Rossini: Il barbiere di Siviglia (1996) more music like this

performed by Beverly Sills (vocals), Fedora Barbieri (vocals), John Constable (continuo), Joseph Galiano (vocals), Michael Rippon (vocals), Nicolai Gedda (vocals), Renato Capecchi (vocals), Ruggero Raimondi (vocals), Sherrill Milnes (vocals)
composed by Gioachino Rossini

On paper, this looks like a dream version of The Barber of Seville -- Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, and Ruggero Raimondi, conducted by James Levine. It's never less than fully professional, but only occasionally catches fire and lifts off with the lightness that characterizes truly transcendent performances of ...

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Rossini: The Barber of Seville more music like this

performed by Carlos Chausson (vocals), Frank Lopardo (vocals), Gabriele Sima (vocals), Goran Simic (vocals), Göran Söllscher (guitar), Kathleen Battle (vocals), Lucio Gallo (vocals), Plácido Domingo (vocals), Ronald Schneider (harpsichord), Ronald Schneider (vocals)
composed by Gioachino Rossini

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Verdi: Attila (2005) more music like this

performed by Carlo Bergonzi (tenor), Christina Deutekom (soprano), Finchley Children's Music Group, Jules Bastin (bass), Ricardo Cassinelli (tenor), Ruggero Raimondi (bass), Sherrill Milnes (baritone), Ambrosian Singers (choir, chorus), Royal Philharmonic Orchestra
composed by Giuseppe Verdi

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The Best of Domingo more music like this

performed by Edita Gruberová (vocals), Giovanni Foiani (vocals), Nicolai Ghiaurov (vocals), Pedro di Proenza (vocals), Piero Cappuccilli (vocals), Plácido Domingo (vocals), Ruggero Raimondi (vocals), Vienna Philharmonic Orchestra
composed by Friedrich von Flotow, Gaetano Donizetti, Georges Bizet, Giacomo Puccini, Giuseppe Verdi, Jacques Offenbach

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Rossini: Il Viaggio A Reims (1983) more music like this

performed by Antonella Bandelli (vocals), Bernadette Manca di Nissa (vocals), Cecilia Gasdia (vocals), Chamber Orchestra of Europe (chamber ensemble), Edoardo Gimenez (vocals), Enzo Dara (baritone), Ernesto Gavazzi (tenor), Francisco Araiza (vocals)
composed by Gioachino Rossini

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Tosca [Original Motion Picture Soundtrack] (2001) more music like this

performed by Angela Gheorghiu (soprano), David Cangelosi (vocals), Enrico Fissore (vocals), Gwynne Howell (vocals), Maurizio Muraro (vocals), Roberto Alagna (tenor), Ruggero Raimondi (bass), Sorin Coliban (vocals), Antonio Pappano (conductor)
composed by Giacomo Puccini

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Verdi: Don Carlo more music like this

performed by Agnes Baltsa (mezzo-soprano), Barbara Hendricks (soprano), Carlo Meletti (baritone), Edita Gruberová (soprano), Horst Nitsche (tenor), José Carreras (tenor), José van Dam (bass), Mirella Freni (soprano), Nicolai Ghiaurov (bass)
composed by Giuseppe Verdi

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Verdi: Greatest Hits (1994) more music like this

performed by Agnes Baltsa (soprano), Aprile Millo (soprano), Dietrich Fischer-Dieskau (baritone), Dolora Zajick (mezzo-soprano), Eileen Farrell (soprano), José Carreras (tenor), Kiri Te Kanawa (soprano), Laurence Dale (tenor), Luciano Pavarotti (tenor)
composed by Giuseppe Verdi

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Debussy: Pelléas et Mélisande more music like this

performed by Christine Barbaux (vocals), Frederica Von Stade (vocals), José van Dam (vocals), Nadine Denize (vocals), Pascal Thomas (vocals), Richard Stilwell (vocals), Ruggero Raimondi (vocals), Deutschen Opernchor Berlin (choir, chorus)
composed by Claude Debussy

