Del Tredici: Paul Revere's Ride; Theofanidis: The Here and Now; Berstein: Lamentation from Jeremiah [Hybrid SACD] (2005) more music like this

performed by Brett Polegato (baritone), Hila Plitmann (soprano), Nancy Maultsby (mezzo-soprano), Richard Clement (tenor), Atlanta Symphony Chorus (choir, chorus), Atlanta Symphony Orchestra
composed by Christopher Theofanidis, David Del Tredici, Leonard Bernstein

Fans of contemporary but conservative choral music brimming with tonal melodies, steady rhythms, and accessible harmonies may find this Telarc album a pleasant diversion, though they should also note that the works presented here by Robert Spano and the Atlanta Symphony Orchestra & Chorus are fairly dramatic, somewhat presentational, a little ...

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Barber Agnus Dei: An American Collection (2005) more music like this

performed by Benedict Hoffnung (bells), Benedict Hoffnung (drums), Benedict Hoffnung (clapping), Caroline Trevor (alto), Carys-Anne Lane (soprano), Helen Templeton (alto), Nicola Jenkin (soprano), Nicolas Robertson (vocals), Nicolas Robertson (tenor)
composed by Aaron Copland, David Del Tredici, Irving Fine, Leonard Bernstein, Samuel Barber, Steve Reich

see all copies from £11.21!

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David Del Tredici: Syzygy; I Hear an Army (1995) more music like this

performed by Benita Valente (soprano), Composers Quartet, David Del Tredici (piano), Mary Burgess (mezzo-soprano), Phyllis Bryn-Julson (soprano), Robert Helps (piano)
composed by David Del Tredici

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Del Tredici: Paul Revere's Ride; Theofanidis: The Here and Now; Bernstein: Lamentation (2005) more music like this

performed by Brett Polegato (baritone), Hila Plitmann (soprano), Nancy Maultsby (mezzo-soprano), Richard Clement (tenor), Atlanta Symphony Chorus (choir, chorus), Atlanta Symphony Orchestra, Robert Spano (conductor)
composed by Christopher Theofanidis, David Del Tredici, Leonard Bernstein

Fans of contemporary but conservative choral music brimming with tonal melodies, steady rhythms, and accessible harmonies may find this Telarc album a pleasant diversion, though they should also note that the works presented here by Robert Spano and the Atlanta Symphony Orchestra & Chorus are fairly dramatic, somewhat presentational, a little ...

see all copies from £4.36!

new only from £11.88!

Songs in Transit: An American Expedition (2006) more music like this

performed by David Del Tredici (piano), Judith Munro de Wette (piano), Lee Hoiby (piano), Lori Laitman (piano), Melanie Mitrano (soprano), Paul Moravec (piano), Tom Cipullo (piano)
composed by Allan Jaffe, Beth Anderson, David Del Tredici, Gene Pritsker, Lee Hoiby, Lori Laitman, Melanie Mitrano, Paul Moravec, Tom Cipullo

see all copies from £8.03!

Bells for Stokowski (2004) more music like this

performed by The University of Texas Wind Ensemble, Jerry Junkin (conductor)
composed by David Del Tredici, Michael Daugherty, Ralph Vaughan Williams, Tylman Susato

Plainly intended as a showcase album, Bells for Stokowski may appeal more to band enthusiasts than to a wider audience. Jerry Junkin and the University of Texas Wind Ensemble maintain a high degree of polish and professionalism, and the clean HDCD recording serves them well. Even so, their program is tame and less than compelling, despite the ...

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Scenes from Childhood (2002) more music like this

performed by Donna Lee (piano)
composed by David Del Tredici, Nikolay Medtner, Robert Schumann, Sergey Prokofiev

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New American Classics Written For Brass Ring (1996) more music like this

performed by Brass Ring, Claire Newbold (trumpet), David Kayser (trombone), Karl Kramer (tuba), Laura Klock (french horn), Neil Mueller (trumpet)
composed by David Del Tredici, Jacob Druckman, Ned Rorem

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Tredici: Steps For Orchestra/Haddock's Eyes (1990) more music like this

performed by Claire Bloom, David Del Tredici (piano), Gary Levinson (violin), Irene Breslaw (viola), Jerome Ashby (horn), Jon Deak (bass), Paul Clement (cello), Philip Smith (trumpet), Sandra Church (flute), Sharon Yamada (violin), Stanley Drucker (clarinet)
composed by David Del Tredici

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Composers Collaborative: Solo Flights (2000) more music like this

performed by Andrew Violette (piano), David Del Tredici (piano), Jed Distler (piano), Kathleen Supove (piano), Phillip Bush (piano), Robert Helps (piano), Sara Laimon (piano), Sarah Cahill (piano)
composed by Andrew Violette, David Del Tredici, Eleanor Hovda, Jed Distler, John Zorn, Laura Kaminsky, Leopold Godowsky, Molly Thompson, Robert Helps, Ursula Mamlok, Virgil Thomson

see all copies from £8.10!

Michael Boriskin plays works by George Perle, David del Tredici & Nicholas Thorne (1989) more music like this

performed by Michael Boriskin (piano)
composed by David Del Tredici, George Perle, Nicholas Thorne

see all copies from £11.92!

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David Del Tredici: Two Song Cycles for Voice & Piano more music like this

performed by David Del Tredici (piano), Hila Plitmann (soprano), Miriam Abramowitsch (mezzo-soprano)
composed by David Del Tredici

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Bach and Noodles more music like this

performed by Anton Nel (piano), Harvey Pittel (saxophone)
composed by David Del Tredici, Eugène Bozza, Jimmy Dorsey, Jules-Auguste Demersseman, Niccolò Paganini, Nikolai Rimsky-Korsakov, Paul Bonneau, Rudy Wiedoeft, Russian Traditional, Sergey Rachmaninov

see all copies from £11.91!

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This is the story she began (2009) more music like this

performed by Tanya Bannister (piano)
composed by Christopher Theofanidis, David Del Tredici, Sheila Silver, Suzanne Farrin

see all copies from £11.02!

David del Tredici: Vintage Alice; Dracula (2008) more music like this

performed by Henry Doktorski (accordion), Hila Plitmann, Hila Plitmann (soprano), Michael George (mandolin), Richard Shanklin (sax), Robert Tye (banjo), Thomas Reed (sax), Cleveland Chamber Symphony, David Del Tredici (conductor)
composed by David Del Tredici

This disc includes two of David del Tredici's monodrama/melodramas for orchestra and singer who doubles as narrator. Vintage Alice: Fantascene on "A Mad Tea Party," dating from 1972, is one of his earliest Alice pieces. It consists largely of a narrator reading Lewis Carroll's text, punctuated by explosions of orchestral commentary and moments ...

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