Your search: Classical Music » Composer: Pierre Attaingnant
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Archguitar Renaissance
(1999)
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performed by
Peter Blanchette (archguitar)
composed by
Anonymous, English , Anonymous, Italian , Anonymous, Polish , English Traditional , Jakub Reys , Jean-Baptiste Besard , John Dowland , Marchetto Cara , Oscar Chilesotti , Pierre Attaingnant , Pietro Bianchetti , Vincenzo Galilei , Wojciech Dlugoraj
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Album
(2007)
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performed by
Chiara Banchini (violin) , David Courvoisier (viola) , David Plantier (violin) , Hopkinson Smith (vihuela) , Hopkinson Smith (baroque guitar) , Roel Dieltiens (violoncello)
composed by
Alonso de Mudarra , Charles Mouton , Ennemond Gaultier , Francisco Guerau , Gaspar Sanz , Jacques Gallot , Joachim Bernhard Hagen , Johann Sebastian Bach , Johannes Hieronymus Kapsberger , John Dowland , Luys de Narváez , Pierre Attaingnant , Sylvius Leopold Weiss
Here Hopkinson Smith, the poet of pluck, takes up five different kinds of lutes plus a vihuela de mano and a Baroque guitar, each of which sounds fantastic in his hands. Whether it's a 13-course Baroque lute for Bach and Weiss; an 11-course Baroque lute for Mouton, Gaultier, or de Gallot; a 10-course Renaissance lute for Kapsperger; an 8-course ...
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Calliope Dances: A Renaissance Revel
(1982)
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performed by
Calliope [A Renaissance Band] , David Hart (recorder) , David Hart (krummhorn)
composed by
Anonymous , Anonymous, French , Francisco de la Torre , Guglielmo Ebreo da Pesaro (Giovanni Ambrosio) , Heinrich Isaac , Henry VIII, King of England , Michael Praetorius , Pierre Attaingnant
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Pastyme with Good Companye: Music at the Court of Henry VIII
(2004)
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performed by
Ensemble Dreiklang Berlin , Michael Metzler (percussion)
composed by
Anonymous , Anonymous, English , Anonymous, Spanish , English Traditional , Hayne van Ghizeghem , Henry VIII, King of England , Pierre Attaingnant , William Cornysh
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Canti e Danze alla Corte Estense tra XV e XVI secolo
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performed by
Rossignol
composed by
Anonymous , Anonymous, Italian , Antonio Caprioli , Domenico da Piacenza , Frater Girardus , Guglielmo Ebreo da Pesaro (Giovanni Ambrosio) , Hayne van Ghizeghem , Joan Ambrosio Dalza , Marc'Antonio [del] Pifaro , Pierre Attaingnant , Pierre Phalèse
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A La Via! Street Music from the 13th to the 16th Century
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performed by
Strada
composed by
Anonymous , Anonymous, English , Anonymous, Italian , Anonymous, Manuscrit du Roi , Anonymous, Spanish , Claudin de Sermisy , Pierre Attaingnant
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Vecchie Letrose: Italian Renaissance Music
(1998)
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performed by
Syntagma Musicum of Amsterdam
composed by
Adrian Willaert , Anonymous , Anonymous, Spanish , Antonio Capirolo , Bartolomeo Tromboncino , Diego Ortiz , Giovanni Battista Zesso , Giovanni Giacomo Gastoldi , Giovanni Maria da Crema , Jacques Arcadelt , Jacques Moderne , Orlande de Lassus , Pierre Attaingnant
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Fire and Ice: Frottole from Venice
(2002)
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performed by
Clare Wilkinson (mezzo-soprano) , Jacob Heringman (lute) , Musica Antiqua London
composed by
Anonymous, Italian , Bartolomeo Tromboncino , Giovanni Lullino Veneto , Joan Ambrosio Dalza , Marchetto Cara , Pierre Attaingnant , Vincenzo Capirola
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The Spirit Of The Renaissance
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performed by
Weser-Renaissance
composed by
Adrian Willaert , Anonymous , Hans Leo Hassler , Heinrich Finck , Johann Walter (i) , Josquin Desprez , Ludwig Senfl , Orlande de Lassus , Philipp Dulichius , Pierre Attaingnant , Thomas Stolzer , Tylman Susato
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Gillian Weir Plays the Lawrence Phelps Organ of Hexham Abbey, Northumberland
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performed by
Gillian Weir (organ)
composed by
Franz Xaver Schnizer , Jean Françaix , Johann Sebastian Bach , Paul Hindemith , Pierre Attaingnant , Wolfgang Amadeus Mozart
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The Art of the Lute: The Best of Ronn McFarlane
(2003)
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performed by
Mark Cudek (lute) , Ronn McFarlane (lute)
composed by