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Rossini: The Barber of Seville (Highlights) (2000) more music like this

performed by Beverly Sills (soprano), Joseph Galiano (tenor), Nicolai Gedda (tenor), Renato Capecchi (bass), Ruggero Raimondi (bass), Sherrill Milnes (baritone), John Alldis Choir (choir, chorus), London Symphony Orchestra, James Levine (conductor)
composed by Gioachino Rossini

On paper, this recording of excerpts (including about half of the music from the opera) looks like a dream version of The Barber of Seville: Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, and Ruggero Raimondi all conducted by James Levine. It's never less than fully professional, but only occasionally catches fire and lifts off ...

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Rossini: The Barber of Seville (1996) more music like this

performed by Beverly Sills (soprano), Fedora Barbieri (mezzo-soprano), John Constable (harpsichord), Joseph Galiano (baritone), Michael Rippon (bass), Nicolai Gedda (tenor), Renato Capecchi (baritone), Ruggero Raimondi (bass), Sherrill Milnes (baritone)
composed by Gioachino Rossini

On paper, this looks like a dream version of The Barber of Seville -- Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, and Ruggero Raimondi, conducted by James Levine. It's never less than fully professional, but only occasionally catches fire and lifts off with the lightness that characterizes truly transcendent performances of ...

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Rossini: Messe Solonnelle/Stabat Mater (1997) more music like this

performed by Hans Sotin (bass), La Scala Theater Chorus, Leone Magiera (piano), Lucia Valentini Terrani (mezzo-soprano), Luciano Pavarotti (tenor), Mirella Freni (soprano), Pilar Lorengar (soprano), Ruggero Raimondi (bass), Vittorio Rosetta (harmonium)
composed by Gioachino Rossini

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Rossini: Il Viaggio a Reims (1993) more music like this

performed by Barbara Frittoli (soprano), Bojidar Nikolov (vocals), Cheryl Studer (soprano), Claudio Otelli (vocals), Enzo Dara (baritone), Giorgio Surian (vocals), Guglielma Mattei (vocals), Lucia Valentini Terrani (vocals), Luciana Serra (vocals)
composed by Gioachino Rossini

Rossini's Il viaggio a Reims may be the first postmodern opera in terms of the self-referentiality of its libretto: it was written about a future event -- the coronation of Charles X of France in 1825 -- to be performed as part of the celebration surrounding the coronation itself. The libretto, by Luigi Balocchi, is one of the silliest and most ...

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Mozart: Don Giovanni (1979) more music like this

performed by Edda Moser (vocals), Janine Reiss (harpsichord), John Macurdy (vocals), José van Dam (vocals), Kenneth Riegel (vocals), Kiri Te Kanawa (vocals), Malcolm King (vocals), Ruggero Raimondi (vocals), Teresa Berganza (vocals)
composed by Wolfgang Amadeus Mozart

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Verdi: Aida (1999) more music like this

performed by Bruce Brewer (tenor), Grace Bumbry (mezzo-soprano), Hans Sotin (bass), Joyce Mathis (soprano), Leontyne Price (soprano), Plácido Domingo (tenor), Ruggero Raimondi (bass), Sherrill Milnes (baritone), John Alldis Choir (choir, chorus)
composed by Giuseppe Verdi

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The Ultimate Opera Collection (1992) more music like this

performed by Barbara Hendricks (vocals), Ensemble Orchestral de Paris, Frederica Von Stade (vocals), Giacomo Aragall (vocals), I Solisti Veneti, Janet Baker (vocals), José Carreras (vocals), Jules Bastin (vocals), Julia Migenes (vocals), Kiri Te Kanawa (vocals)
composed by Charles Gounod, Christoph Willibald Gluck, Gaetano Donizetti, George Frederick Handel, Georges Bizet, Giacomo Puccini, Giuseppe Verdi, Ruggero Leoncavallo, Wolfgang Amadeus Mozart

see all copies from £3.11!

