Fans of contemporary but conservative choral music brimming with tonal melodies, steady rhythms, and accessible harmonies may find this Telarc album a pleasant diversion, though they should also note that the works presented here by Robert Spano and the Atlanta Symphony Orchestra & Chorus are fairly dramatic, somewhat presentational, a little ...
Fans of contemporary but conservative choral music brimming with tonal melodies, steady rhythms, and accessible harmonies may find this Telarc album a pleasant diversion, though they should also note that the works presented here by Robert Spano and the Atlanta Symphony Orchestra & Chorus are fairly dramatic, somewhat presentational, a little ...
Comparisons between a landmark first recording and those that follow it may be inevitable, but they need not be invidious. Since Benjamin Britten's classic rendition of his War Requiem, Op. 66, set an incredibly high standard, it seems unlikely that others could match it. Yet this remarkably controlled but powerful and ultimately moving ...
Comparisons between a landmark first recording and those that follow it may be inevitable, but they need not be invidious. Since Benjamin Britten's classic rendition of his War Requiem, Op. 66, set an incredibly high standard, it seems unlikely that others could match it. Yet this remarkably controlled but powerful and ultimately moving ...
The pivotal works of Ernst Krenek's early career were large-scale operas -- the jazz-inspired zeitoper Jonny spielt auf (1927) and the austerely serial Karl V (1931-1933) -- and he continued to work with the form throughout his career. For his 40-minute chamber opera, What Price Confidence (1945), for four singers and piano, Krenek devised his own ...
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