About this title: As a tourist, Camille Saint-Saëns felt compelled to climb every mountain and ford every stream. As a composer, however, Saint-Saëns felt perfectly comfortable staying at home with the most conservative of late nineteenth century composers. Indeed, in his piano concertos, Saint-Saëns sounds less like a late nineteenth century composer than like a Gallic Schumann, a composer of tuneful, virtuoso works that delight and beguile by rarely soaring and never challenging. Even in these warmly affectionate performances by pianist Jean-Philippe Collard with André Previn leading the Royal Philharmonic, ...
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