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Bach: Inventions & Partita
(2007)
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performed by
David Techler (cello maker), Janine Jansen (violin), Maxim Rysanov (viola), Torleif Thedeen (cello)
composed by
Johann Sebastian Bach
Listeners looking for an exercise in virtuosity may find Janine Jansen's 2007 Bach recording a disappointment; the serious nature of the program precludes showboating. But listeners hoping that Jansen had more musical individuality to offer than was revealed in her early recordings of standard violin showpieces may find this recording a wonderful ...
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Saint-Saëns: La Muse et le poète; Violin Concerto No. 2; Spartacus Overture
(2001)
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performed by
Jean-Jacques Kantorow (violin), Torleif Thedeen (cello), Tapiola Sinfonietta, Jean-Jacques Kantorow (conductor)
composed by
Camille Saint-Saëns
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Bloch: Symphony in C sharp minor/Schelomo
(1993)
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performed by
David Techler (cello maker), Torleif Thedeen (cello), Malmö Symphony Orchestra, Lev Markiz (conductor)
composed by
Ernest Bloch
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Camille Saint-Saëns: The Two Cello Concertos; Romance for cello & orchestra; Symphony in A major
(1998)
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performed by
Tapiola Sinfonietta, Torleif Thedeen (cello), Jean-Jacques Kantorow (conductor)
composed by
Camille Saint-Saëns
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Brahms: Clarinet Sonatas & Trio [Hybrid SACD]
(2005)
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performed by
Martin Frost (clarinet), Roland Pöntinen (piano), Torleif Thedeen (cello)
composed by
Johannes Brahms
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Sibelius: Complete music for cello & piano
(1996)
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performed by
Folke Grasbeck (piano), Torleif Thedeen (cello)
composed by
Jean Sibelius
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Schnittke: Chamber Music
(1994)
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performed by
Oleh Krysa (violin), Tatiana Tchekina (piano), Torleif Thedeen (cello)
composed by
Alfred Schnittke
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The Russian Cello
(1986)
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performed by
Roland Pöntinen (piano), Torleif Thedeen (cello)
composed by
Alfred Schnittke, Dmitry Shostakovich, Igor Stravinsky
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Kokkonen: Sinfonisia Lounnoksia
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performed by
Torleif Thedeen (cello), Lahti Symphony Orchestra, Osmo Vänskä (conductor)
composed by
Joonas Kokkonen
BIS deserves kudos for its extraordinary efforts in promoting Scandinavian composers and for presenting many impressive symphonies that deserve more attention in the west. Finnish composer Joonas Kokkonen is one of the few modern symphonists to adhere rigorously to traditional practices and to know what makes a symphony tick. Because of this, he ...
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Aulis Sallinen: Variations for Orchestra; Violin Concerto
(1992)
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performed by
Eeva Koskinen (violin), Tapiola Sinfonietta, Torleif Thedeen (cello), Osmo Vänskä (conductor)
composed by
Aulis Sallinen
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Alfred Schnittke: Epilogue; works for cello & piano
(2007)
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performed by
Roland Pöntinen (piano), Torleif Thedeen (cello)
composed by
Alfred Schnittke
This CD brings together five attractive works for cello and piano by Alfred Schnittke. The pieces, while demonstrating the stylistic diversity for which the composer is famous, largely share a tone of nostalgia, of wistfulness for what has been lost, or of anger at the fact of its loss. The two sonatas for cello and piano in particular bring ...
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Shostakovich: Cello Concertos
(1993)
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performed by
Torleif Thedeen (cello), Malmö Symphony Orchestra, James DePreist (conductor)
composed by
Dmitry Shostakovich
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Dvorák: Cello Concerto
(2002)
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performed by
Torleif Thedeen (cello), Malaysian Philharmonic Orchestra, Kees Bakels (conductor)
composed by
Antonin Dvorák
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Schumann & Elgar Cello Concertos
(1991)
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performed by
Torleif Thedeen (cello), Malmö Symphony Orchestra, Lev Markiz (conductor)
composed by
Edward Elgar, Robert Schumann
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Chopin: Cello Sonata; Schumann: Works for Cello and Piano
(1999)
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performed by
Roland Pöntinen (piano), Torleif Thedeen (cello)
composed by
Frédéric Chopin, Robert Schumann
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Bretten: Solo Cello Suites
(1989)
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performed by
Torleif Thedeen (cello)
composed by
Benjamin Britten
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Alfred Schnittke: Cello Concerto No. 2; Concerto Grosso No. 2
(1992)
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performed by
Oleh Krysa (violin), Torleif Thedeen (cello), Malmö Symphony Orchestra, Lev Markiz (conductor)
composed by
Alfred Schnittke
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Hindemith: Cello Music
(1996)
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performed by
Roland Pöntinen (piano), Torleif Thedeen (cello), Amsterdam New Sinfonietta, Lev Markiz (conductor)
composed by
Paul Hindemith
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Édouard Lalo: Cello Concerto; Symphony in G minor; Namouna
(2006)
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performed by
David Techler (cello maker), Torleif Thedeen (cello), Malaysian Philharmonic Orchestra, Kees Bakels (conductor)
composed by
Edouard Lalo
Dutch conductor Kees Bakels has already proven he can get the Malaysian Philharmonic to play Russian nationalist music of the late imperial age and sound completely convincing. Witness their three discs of Rimsky-Korsakov's orchestral music. But can Bakels get the Malaysian Philharmonic to play French romantic music of la belle époque and make ...
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Der Neunte Tag: Featuring the Music of Alfred Schnittke
(1989)
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performed by
Christian Bergqvist (violin), Patrik Swedrup (violin), Roland Pöntinen (piano), Torleif Thedeen (cello)
composed by
Alfred Schnittke
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Schulhoff: Chamber Music
(1996)
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performed by
Oleh Krysa (violin), Stefan Bojsten (piano), Tatiana Tchekina (piano), Torleif Thedeen (cello)
composed by
Erwin Schulhoff
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Russian Cello 2
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performed by
Roland Pöntinen (piano), Torleif Thedeen (cello)
composed by
Sergey Prokofiev, Sergey Rachmaninov
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Dag Wirén: Chamber Music
(1992)
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performed by
Dan Almgren (violin), Stefan Bojsten (piano), Stockholm Arts Trio, Torleif Thedeen (cello)
composed by
Dag Wirén
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Berlioz: Les Nuits D'été/Mélodies/Rom±o Et Juliette
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performed by
Anne Sofie von Otter (mezzo-soprano), Berlin Philharmonic Orchestra, Cord Garben (piano), Torleif Thedeen (cello), Berlin RIAS-Chamber Choir (choir, chorus), Royal Swedish Opera Orchestra and Chorus (choir, chorus), James Levine (conductor)
composed by
Hector Berlioz
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Sofia Gubaidulina: The Deceitful Face of Hope and of Despair; Sieben Worte [Hybrid SACD]
(2006)
more music like this
performed by
Mie Miki (accordion), Sharon Bezaly (flute), Torleif Thedeen (cello), Gothenburg Symphony Orchestra, Mario Venzago (conductor)
composed by
Sofia Gubaidulina
Sofia Gubaidulina's The Deceitful Face of Hope and of Despair (2005) is stark, existential music, a weighty flute concerto cast in one continuous movement that lasts close to a half hour, and which challenges the emotions of the listener almost as much as it taxes the endurance of the soloist. If the title -- drawn from T.S. Eliot's penitential ...
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