like this

performed by Adrian Clarke (baritone), Andrew Ball (piano), Bruce Nockles (trumpet), Bruce Nockles (piccolo trumpet), Composers Ensemble, Denis Lakey (tenor), Edward Pillinger (clarinet), Edward Pillinger (clarinet), Gareth Newman (contrabassoon)
composed by Gerald Barry

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Lament (1994) more music like this

performed by Brodsky Quartet, Elvis Costello (vocals), Ian Belton (violin), Jacqueline Thomas (cello), Mary Scully (double bass), Michael Lee Thomas (violin), Paul Cassidy (viola), Susan Monks (cello), Wilhelmenia Fernandez (soprano)
composed by David Matthews, Igor Stravinsky, Irish Traditional, Javier Alvarez, Jules Massenet, Michael Thomas, Pawel Szymanski, Peter Sculthorpe

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Handel: Organ Music; Deutsche Arien (2004) more music like this

performed by David Sanger (organ), Jane Fenton (cello), John Shirley-Quirk (bass baritone), Martin Isepp (harpsichord), Mary Scully (double bass), Sara Watkins (oboe), Yvonne Kenny (soprano)
composed by George Frederick Handel

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Elegie (2000) more music like this

performed by Brodsky Quartet, Elvis Costello (vocals), Mary Scully (double bass), Susan Monks (cello), Wilhelmenia Fernandez (soprano)
composed by Dave Brubeck, Franz Joseph Haydn, Igor Stravinsky, Irish Traditional, Javier Alvarez, Jules Massenet, Kurt Weill, Michael Thomas, Peter Sculthorpe, Wolfgang Amadeus Mozart

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Vivaldi: Cello Concertos (2008) more music like this

performed by Dawn Johnston (theorbo), Dawn Johnston (baroque guitar), Han-Na Chang (cello), Helena Brown (organ), Helena Brown (harpsichord), John Heley (cello), Mary Scully (double bass), London Chamber Orchestra, Christopher Warren-Green (conductor)
composed by Antonio Vivaldi

Young cellist Han-Na Chang, Korean-born and trained in the U.S. by Mstislav Rostropovich, is a newcomer to Baroque music, having released a mixture of cello classics and late-Romantic and contemporary concertos up to this time. Here she delivers a set of seven Vivaldi cello concertos that Rostropovich himself might have helped her shape; it's ...

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