Beethoven: 9 Symphonies [Box Set] more music like this

performed by Gundula Janowitz (soprano), Hilde Rossel-Majdan (alto), Waldemar Kmentt (tenor), Walter Berry (baritone), Wiener Singverein (choir, chorus), Berlin Philharmonic Orchestra, Herbert von Karajan (conductor)
composed by Ludwig van Beethoven

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Beethoven: Symphonie No. 9; Ouvertüre "Coriolan" more music like this

performed by Gundula Janowitz (soprano), Hilde Rossel-Majdan (contralto), Hilde Rossel-Majdan (alto), Waldemar Kmentt (tenor), Walter Berry (vocals), Herbert von Karajan (conductor)
composed by Ludwig van Beethoven

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Richard Strauss: Salome [Remastered] more music like this

performed by Aron Gestner (vocals), Birgit Nilsson (vocals), Eberhard Wächter (vocals), Gerhard Stolze (vocals), Grace Hoffmann (vocals), Heinz Holecek (vocals), Josephine Veasey (vocals), Kurt Equiluz (vocals), Liselotte Maikl (vocals), Max Proebstl (vocals)
composed by Richard Strauss

Richard Strauss' early operatic success with Salome helped secure the composer a distinguished place in history. Although the lustful Salome had been portrayed before, it wasn't until Strauss expounded upon Oscar Wilde's play that this story became so massively successful. The popularity that the opera enjoyed has only seemed to grow, and a number ...

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Haydn: The Creation; Missa Bervis Sti; Missa Sti Nicolai (1995) more music like this

performed by Agnes Giebel (vocals), Alois Buchbauer (bass), Gottlob Frick (bass), Josef Boehm (organ), Margarethe Scharitzer (harpsichord), Mechtild Von Kries (organ), Rudolf Resch (tenor), Vienna Boys' Choir, Waldemar Kmentt (tenor)
composed by Franz Joseph Haydn

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Beethoven: The Symphonies [Hybrid SACD] [Box Set] more music like this

performed by Gundula Janowitz (soprano), Hilde Rossel-Majdan (contralto), Waldemar Kmentt (tenor), Walter Berry (bass), Wiener Singverein (choir, chorus), Berlin Philharmonic Orchestra, Herbert von Karajan (conductor)
composed by Ludwig van Beethoven

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Richard Strauss: Arabella (1992) more music like this

performed by Anton Dermota (vocals), Eberhard Wächter (vocals), Fritz Sengl (vocals), George London (vocals), Harald Proglhoff (vocals), Hilde Gueden (vocals), Ira Malaniuk (vocals), Judith Hellwig (vocals), Karl Kolowratnik (vocals), Lisa della Casa (vocals)
composed by Richard Strauss

How can one decide between Lisa della Casa's many recordings of Strauss' Arabella? After all, she recorded the work twice for major labels -- this 1957 Decca recording with Solti conducting and a 1963 DG recording with Keilberth conducting -- and, beyond that, there are half a dozen or so extant live recordings. But of course, when you want a ...

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Strauss: Salome (1999) more music like this

performed by Eberhard Wächter (vocals), Ewald Aichberger (vocals), Frederick Guthrie (vocals), Grace Hoffmann (vocals), Hans Hopf (vocals), Heinz Zednik (vocals), Herbert Lackner (vocals), Karl Terkal (vocals), Kurt Equiluz (vocals), Leonie Rysanek (vocals)
composed by Richard Strauss

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Beethoven: The Complete Symphonies and Piano Concertos (2000) more music like this

performed by Aase Nordmo-Løvberg (soprano), Christa Ludwig (mezzo-soprano), Daniel Barenboim (piano), Hans Hotter (baritone), Waldemar Kmentt (tenor), John Alldis Choir (choir, chorus), Philharmonia Chorus (choir, chorus), Otto Klemperer (conductor)
composed by Ludwig van Beethoven

