The Essential Canadian Brass (1992) more music like this

performed by Canadian Brass
composed by Anonymous, Antonio Vivaldi, George Frederick Handel, Gioachino Rossini, Giovanni Gabrieli, Johann Pachelbel, Johann Sebastian Bach, John Newton, Kurt Weill, Nikolai Rimsky-Korsakov, Richard Strauss, Traditional, W.C. Handy, Wolfgang Amadeus Mozart

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Woody Allen Classics (1993) more music like this

performed by Colin Tilney (continuo), Earl Carlyss (violin), Gary Graffman (piano), Igor Kipnis (harpsichord), Joel Krosnick (cello), Juilliard String Quartet, Kenneth Cooper (harpsichord), London Strings, Renata Scotto (soprano), Robert Mann (violin)
composed by Daniel-François-Esprit Auber, Erik Satie, Felix Mendelssohn, Franz Schubert, George Gershwin, Johann Sebastian Bach, Kurt Weill, Sergey Prokofiev

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Die Drelgroschenoper; Berlin 1930 (1990) more music like this

performed by Albert Prejean (vocals), Curt Bois (vocals), Erich Ponto (vocals), Erika Helmke (vocals), Jacques Henley (vocals), Jazzorchester, Kurt Gerron (vocals), Lewis Ruth Band, Lotte Lenya (vocals), Margo Lion (vocals), Marlene Dietrich (vocals)
composed by Friedrich Hollaender, Kurt Weill, Rudolf Nelson, Wilhelm Grosz

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The Unknown Kurt Weill (1981) more music like this

performed by Richard Woitach (piano), Teresa Stratas (soprano)
composed by Felix Gasbarra, Howard Dietz, Kurt Weill

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Kurt Weill: Symphonies Nos. 1 & 2; Lady in the Dark - Symphonic Nocturne (2005) more music like this

performed by Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by Kurt Weill

Unlike his insouciant, cabaret-styled music for The Threepenny Opera, Kurt Weill's Symphony No. 1 (1921) and his Symphony No. 2 (1933-1934) seem more dutifully observant of the European Classical tradition and perhaps a little straight-jacketed by formal obligations. This is not to say that these symphonic essays are dull or artificial -- far from ...

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Weill: The Threepenny Opera (Die Dreigroschenoper) (1989) more music like this

performed by Helga Dernesch (soprano), Mario Adorf (vocals), Milva (vocals), René Kollo (vocals), Rolf Boysen (vocals), Susanne Tremper (vocals), Ute Lemper (vocals), Wolfgang Rechmann (vocals), Berlin RIAS Sinfonietta (choir, chorus)
composed by Kurt Weill

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Weill: The Seven Deadly Sins; Berlin Theatre Songs (1997) more music like this

performed by Ernst Poettgen (baritone), Fritz Gollnitz (tenor), Julius Katona (tenor), Lotte Lenya (vocals), Sigmund Roth (bass)
composed by Kurt Weill

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Luciano Berio: Recital I for Cathy; John Niles: Folk Songs; Kurt Weill: Songs (1995) more music like this

performed by Cathy Berberian (mezzo-soprano), Juilliard Ensemble, London Sinfonietta, Luciano Berio (conductor)
composed by John Jacob Niles, Kurt Weill, Luciano Berio

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Habaneras, Milongas, Tangos (2000) more music like this

performed by Polly Ferman (piano)
composed by Alberto Ginastera, Astor Piazzolla, Darius Milhaud, Emmanuel Chabrier, Erik Satie, Ernesto Nazareth, Ignacio Cervantes, Igor Stravinsky, Isaac Albéniz, Kurt Weill, Louis Moreau Gottschalk, Pedro Saenz, Raimundo Penaforte, Roberto Lagarmilla

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Weill: Die Dreigroschenoper (The Threepenny Opera) more music like this

performed by Arthur Schroder (vocals), Carola Neher (vocals), Dreigroschenband, Erika Helmke (vocals), Gerda Madsen (vocals), Harald Paulsen (vocals), Kurt Gerron (vocals), Lewis Ruth Band, Lotte Lenya (vocals), Lys Gauty (vocals), Marianne Oswald (vocals)
composed by Kurt Weill

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Heifetz: It Ain't Necessarily So (2006) more music like this

performed by Bing Crosby (vocals), Emanuel Bay (piano), Jascha Heifetz (piano), Jascha Heifetz (violin)
composed by Anonymous, Antonin Dvorák, Arthur Benjamin, Benjamin Godard, Cecil Burleigh, Christoph Willibald Gluck, Clarence Cameron White, Claude Debussy, Dmitry Shostakovich, Edwin Grasse, Gioachino Rossini, Hermann Löhr, Irving Berlin, Jascha Heifetz, Kurt Weill

For what it is, this is the best there is. What it is is two discs of encores recorded in the mid-'40s for American Decca by Jascha Heifetz, the man some would say was the greatest violin virtuoso of the twentieth century. Every performance, every phrase, heck, every note is absolutely stunning, full of the kind of flash and brilliance and ...

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Classic American Love Songs (2007) more music like this

performed by Carole Farley (soprano), John Constable (piano)
composed by Arthur Schwartz, George Gershwin, Harold Arlen, Kurt Weill

This album by operatic soprano Carole Farley is somewhat mistitled; few of the songs are in the first rank of pop standards, and indeed the album's most noteworthy feature is that it includes four world premieres of songs by Kurt Weill, uncovered by Farley herself. To take the obvious first question first, this collection is worth purchasing for ...

