Music Of Gabrieli (1989) more music like this

performed by Empire Brass, Carl St. Clair (conductor)
composed by Adriano Banchieri, Gabriel Díaz Bessón, Giovanni Gabrieli, Heinrich Isaac

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The Essential Tallis Scholars (2003) more music like this

performed by The Tallis Scholars
composed by Antoine Brumel, Cipriano de Rore, Clemens non Papa (Jacob Clement), Giovanni Pierluigi da Palestrina, Gregorio Allegri, Heinrich Isaac, John Sheppard, Josquin Desprez, Orlande de Lassus, Robert White, Thomas Crecquillon, Thomas Tallis, William Byrd

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The Da Vinci Collection: Music of the Renaissance (2006) more music like this

performed by Akira Tachikawa (counter tenor), Alan Lumsden (alto recorder), Alan Lumsden (descant), Alan Wilson (organ), Andrew van der Beek (alto recorder), Ashley Stafford (counter tenor), Bruce Dickey (cornet), Carlos Mena (counter tenor)
composed by Francesco Canova da Milano, Francisco de Peñalosa, Guillaume Dufay, Heinrich Isaac, Henry VIII, King of England, Johannes Ockeghem, Josquin Desprez, Juan del Encina, Luis de Milán, Pedro de Escobar, Robert Carver, Thomas Tallis

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Cancionero: Music for the Spanish Court (1470-1520) (2002) more music like this

performed by Dufay Collective
composed by Anonymous, Spanish, Antonio de Cabezón, Enríquez de Valderrábano, Francisco de la Torre, Gabriel Mena, Heinrich Isaac, João de Badajós, Juan de Anchieta, Juan del Encina, Luis de Milán, Luys de Narváez, Pedro de Escobar, Vilches

Cancionero: Music for the Spanish Court (1470 -- 1520) is the first release by the Dufay Collective for the Avie Records label, which acts as a clearinghouse for artist-made recordings. Cancionero was made in 1997 on the Dufay's own dime after its relationship with the Chandos label reached the point of no return. That the Dufay Collective went ...

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Calliope Dances: A Renaissance Revel (1982) more music like this

performed by Calliope [A Renaissance Band], David Hart (recorder), David Hart (krummhorn)
composed by Anonymous, Anonymous, French, Francisco de la Torre, Guglielmo Ebreo da Pesaro (Giovanni Ambrosio), Heinrich Isaac, Henry VIII, King of England, Michael Praetorius, Pierre Attaingnant

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Food, Wine & Song: Music & Feasting in Renaissance Europe (2001) more music like this

performed by Orlando Consort
composed by Adam de la Halle, Anonymous, Anonymous, English, Anonymous, French, Anonymous, German, Anonymous, Portuguese, Antonio Zacara da Teramo, Gilles de Bins dit Binchois, Guillaume de Machaut, Guillaume Dufay, Heinrich Isaac, Juan del Encina, Juan Ponce

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Encores (2006) more music like this

performed by Friedrich Wilhelm Rodding, Hartmut Rohde (viola), Leipziger Streichquartett
composed by Anton Bruckner, Astor Piazzolla, Charles Ives, Franz Joseph Haydn, Franz Schubert, Giacomo Puccini, Heinrich Isaac, Hugo Wolf, Johann Sebastian Bach, Ludwig van Beethoven, Paul Hindemith, Richard Wagner

The incredible thing about the Leipziger Streichquartett's 2006 disc Encores is that it works. It works as a concept -- every one of these pieces proves an absolutely apt encore. It works as a program -- taken altogether, these pieces add up to a completely satisfying listening experience. And it works as a performance -- one after another and all ...

