About this title: In the music conservatories of the late middle of the twentieth century, the reputation of Amy Beach took it hard; after all, she signed her compositions with the pretentious name of "Mrs. H.H.A. Beach," and was associated with a type of American composition that slavishly adhered to German Romantic models. In addition to that, she was, God forbid, a woman, and it was once held that "everybody knows a woman simply just cannot write classical music." Yet, even with the attitude of the male-dominated conservatories of the time, certain of Beach's songs never totally fell into disuse -- they ...
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