On EMI Classics' Shostakovich, Prokofiev: Violin Concertos, eminent and beauteous violinist Sarah Chang is joined by Simon Rattle and the Berlin Philharmonic in the two big twentieth century Russian violin concerti. These two works are not combined on CD quite as often as one might think, and mostly appear together in collections devoted to ...
With the performers on this disc, you would expect first-rate performances of Dvorák's Violin Concerto and his Piano Quintet. Unfortunately, no matter what you think of the performances, the sound quality of the recording will leave you disappointed. In both the concerto and the quintet, the sound from everyone is rather thin and flat. The depth ...
This EMI release of The Four Seasons gives violinist Sarah Chang top billing (as would be expected) and the Orpheus Chamber Orchestra a smaller, less significant listing. As far as the quality of performance goes, however, Orpheus should absolutely be considered the star of this recording with Chang getting the footnote instead. This is simply not ...
The question is not "Is Bernard Haitink's cycle of the symphonies of Vaughan Williams the best digital set of the symphonies?" The answer to that question is an emphatic yes. Haitink's technique is beyond reproach and his interpretations are not only overwhelmingly passionate, they are deeply poetic and profoundly musical. The London Philharmonic, ...
With Sarah Chang's celebrity as a child prodigy somewhat faded and her musicianship matured, she can forgo recording encore albums and at last get to work on some serious material. That she does, and quite brilliantly, on this EMI album of violin sonatas by Franck, Saint-Saëns, and Ravel. With the solid support of her accompanist Lars Vogt, Chang ...
If there were an international style of conducting Vaughan Williams', Bernard Haitink would be its foremost practitioner. But although there have been international conductors who have taken up Vaughan Williams' very, very English music, virtually all of them took him up with English orchestras. Slatkin, Stokowski, even Rozhdestvensky used English ...
What Károly Goldmark and Ernó Dohnányi have in common is their national origin -- Hungary -- their harmonic language -- tonality -- their basic style -- Romanticism -- and, it must be said, their relative obscurity. What distinguishes them is primarily their dates. Goldmark (1830-1915) wrote in the fullest blooming of late Romantic nineteenth ...
This 16-disc collection is even more ambitious than it appears on the cover. It's not just an anthology of recordings of music of the twentieth century, but an introduction to the whole subject, with a comprehensive text overview (or at least as comprehensive as you can be in 17 pages). The organization is chronological, and each piece is ...
Now one of the most frequently performed and most-loved violin concertos of all time, Tchaikovsky's D major Violin Concerto got off to a very rocky start. He had difficulty settling on a dedicatee due to Leopold Auer's original refusal due to the concerto's extreme technical demands, and it was not well-received by music critics of the time. Quite ...
The Dvorák violin concerto was born of the same inspiration as Brahms' violin concerto: the great violin virtuoso Joseph Joachim. As with Brahms, Joachim assisted Dvorák greatly in the revision of his first attempt, yielding an extremely idiomatic, deeply lyrical contribution to the repertoire. Like his other concertos, the soloist and orchestra ...
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