Bach: Cantatas 26, 62, 116, 139 [Hybrid SACD] (2005) more music like this

performed by Azumi Takada (violin), Bach Collegium Japan Orchestra, Hidemi Suzuki (cello), Makoto Sakurada (tenor), Masaaki Suzuki (harpsichord), Masamitsu San'nomiya (oboe d'amore), Masamitsu San'nomiya (oboe), Naoko Imai (organ), Natsumi Wakamatsu (violin)
composed by Johann Sebastian Bach

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Bach: Cantatas 8, 33, 113 (2004) more music like this

performed by Bach Collegium Japan Orchestra, Gerd Turk (tenor), Hidemi Suzuki (cello), Kiyotaka Dosaka (oboe), Masaaki Suzuki (cembalo), Naoko Imai (organ), Peter Kooij (bass), Robin Blaze (counter tenor), Yukari Nonoshita (soprano), Masaaki Suzuki (conductor)
composed by Johann Sebastian Bach

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Monteverdi: Vespro della Beata Vergine/Missa in illo tempore (1999) more music like this

performed by Gerd Turk (tenor), Hidemi Suzuki (violin), Midori Suzuki (soprano), Mutsumi Hatano (alto), Naoko Imai (organ), Stephan MacLeod (bass), Stephan Van Dyck (tenor), Yoshie Hida (soprano), Yoshitaka Ogasawara (bass), Yukari Nonoshita (soprano)
composed by Claudio Monteverdi

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Bach: Cantatas, BWV 96, 122, 180 [Hybrid SACD] more music like this

performed by Akimasa Mukae (sopranino recorder), Hidemi Suzuki (cello), Hidemi Suzuki (piccolo), Makoto Sakurada (tenor), Naoko Imai (organ), Peter Kooij (bass), Timothy Kenworthy-Brown (counter tenor), Toshio Shimada (corno d), Yukari Nonoshita (soprano)
composed by Johann Sebastian Bach

Several complete cycles of Bach's cantatas were launched by authentic-performance ensembles in the early 2000s, with many of the resulting recordings being marketed as individual discs as well. Why this sudden cornucopia of product focusing on a historically slow-selling segment of the master's output? Could it be the modishness of devotional ...

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