Bizet: Carmen (L'Enregistrement original du film) [Excerpts] more music like this

performed by Faith Esham (soprano), John-Paul Bogart (bass), Julia Migenes (mezzo-soprano), Lillian Watson (soprano), Plácido Domingo (tenor), Ruggero Raimondi (baritone), Susan Daniel (soprano), French Radio Choir (choir, chorus), Orchestre National de France
composed by Georges Bizet

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Puccini: Turandot (1982) more music like this

performed by Barbara Hendricks (vocals), Francisco Araiza (vocals), Gottfried Hornik (vocals), Heinz Zednik (vocals), Katia Ricciarelli (vocals), Piero de Palma (vocals), Plácido Domingo (vocals), Ruggero Raimondi (vocals), Siegmund Nimsgern (vocals)
composed by Giacomo Puccini

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More Amore The Great Italian Love Duets (1991) more music like this

performed by Adriana Morelli (soprano), Bidu Sayao (soprano), Eileen Farrell (soprano), Ljuba Welitsch (soprano), Plácido Domingo (tenor), Renata Scotto (soprano), Richard Tucker (tenor), Ruggero Raimondi (baritone), Teresa Berganza (soprano)
composed by Francesco Cilea, Giacomo Puccini, Giuseppe Verdi, Pietro Mascagni, Wolfgang Amadeus Mozart

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Aďda told by Leontyne Price (2000) more music like this

performed by Grace Bumbry (mezzo-soprano), Joyce Mathis (soprano), Leontyne Price (soprano), Plácido Domingo (tenor), Ruggero Raimondi (bass), Sherrill Milnes (baritone), John Alldis Choir (choir, chorus), London Symphony Orchestra, Erich Leinsdorf (conductor)
composed by Giuseppe Verdi

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Giacomo Puccini: Tosca more music like this

performed by Fernando Corena (vocals), Gottfried Hornik (vocals), Heinz Zednik (vocals), José Carreras (vocals), Katia Ricciarelli (vocals), Ruggero Raimondi (vocals), Victor von Halem (vocals), Wolfgang Bunten (vocals), Deutschen Opernchor Berlin (choir, chorus)
composed by Giacomo Puccini

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Giuseppe Verdi: Aida (1994) more music like this

performed by Agnes Baltsa (mezzo-soprano), José Carreras (tenor), José van Dam (bass), Katia Ricciarelli (soprano), Mirella Freni (soprano), Piero Cappuccilli (vocals), Ruggero Raimondi (bass), Thomas Moser (tenor)
composed by Giuseppe Verdi

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Verdi, Mozart: Requiem (1990) more music like this

performed by Dietrich Fischer-Dieskau (baritone), English Chamber Orchestra (chamber ensemble), Fiorenza Cossotto (mezzo-soprano), Janet Baker (mezzo-soprano), Jon Vickers (tenor), Montserrat Caballé (soprano), Nicolai Gedda (tenor), Ruggero Raimondi (bass)
composed by Giuseppe Verdi, Wolfgang Amadeus Mozart

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Panorama: Giuseppe Verdi, Vol. 2 (2001) more music like this

performed by Carlo Cossutta (tenor), Christa Ludwig (contralto), Giovanni Foiani (vocals), Katia Ricciarelli (soprano), Leo Nucci (vocals), Lucia Valentini Terrani (vocals), Mario del Monaco (tenor), Mirella Freni (soprano), Nicolai Ghiaurov (bass)
composed by Giuseppe Verdi

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Rossini: Stabat Mater (2006) more music like this

performed by Dalmacio Gonzalez (tenor), Katia Ricciarelli (soprano), Lucia Valentini Terrani (soprano), Ruggero Raimondi (bass), Philharmonia Chorus (choir, chorus), Philharmonia Orchestra of London, Carlo Maria Giulini (conductor)
composed by Gioachino Rossini

There's no doubting Gioachino Rossini's sincerity in his Stabat Mater -- he himself was so moved by the piece that he couldn't bear to attend the work's dress rehearsal or any of its first performances -- but still, his setting of the Latin text is, strictly speaking, only a sacred work. With its heightened drama, its passionate lyricism and its ...

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