Miserere: Classical Music for Reflection and Meditation (2000) more music like this

performed by Ars Nova Ensemble, Capilla Flamenca, La Caccia, Le Concert Spirituel Orchestra & Chorus, Oxford Camerata (choir, chorus)
composed by Bartolomeo Trosylho, Gregorio Allegri, Jean Mouton, Jean-Baptiste Lully, Marc-Antoine Charpentier, Orazio Benevoli

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The Age of Cesario Gussago more music like this

performed by Sonatores Pannoniĉ
composed by Antonio Bertali, Cesario Gussago, Claudio Merulo, Dario Castello, Florentio Maschera, Giovanni Battista Grillo, Girolamo Frescobaldi, Lodovico Viadana, Orazio Benevoli, Pietro Lappi

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Agnus Dei (1999) more music like this

performed by Beatrice Uria-Monzon (mezzo-soprano), Faridah Schäfer-Subrata (vocals), Francois Poly (cello), Jaroslava Horská (vocals), Le Concert Spirituel Orchestra & Chorus, Magdalena Hajossyova (vocals), Oxford Camerata, Oxford Schola Cantorum
composed by Alonso Lobo, Gabriel Fauré, Giovanni Pierluigi da Palestrina, Johann Sebastian Bach, Maurice Duruflé, Orazio Benevoli, Orlande de Lassus, Thomas Tallis, Tomás Luis de Victoria, William Byrd, Wolfgang Amadeus Mozart

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Dixit Dominus more music like this

performed by Greta de Reyghere (soprano), Jan Van der Crabben (bass), Northern Chamber Orchestra, Oxford Camerata, Scholars Baroque Ensemble, Wolfgang Rubsam (organ), Le Concert Spirituel Orchestra & Chorus (choir, chorus), Oxford Schola Cantorum (choir, chorus)
composed by Antonio Vivaldi, George Frederick Handel, Johann Pachelbel, Orazio Benevoli, Thomas Tomkins, Tomás Luis de Victoria, Wolfgang Amadeus Mozart

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Benevolo: Missa Azzolina; Magnificat; Dixit Dominus (1996) more music like this

performed by Le Concert Spirituel Orchestra & Chorus
composed by Orazio Benevoli

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Roma Triumphans [Hybrid SACD] (2007) more music like this

performed by Le Studio de Musique Ancienne de Montréal (choir, chorus)
composed by Giovanni Giorgi, Giovanni Pierluigi da Palestrina, Luca Marenzio, Orazio Benevoli, Tomás Luis de Victoria, Vincenzo Ugolini

The polychoral style is associated in the minds of students and casual listeners with St. Mark's Cathedral in Venice and with style spawned by its house composer, Giovanni Gabrieli. But it was not restricted to that time and place. Roman churches invited the style, as well, and hearing the style as it developed in Rome helps the listener get away ...

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