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Mozart: Die Zauberflöte (1988) more music like this

performed by Alexander Maly (vocals), Andreas Fischer (vocals), Anton Scharinger (vocals), Antti Suhonen (vocals), Barbara Bonney (vocals), Delores Ziegler (vocals), Edita Gruberová (vocals), Edith Schmid (vocals), Hans Peter Blochwitz (vocals)
composed by Wolfgang Amadeus Mozart

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Der Ring Des Nibelungen: Great Scenes (1988) more music like this

performed by Berit Lindholm (vocals), Birgit Nilsson (vocals), Brigitte Fassbaender (vocals), Claudia Hellmann (vocals), Eberhard Wächter (vocals), George London (vocals), Gerhard Stolze (vocals), Gottlob Frick (vocals), Hans Hotter (vocals), Helen Watts (vocals)
composed by Richard Wagner

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Beethoven: Overture "Coriolan"/Symphony No.9 more music like this

performed by Berlin Philharmonic Orchestra, Gundula Janowitz (soprano), Hilde Rossel-Majdan (contra-alto), Waldemar Kmentt (tenor), Walter Berry (vocals), Wiener Singverein (choir, chorus), Herbert von Karajan (conductor)
composed by Ludwig van Beethoven

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Johann Strauss: Die Fledermaus (2004) more music like this

performed by Eberhard Wächter (vocals), Erich Kuchar (vocals), Erich Kunz (vocals), Gundula Janowitz (vocals), Heinz Holecek (vocals), Renate Holm (vocals), Sylvia Lukan (vocals), Waldemar Kmentt (vocals), Wolfgang Windgassen (vocals)
composed by Johann Strauss II

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Beethoven: Symphony No. 9 [Hybrid SACD] (2003) more music like this

performed by Gundula Janowitz (soprano), Hilde Rossel-Majdan (contralto), Waldemar Kmentt (tenor), Walter Berry (bass), Wiener Singverein (choir, chorus), Berlin Philharmonic Orchestra, Herbert von Karajan (conductor)
composed by Ludwig van Beethoven

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Johann Strauss: Die Fledermaus (2007) more music like this

performed by Birgit Nilsson (vocals), Eberhard Wächter (vocals), Erich Kunz (vocals), Erika Koth (vocals), Ettore Bastianini (vocals), Fernando Corena (vocals), Giulietta Simionato (vocals), Giuseppe Zampieri (vocals), Hedwig Schubert (vocals), Hilde Gueden (vocals)
composed by Benedetto Ferrari, Felix Lavilla, Franz Lehár, Frederick Loewe, George Gershwin, Irving Berlin, Johann Strauss II, Luigi Arditi, Rudolf Sieczynski, Vincenzo Valente

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Mahler: Das Lied von der Erde (2002) more music like this

performed by Janet Baker (alto), Waldemar Kmentt (tenor), Rafael Kubelik (conductor)
composed by Gustav Mahler

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Janácek: Jenufa (2004) more music like this

performed by Allen Catheart (vocals), Anny Felbermayer (vocals), Elisabeth Höngen (vocals), Elisabeth Söderström (vocals), Gwendolyn Jones (vocals), Hans Braun (vocals), Jean Cox (vocals), John Del Carlo (vocals), Martha Mödl (vocals), Pamela South (vocals)
composed by Leos Janácek

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Wiener Staatsoper Live: Nicolai Ghiaurov (2005) more music like this

performed by Eberhard Wächter (baritone), Karl Terkal (tenor), Nicolai Ghiaurov (bass), Rohangiz Yachmi (mezzo-soprano), Waldemar Kmentt (tenor), Vienna State Opera Chorus (choir, chorus), Vienna State Opera Orchestra
composed by Gioachino Rossini, Giuseppe Verdi, Modest Mussorgsky, Pyotr Il'yich Tchaikovsky

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Beethoven: Fidelio (2006) more music like this

performed by Christel Goltz (vocals), Erich Wenk (vocals), Giuseppe Zampieri (vocals), Gladys Kuchta (vocals), Heinz Rehfuss (vocals), Helmut Kretschmar (vocals), Horst Sellentin (vocals), Julius Patzak (vocals), Karl Kümmel (vocals), Melitta Muszely (vocals)
composed by Ludwig van Beethoven

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Beethoven: Symphonie No. 9 (1990) more music like this

performed by Aase Nordmo-Løvberg (soprano), Christa Ludwig (mezzo-soprano), Hans Hotter (bass), Waldemar Kmentt (tenor), Philharmonia Chorus (choir, chorus), Philharmonia Orchestra of London, Otto Klemperer (conductor)
composed by Ludwig van Beethoven

see all copies from £6.17!