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Four of a Kind, Music for Trombone Quartet (1991) more music like this

performed by Blair Bollinger (trombone), Joseph Alessi (trombone), Mark Lawrence (trombone), Scott A. Hartman (trombone)
composed by Anton Webern, Antonio Carlos Jobim, Claude Debussy, Désiré Dondayne, Felix Mendelssohn, Franz Joseph Haydn, Giuseppe Verdi, Heinrich Isaac, Johann Sebastian Bach, Kazimierz Serocki, Ludwig van Beethoven, Samuel Scheidt

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From Chant to Renaissance (1995) more music like this

performed by Alexandra Montano (vocals), Jeffrey Johnson (vocals), Kathy Theil (soprano), Neil Farrell (vocals), Peter Stewart (baritone), Susanne Peck (soprano), Thom Baker (vocals), Voices of Ascension Chorus (choir, chorus), Dennis Keene (conductor)
composed by Anonymous, English, Antonio Lotti, Giovanni Pierluigi da Palestrina, Gregorian Chant, Guillaume Dufay, Heinrich Isaac, Hildegard of Bingen, Josquin Desprez, Marc' Antonio Ingegneri, Richard Farrant, Thomas Tallis, Thomas Weelkes, William Byrd

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Renaissance Winds (1999) more music like this

performed by Doulce Mémoire Ensemble
composed by Anonymous, Anonymous, Italian, Claude Gervaise, Clément Janequin, Étienne du Tertre, Heinrich Isaac, Henry VIII, King of England, Josquin Desprez, Ludwig Senfl, Pierre Alamire, Pierre Phalèse

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The Glory of Early Music (1997) more music like this

performed by Convivium Musicum, Ensemble Unicorn, Ensemble Villanella
composed by Anonymous, Anonymous, Italian, Anonymous, Mulliner Book, Anonymous, Spanish, Arnold von Bruck, Francesco Canova da Milano, French Traditional, Guillaume Dufay, Heinrich Finck, Heinrich Isaac, Jacob Obrecht, John Jenkins, Ludwig Senfl, Orlando Gibbons

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Sacred and Secular Music from Six Centuries (2004) more music like this

performed by David James (counter tenor), Hilliard Ensemble, John Potter (tenor), Michael George (bass), Paul Hillier (baritone), Rogers Covey-Crump (tenor)
composed by Anonymous, Claude Goudimel, Clément Janequin, Francisco de Peñalosa, Godefroy De St Victoire, Guillaume de Machaut, Guillaume Dufay, Heinrich Isaac, Hermanus Contractus, Mateo Flecha (i), Robert Fayrfax, Thomas Tallis, William Byrd

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O Magnum Mysterium [Box Set] more music like this

performed by Stuttgart Schola Cantorum
composed by Antoine Brumel, Guillaume Dufay, Heinrich Finck, Heinrich Isaac, Johannes Ockeghem, Josquin Desprez, Nicolas Gombert

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Das Gänsebuch (The Geese Book): German Medieval Chant (2005) more music like this

performed by Matthias Ank (organ), Schola Hungarica (choir, chorus)
composed by Anonymous, German, Arnolt Schlick, Caspar Othmayr / Lucas Osiander, Conrad Brumann, Conrad Paumann, Hans Kotter, Heinrich Finck, Heinrich Isaac, Ludwig Senfl, Recorded Sound

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A Renaissance Tour of Europe (1990) more music like this

performed by New York Kammermusiker
composed by Adriano Banchieri, Andre Danican Philidor, Anonymous, Antoine Busnois, Christian Erbach, Claudio Monteverdi, English Traditional, Giovanni Battista Grillo, Hans Leo Hassler, Heinrich Finck, Heinrich Isaac, Isaac Posch, Johann Hermann Schein, John Adson

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Music from the Time of Tilman Riemenschneider (2005) more music like this

performed by Harmut Hein (baritone), Hedos-Ensemble, Il Curioso, Martin Hummel (baritone), Bernhard Böhm (conductor)
composed by Anonymous, Anonymous, French, Anonymous, German, Anonymous, Glogauer Liederbuch, Erasmus Lapicida, German Traditional, Heinrich Finck, Heinrich Isaac, Jacob Obrecht, Jean Mouton, Johann Walter (i), Paul Hofhaimer, Thomas Stolzer

Music from the Time of Tilman Riemenschneider offers a pleasant hour of mostly instrumental (and mostly recorder-based) short pieces of the Renaissance for those who desire such a thing. The two German groups involved, Il Curioso and the Hedos-Ensemble, play engagingly, and recorder player Bernhard Böhm gets in some very fancy fingerwork on a few ...