Adrian Le Roy , Anonymous , Anonymous, Scottish , Anonymous, Straloch Lute Book , English Traditional , Francis Cutting , Hans Neusidler , Joan Ambrosio Dalza , Johann Sebastian Bach , John Dowland , Pierre Attaingnant , Robert Ballard , Scottish Traditional
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Folie Douce (Sweet Folly) Renaissance Improvisations
(1998)
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performed by
Doulce Mémoire Ensemble
composed by
Anonymous , Anonymous, Terpsichore , Erasmus Widmann , Ioanne Matelart , Johann Hermann Schein , Michael Praetorius , Paul Peuerl , Pierre Attaingnant , Pierre Francisque Caroubel , Valentin Haussmann , Vincenzo Galilei
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Les Travailleurs de la Mer: Ancient Songs from a Small Island
(2004)
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performed by
Andrew Lawrence-King (psaltery) , Andrew Lawrence-King (harp) , Andrew Lawrence-King (medieval harp) , Clara Sanabras (soprano) , Clara Sanabras (guitar) , Clara Sanabras (baroque guitar) , Harp Consort , Ian Harrison (bagpipes) , Ian Harrison (cornetto)
composed by
Anonymous, Guernsey , French Traditional , Georges Métivier , Guernsey Traditional , Pierre Attaingnant , Robert Wace , Thomas Lenfestey , Traditional
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Jewels of the Renaissance Era
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performed by
Antoine Bouchard (organ) , Geneviève Soly (organ) , Le Studio de Musique Ancienne de Montréal , Les Voix Baroques , Luc Beausejour (harpsichord) , Masques , Matthew White (counter tenor) , Natalie Michaud (flute) , Niagara Brass Ensemble
composed by
Anonymous , Anonymous, Spanish , Antony Holborne , Clemens non Papa (Jacob Clement) , Clément Janequin , Giovanni Pierluigi da Palestrina , Jan Pieterszoon Sweelinck , Orlando Gibbons , Pierre Attaingnant , Thoinot Arbeau , Thomas Campion , Thomas Tallis
It's odd, inasmuch as Renaissance music is unfamiliar even to many listeners enthusiastic about classical music in general, but single-disc introductions to Renaissance music have been rare. This Analekta-label release presumes no knowledge at all, offering single-page overviews not only of what the Renaissance is but also of the notion of ...
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Danses à l'orgue autour de Bernardo Storace
(1999)
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performed by
Pascale Rouet (organ)
composed by
Anonymous , Anonymous, English , Béla Bartók , Bernardo Storace , Giovanni Picchi , Pierre Attaingnant
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Le Jardin de Mélodies
(1997)
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performed by
Ellen L. Hargis (soprano) , King's Noyse , Paul O'Dette (lute)
composed by
Adrian Le Roy , Adrian Willaert , Anonymous , Cipriano de Rore , Claude Le Jeune , Orlande de Lassus , Pierre Attaingnant , Pierre Phalèse
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Magnificat: Two Centuries of French Organ Verses
(1996)
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performed by
Jean-Pierre Couturier (baritone) , Yves-G. Prefontaine (organ)
composed by
Anonymous, Livre d'orgue de Montréal , Jean-François Dandrieu , Jean-Nicholas Geoffroy , Jehan Titelouze , Louis-Nicolas Clérambault , Pierre Attaingnant
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Chanson a Plaisir
(2008)
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performed by
Fires of Love , Frances Cooper (percussion) , Frances Cooper (soprano) , Gordon Ferries (percussion) , Gordon Ferries (lute) , Jonathan Hugh-Jones (lute) , Jonathan Hugh-Jones (baritone) , Jonathan Hugh-Jones (recorder) , Marcus Claridge (percussion)
composed by
Adrian Le Roy , Anonymous , Claudin de Sermisy , Didier Le Blanc , Guillaume Morlaye , Jacques Arcadelt , Pierre Attaingnant , Pierre Certon , Thomas Crecquillon
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The Digital Dance
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performed by
David Pentreath Kinsela (harpsichord) , Jakob Kirckman (harpsichord) , Michael Atherton (percussion) , Vincentius De Taeggis (virginal)
composed by
Andrewe Newman , Anonymous , Antonio Gardane , Dionisio Memo , George Frederick Handel , Jean-Philippe Rameau , Johann Sebastian Bach , Marco Facoli , Pierre Attaingnant , William Byrd
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La Barca d'Amore: Cornett Music of the 16th Century
(2009)
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performed by
Anne-Catherine Bucher (orgelpositiv) , Carsten Lohff (orgelpositiv) , Carsten Lohff (harpsichord) , Carsten Lohff (lautenwerk) , Le Concert Brisé , William Dongois (muted cornet) , William Dongois (zink)
composed by
Anonymous, Italian , Benedetto Ferrari , Giacomo Gorzanis , Giovanni Bassano , Giovanni Battista Bovicelli , Giovanni Battista Fontana , Giovanni Della Casa , Giovanni Mealli , Pierre Attaingnant , Riccardo Rognoni
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