Berg: Lulu (2004) more music like this

performed by Anja Silja (vocals), Ernst Gutstein (vocals), Gerd Nienstedt (vocals), Hans Brand (vocals), Hans Hotter (vocals), Heinz Zednik (vocals), Hilde Konetzni (vocals), Manfred Jungwirth (vocals), Mario Guggia (vocals), Martha Mödl (vocals)
composed by Alban Berg

Someday soon, recordings of the two-act version of Berg's Lulu will be historical curiosities. After all, now there is an authentic three-act version of the opera with the melodies, harmonies, rhythms, and most of the orchestration in Berg's hand. But there was a time when all there was of Lulu was a two-act torso and that was all anybody thought ...

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Mozart: Davidde Penitente (2006) more music like this

performed by Adriana Martino (soprano), Anton Dermota (vocals), Suzanne Danco (soprano), Waldemar Kmentt (tenor), RAI Symphony Chorus, Turin (choir, chorus)
composed by Wolfgang Amadeus Mozart

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Hermann Goetz: Der Widerspenstigen Zähmung (2006) more music like this

performed by Annelies Kupper (vocals), Benno Kusche (vocals), Elisabeth Lindermeier (vocals), Gertrud Vollrad (vocals), Gottlob Frick (vocals), John Kuhn (vocals), Marcel Cordes (vocals), Paul Kuen (vocals), Waldemar Kmentt (vocals)
composed by Hermann Goetz

German composer Hermann Goetz (1840-1876) completed his only opera, based on Shakespeare's The Taming of the Shrew, in 1872. The opera was popular in its time, but since the beginning of the twentieth century it has received few productions. It continues the tradition of light German operas of the mid-nineteenth century, particularly those of Otto ...

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Strauss: Die Fledermaus more music like this

performed by Benno Kusche (vocals), Brigitte Fassbaender (vocals), Carole Malone (vocals), Eberhard Wächter (vocals), Friedrich Lenz (vocals), Gundula Janowitz (vocals), Otto Schenk (vocals), Waldemar Kmentt (vocals), Wolfgang Brendel (vocals)
composed by Johann Strauss II

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Great Conductors in the Bicentenary Year 1956 (2006) more music like this

performed by Eli Goren (violin), Emanuel Hurwitz (violin), Erich Majkut (vocals), Ira Malaniuk (vocals), Kurt Böhme (vocals), Peter Graeme (oboe), Rudolf Christ (vocals), Terence Weil (cello), Teresa Stich-Randall (vocals), Vienna Symphony Wind Instruments
composed by Wolfgang Amadeus Mozart

Released in 2006, that is, 250 years after Mozart's birth, this four-disc set returns to the catalog many of the recordings that made the bicentenary of Mozart's birth in 1956 a reason to celebrate. Perhaps not all the recordings were wholly worth reissuing -- Otto Ackermann's 1953 recording of Symphonies No. 22 and No. 24 with the Amsterdam ...

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Beethoven: Symphony No. 9 more music like this

performed by Heinz Rehfuss (bass), Katharina Marti (contralto), Maria Stader (soprano), Waldemar Kmentt (tenor), Choeur de Chailly-sur-Clarens (choir, chorus), L'Union Chorale de la Tour de Peliz (choir, chorus), National Orchestra, Carl Schuricht (conductor)
composed by Ludwig van Beethoven, Recorded Sound

Thanks, it's been rational. Not that it hasn't been frightening -- the climaxes of the opening Allegro ma non troppo un poco maestoso are terrifying -- and exciting -- the canonic entrances of the following Molto vivace are exhilarating -- and uplifting -- the variations of the following Adagio molto e cantabile are elevating -- and transforming - ...

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