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Heinrich Isaac: Missa De Apostolis (2002) more music like this

performed by The Tallis Scholars
composed by Heinrich Isaac

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Civitas Lipsiarum: Early Music from the Ancient Leipzig (2002) more music like this

performed by Alexander Schneider (alto), Christine Maria Rembeck (soprano), Constanze Backes (soprano), Ensemble Alte Musik Dresden, Ingolf Seidel (baritone), Marek Rzepka (bass), Michael Schaffrath (tenor), Norbert Schuster (conductor)
composed by Anonymous, German, Heinrich Isaac, Jacob Weckmann, Johann Hermann Schein, Johann Rosenmüller, Johann Schelle, Sebastian Knüpfer, Sethus Calvisius, Tobias Michael, Werner Fabricius

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Renaissance Faire (2000) more music like this

performed by St. Louis Brass Quintet (brass ensemble), Steven Butters (percussion)
composed by Allan Dean, Anonymous, Anonymous, Italian, António Marques Lésbio, Claudio Merulo, Heinrich Isaac, Joan Ambrosio Dalza, Michael Praetorius

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The Art of the Lute (1995) more music like this

performed by Joseph Iadone (lute)
composed by Alonso de Mudarra, Anonymous, Anonymous, Glogauer Liederbuch, Bernart de Ventadorn, Francesco Canova da Milano, Francisco de la Torre, Guillaume Costeley, Guillaume Dufay, Heinrich Isaac, Joan Ambrosio Dalza, Josquin Desprez, Juan Ponce, Luis de Milán

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Alexander Agricola: Chansons (2006) more music like this

performed by Fretwork, Michael Chance (counter tenor)
composed by Alexander Agricola, Fabrice Fitch, Heinrich Isaac, Ninot le Petit [AKA Johannes Baltazar]

In his own time, which was that of the High Renaissance style (he died in 1506), Alexander Agricola was renowned across Europe. The popularity of his song Si dedero is attested to by the composition of parodies, two of which are included on this introduction to the composer's secular music. The Agricola song itself, inexplicably, is not included, ...

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Canciero de la Catedral de Segovia more music like this

performed by Ensemble Daedalus
composed by Anonymous, Antoine Busnois, Francisco de la Torre, Hayne van Ghizeghem, Heinrich Isaac, Jacob Obrecht, Johannes Tinctoris, Johannes Urrede, Juan del Encina

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Odhecaton A: Les Flamboyants (2001) more music like this

performed by Annemieke Cantor (vocals), Les Flamboyants
composed by Alexander Agricola, Anonymous, Anonymous, French, Antoine Busnois, Hayne van Ghizeghem, Heinrich Isaac, Jacob Obrecht, Jean Japart, Johannes de Stokem, Josquin Desprez, Matthaeus Pipelare, Petrus Bourdon, Petrus de Congiet

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Music at the time of Leonardo da Vinci (2002) more music like this

performed by Ensemble Unicorn, Ensemble Villanella, Oxford Camerata, Scholars of London, Shirley Rumsey (lute)
composed by Alexander Agricola, Anonymous, French, Bartolomeo Tromboncino, Guillaume Dufay, Heinrich Isaac, Jacob Obrecht, Joan Ambrosio Dalza, Josquin Desprez, Marchetto Cara, Marco dall'Aquila

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Isaac: Missa pro Maximiliano (2005) more music like this

performed by David Blunden (organ), Ensemble Hofkapelle
composed by Gregorian Chant, Heinrich Isaac, Josquin Desprez, Paul Hofhaimer

This disc, by an English ensemble specializing in Continental sacred music of the Renaissance, would seem to be aimed at specialists with its mysterious subtitle of "The Alternatim Practice at the Imperial Court" and its highly detailed examination of the music recorded. And so it is. Yet, as with the unexpected foreground image of two dogs ...

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