Marlon Brando went out on yet another creative limb when he insisted upon playing sly, philosophical Okinawan interpreter Sakima in the 1956 filmization of John Patrick's Broadway play Teahouse of the August Moon. While he occasionally lapses into "flied lice" stereotyping, for the most part Brando is quite effective and amusing, especially when ...
Presented in a manner as eerie as it is heartbreaking, this film is a gorgeous supernatural fable about the folly of men with dreams larger than their abilities and their women who suffer as a result. Genjuro (Masuyaki Mori) is a potter who longs for wealth and luxury, while Tobei (Sakae Ozawa), a farmer, dreams of the glories of the samurai to ...
This landmark film is a brilliant exploration of truth and human weakness. It opens with a priest, a woodcutter, and a peasant taking refuge from a downpour beneath a ruined gate in 12th-century Japan. The priest and the woodcutter, each looking stricken, discuss the trial of a notorious bandit for rape and murder. As the retelling of the trial ...
Several cinematic variations on Junichiro Tanizaki's novel about jealousy, voyeurism, and sexual arousal began with this award-winning drama by director Kon Ichikawa. Kenji Kenmochi (Ganjiro Nakamura) is the older and increasingly impotent husband of young Ikuko (Machiko Kyo). He is desperate to regain his virility and when injections fail to do ...
Kenji Mizoguchi's final film was on one of his favorite subjects: prostitutes. After a spate of universally lauded period pieces, Mizoguchi returned to the socially conscious dramas that he made famous in the 1930s. Here, as in Osaka Elegy (1936), he offered a scathing critique of society's hypocrisies and exploitative treatment of women, without ...
This 1959 Ozu production centers on the likable but fallible leader of an itinerant acting troupe ("floating weeds" being the Japanese name for such groups), Kimajuro, played brilliantly by Ganjiro Nakamura. The film opens on a lazy, stagnant river as the troupe lays spread about on a boat deck drifting downstream. It's obvious that they're a ...
Japanese director Kenji Mizoguchi directed Princess Yang Kwei Fei. When first we see her, the "princess" (Machiko Kyo) is a mere servant girl. The reigning princess dies, and the emperor chooses the servant as his wife. Jealousy and back-stabbing doom this union from the start. Mizoguchi charactistically explores the plight of women in the face ...
Originally released as Jigokumen, Gate of Hell was one of the most popular Japanese imports of the 1954-55 American film season. Set in 12th-century feudal Japan, the film stars Kazuo Hasegawa as Moritoh, a samurai whose courage in defending his ruler is to be rewarded with anything he desires. He desires the beautiful, aristocratic Lady Kesa ...
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