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Kurt Weill: The Eternal Road (Highlights) (2003) more music like this

performed by Barbara Rearick (vocals), Constance Hauman (vocals), Hanna Wollschläger (vocals), Ian Denolfo (vocals), James Maddalena (vocals), Karl Dent (vocals), Ted Christopher (vocals), Vale Rideout (vocals), Ernst Senff Choir (choir, chorus)
composed by Kurt Weill

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Song of America (2005) more music like this

performed by Armen Guzelimian (piano), Craig Rutenberg (piano), David Alpher (piano), Evan Stover (violin), Garrison Keillor (vocals), Jay Ungar (mandolin), Jay Ungar (violin), Mark Rust (vocals), Michael Parloff (flute), Molly Mason (vocals), Molly Mason (bass)
composed by American Traditional, Anonymous, Charles Naginski, Charles Tomlinson Griffes, Elinor Remick Warren, Erich Wolfgang Korngold, Harry (Henry) Thacker Burleigh, Haydn Wood, John Woods Duke, Kurt Weill, Leonard Bernstein, Ned Rorem, Stephen Collins Foster

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Speak Low: Songs By Kurt Weill (1994) more music like this

performed by Anne Sofie von Otter (mezzo-soprano), Bengt Forsberg (piano), Christfried Biebrach (baritone), Frederick Martin (bass), James Sims (tenor), Karl-Heinz Lampe (tenor), North German Radio Symphony Orchestra (Hannover), John Eliot Gardiner (conductor)
composed by Kurt Weill

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Music & Love Poems (1999) more music like this

performed by Christopher Todd Landor, Concord String Quartet, Frank Morelli (bassoon), George Silfies (clarinet), Humbert Lucarelli (bassoon), Jerome Rose (piano), Susan Jolles (harp), Walter Klien (piano)
composed by Alexander Borodin, Claude Debussy, Edward Elgar, Franz Liszt, Jacques Offenbach, Johann Pachelbel, Johann Sebastian Bach, Johannes Brahms, Kurt Weill

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Weill: Berliner Requiem; Vom Tod in Wald; Violinkonzert (2007) more music like this

performed by Alexandre Laiter (tenor), Elisabeth Glab (violin), Ensemble Musique Oblique, Peter Kooy (bass), Ensemble Vocal Europeén de la Chapelle Royale (choir, chorus), Philippe Herreweghe (conductor)
composed by Kurt Weill

This is rather unusual; Baroque expert and advocate of French music and Johann Sebastian Bach's cantatas Philippe Herreweghe takes up the cause of Kurt Weill's early, neglected concert works. Weill is among a small number of twentieth century composers that Herreweghe conducts from time to time, Stravinsky and Schoenberg being the other main ones. ...

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Opera Fantasies for Violin (2007) more music like this

performed by Benjamin Loeb (piano), Geoff Nutall (violin), Geoff Nutall (viola), Livia Sohn (violin)
composed by Edouard Lalo, Georges Bizet, Igor Stravinsky, Jenö Hubay, Joseph Joachim Raff, Kurt Weill, Niccolň Paganini, Osvaldo Golijov, Stephen Prutsman

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Weill: Die sieben Todsünden; Chansons (2006) more music like this

performed by Brigitte Fassbaender (mezzo-soprano), Cord Garben (piano), Hans Sojer (tenor), Hidenori Komatsu (baritone), Ivan Urbas (bass), Karl-Heinz Brandt (tenor), Radio-Philharmonie Hannover des NDR
composed by Kurt Weill

In her prime -- roughly from the late '60s through the late '80s -- there were few mezzo-sopranos who could touch Brigitte Fassbaender for richness of tone, insightfulness of phrasing, and intelligence of interpretation. But by the time this recording was made in 1993, Fassbaender wasn't what she used to be. The richness of her tone had become a ...

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Kurt Weill: Violin Concerto/Der Neue Orpheus/Selections (1997) more music like this

performed by Carole Farley (soprano), Michael Guttman (violin), Rheinland-Pfalz Philharmonic
composed by Kurt Weill

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Weil: Concerto for Violin & Wind Orchestra; Vasks: Concerto for Violin & String Orchestra 'Distant Light' (2005) more music like this

performed by Anthony Marwood (violin), Academy of St. Martin-in-the-Fields, Anthony Marwood (conductor)
composed by Kurt Weill, Peteris Vasks

Nice coupling, eh? Kurt Weill's twisted neo-Classical Concerto for violin and winds with its crooked melodies, broken harmonies, and bent sensuality does go extremely well with Peteris Vasks oddly neo-Romantic Concerto for violin and strings with its sometimes mellow, other times abrasive melodies, its sometimes warm other times harsh harmonies, ...

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Sonatas for cello and piano (2000) more music like this

performed by Bruno Canino (piano), Jan Vogler (cello)
composed by Dmitry Shostakovich, Kurt Weill, Manuel de Falla

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The Art of Theodor Uppman: Radio Broadcasts, 1954 - 57 (1999) more music like this

performed by Theodor Uppman (baritone), Bell Telephone Hour Orchestra, Donald Voorhees (conductor)
composed by Alec Wilder, American Traditional, Celius Dougherty, Daniel E. Kelley, David Guion, Georges Bizet, Giuseppe Torelli, Giuseppe Verdi, Irish Traditional, Jaroslav Kricka, Jules Massenet, Katherine K. Davis, Katherine Lockhard Manning, Kurt Weill

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To the Soul (2006) more music like this

performed by Craig Rutenberg (piano), Thomas Hampson (spoken word), Thomas Hampson (baritone)
composed by Charles Ives, Charles Naginski, Charles Villiers Stanford, Craig Urquhart, Elinor Remick Warren, Ernst Bacon, Frank Bridge, Gerald Busby, Harry (Henry) Thacker Burleigh, Kurt Weill, Leonard Bernstein, Michael Tilson Thomas, Ned Rorem, Paul Hindemith

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Kurt Weill's The Seven Deadly Sins; Happy End [Excerpts] more music like this

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