About this title: The facts speak for themselves: Dvorák composed his Stabat Mater after the deaths of his first three children and Suk composed his Asrael Symphony after the deaths of his father-in-law Dvorák and then his young wife Ottilie, Dvorák's fourth child. And yet, for all the music's horrors and anguish, Dvorák's Stabat Mater and Suk's Asrael are ultimately deeply consoling, both finally providing comfort and solace to those shattered by grief.In Supraphon's distinguished series of re-releases of the recorded legacy of Václav Talich, the coupling of his 1952 recordings of the Stabat Mater and the ...
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