About this title: In a sense, Lukas Foss may be regarded as a mirror of twentieth century music, since his works seem more influenced by other composers and trends than influential in their own right. Whether experimenting with neo-Classicism, as in his Two-Part Inventions (4) (1938), the Passacaglia (1940), the Prelude in D (1951), and the Scherzo Ricercato (1954) ...
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