Berio: The Complete Sequenzas, Alternate Sequenzas & Works for Solo Instruments (2006) more music like this

performed by Aki Takahashi (piano), Alain Billard (clarinet), Brian McWhorter (trumpet), Carol Robinson (clarinet), Carol Robinson (clarinet), Garth Knox (viola), Gary Verkade (organ), Irvine Arditti (violin), Isabelle Ganz (vocals), Jane Chapman (harpsichord)
composed by Edoardo Sanguineti, Luciano Berio

Despite shifting trends and changing tastes in postmodern era contemporary music, Luciano Berio remains one of the most respected figures among composers active in the last half of the twentieth century. Berio's series of Sequenzas, however, are viewed as his main contribution to solo instrumental literature, sort of like Hindemith's instrumental ...

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The Solitary Saxophone (1993) more music like this

performed by Claude DeLangle (sax), Claude DeLangle (sax), Claude DeLangle (sax), Claude DeLangle (sax)
composed by Betsy Jolas, Giacinto Scelsi, Karlheinz Stockhausen, Luciano Berio, Toru Takemitsu

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Luciano Berio: Sequenzas I-XIV for Solo Instruments (2006) more music like this

performed by Alain Trudel (trombone), Boris Berman (piano), Darrett Adkins (cello), Erica Goodman (harp), Guy Few (trumpet), Jasper Wood (violin), Joaquin Valdepenas (clarinet), Joseph Petric (accordion), Kenneth Munday (bassoon), Matej Sarc (oboe)
composed by Luciano Berio

Admirers of Luciano Berio's Sequenzas have long wished for an affordable, high-quality collection of these masterpieces for solo instruments, considered by some to be the core works in the composer's oeuvre. Deutsche Grammophon released Ensemble InterContemporain's fabulous set in 1994, but its relatively high price and incompleteness make it a ...

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Neither Proud Nor Ashamed: New Music for Saxophone (2006) more music like this

performed by Randall Hall (sax), Randall Hall (sax), Randall Hall (sax)
composed by Christian Lauba, Jonathan Kirk, Kevin Ernste, Luciano Berio, Nicolas Scherzinger, Randall Hall

American saxophonist Randall Hall speaks for many instrumentalists in the field of contemporary concert music when he states his dual aims: to explore "the modern manifestation of the old nineteenth century virtuosic ideal," which includes "a variety of special effects and pyrotechnics," while also trying "to come to terms with music in a post ...

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