Long before 19th-century novelist Jane Austen became a hot property in Hollywood, MGM produced this opulent and entertaining adaptation of one of Austen's best-known novels. The elegant and slyly satirical comedy of manners gets under way when socially conscious Mrs. Bennet (Mary Boland), with the begrudging assistance of her husband (Edmund Gwenn ...
Previously filmed in 1930 with Lawrence Tibbett and Grace Moore, the robust Sigmund Romberg operetta New Moon was given another airing in 1940 as Nelson Eddy-Jeanette MacDonald vehicle. Set in 18th century Louisiana, the story concerns the relationship between haughty plantation owner Marianne de Beaumanoir (MacDonald) and her handsome bondservant ...
In MGM's three-hour-plus The Great Ziegfeld, William Powell stars as the titular theatrical impresario, whose show business empire begins when he stage-manages a tour for legendary strongman Sandow (Nat Pendleton). With nary a penny in the bank, he charms European stage star Anna Held (Luise Rainer) to headline his "Follies", and later marries the ...
The third of MGM's profitable Jeanette MacDonald/Nelson Eddy songfests, Maytime opens in the early 20th century, with a young girl arguing with her boyfriend over her wishes to become an opera singer. The girl's neighbor, a lonely old woman whom we gradually recognize as a convincingly "aged" Jeanette MacDonald, tells the girl of her own career in ...
In the Good Old Summertime is a musical remake of the 1940 Ernst Lubitsch comedy The Shop Around the Corner, which in turn was based on a play by Miklos Laszlo. The locale has been changed from Hungary to Chicago, but the turn-of-century time frame and the plot remain the same. Van Johnson and Judy Garland play a couple of clerks in a sheet-music ...
MGM's leading musical team of the 30's, Jeanette MacDonald and Nelson Eddy are paired once again in this fourth film version of David Belasco's creaky melodrama, featuring music by Sigmund Romberg and Gus Kahn. Jeanette MacDonald is Mary Robbins, the owner of a bawdy, rough-house saloon in a western mining town, who falls in love with the Mexican ...
In this adaptation of the operetta by Rudolf Friml, secret agent Nina Maria Azara (Jeannette MacDonald) is working undercover for the King of Spain as a singer known as the "Mosca del Fuego" or "Firefly." Her mission is to uncover Napoleon's plot to invade Spain before it is too late. This film features a variety of songs including "Donkey ...
Norma Shearer earned an Academy Award for playing the not so gay divorcée in this pre-Code offering based, loosely, on Ex-Wife, a 1929 Ursula Parrott novel. Shearer is Jerry, a socialite who marries handsome Ted (Chester Morris) after a whirlwind courtship. But Ted is not exactly the faithful type and after three years of what she in her naïveté ...
Ann Sothern closed out her MGM contract with the Technicolor musical Nancy Goes to Rio. As Frances Elliot, Sothern is billed second to Jane Powell, who plays Nancy Barklay. A popular Broadway star, Frances heads to Rio for R&R before starting her next production. Meanwhile, unbeknownst to Frances, her daughter Nancy is hired to appear in her ...
This formula Esther Williams musical casts the star as Midwestern carnival swimmer Christine Duncan, in love with bandleader Dick Layn (Van Johnson). Attempting to smooth the course of romance for her friend Ellen Hallet (Paula Raymond), Christine makes a play for Ellen's wealthy boss Douglas J. Morrissen, Jr. (John Lund). Ellen wants to protect ...
Weekend at the Waldorf is an unabashed remake of MGM's 1932 Oscar-winner Grand Hotel: in fact, at several points in the story, the cast makes pointed references to the earlier film. The posh Waldorf Hotel in the heart of New York is the setting for several plots and subplots. Ginger Rogers plays the Garbo counterpart, a successful but severely ...
Virtually everybody except President Roosevelt was in the lavish MGM backstage musical Dancing Lady. Joan Crawford stars as Janie Barlow, an impoverished dancer reduced to working in a seedy Manhattan burlesque house. While on a slumming party with his society friend, wealthy young Tod Newton (Franchot Tone) spots Janie in the burleycue chorus ...
All that MGM's Ziegfeld Girl lacks is Technicolor; otherwise, the film has talent and "sock" entertainment value in abundance. The story focuses on three showbiz hopefuls-Judy Garland, Hedy Lamarr and Lana Turner-and the efforts to attain the lofty status of "Ziegfeld Girl." Garland is compelled to leave her family vaudeville act; she bids her dad ...
Jeanette MacDonald and Lew Ayres make strange bedfellows in the overproduced MGM musical Broadway Serenade. She plays aspiring singer Mary Hale, and he plays her husband, struggling songwriter James Geoffrey Seymour. The couple's vaudeville act breaks up when Mary is hired for a big-time Broadway revue. As she rises to the top of the show-business ...
An unofficial remake of The Champ, The Clown concerns Dodo Delwyn (Red Skelton), a down-and-out performer with abundant and obvious talent, but also a self-destructive tendency to overindulge his drinking and gambling habits. Once a Ziegfeld headliner, Dodo is now lucky to get jobs playing a clown at cheap amusement parks and even cheaper ...
A remarkably smooth 110-minute adaptation of Eugene O'Neill's marathon eight-hour play, Strange Interlude was advertised as "the picture in which you hear the characters think," a nod to O'Neill's technique of having the characters speak their innermost thoughts out loud between dialogue passages (on-stage, the actors stood stock still while ...
It was once theorized by critic Andrew Sarris that this 1931 Greta Garbo vehicle was subtitled "Her Fall & Rise" rather than the expected "Rise & Fall," because Hollywood--and by extension, the public--could not tolerate a failure. Whatever the case, modern audiences will latch onto Susan Lennox not because of its cumbersome title but because of ...
Strange Skirts is the TV title of the 1941 MGM film When Ladies Meet. The film was a remake of a 1933 production of the same name, which starred Ann Harding, Myrna Loy and Spring Byington; their roles were taken over in the remake by Greer Garson, Joan Crawford and Spring Byington. Both films are based on a Rachel Crothers play about a lady ...
This melodrama was the first collaborative effort between MGM and the husband-wife/director-actress team Robert Z. Leonard and Mae Murray. Murray has two roles, in the prologue as Renee de Gontran, who scandalized the court of Napoleon III and who was banished to Mexico by the Empress Eugenie (Clarissa Selwynne), and throughout the rest of the ...
Mormonism was considered something of a hot potato in 1917, with many sideline observers (including such self-proclaimed "experts" as Arthur Conan Doyle and Zane Grey) regarding the religious movement as a sinister cult, promoting blasphemy, polygamy and mind control. Director Robert Z. Leonard valiantly attempted to present a balanced view of the ...
In her last silent film, Norma Shearer plays Dolly, aka Angel Face, a young woman engaged in blackmailing rich libertines. Cheated out of her loot by a couple of former associates, Bradley (Lowell Sherman) and Gwen (Gwen Lee), Dolly commits a bit of larceny but manages to skip town with her latest victim, Steve Crandall (Johnny Mack Brown), a ...
In this romance, a disillusioned wife, learning that her husband has been unfaithful, divorces him and moves to Paris where she is changed from a frowsy hausfrau to a sexy, sophisticated lady. A wealthy dame asks her to help destroy the affair between her granddaughter and the woman's ex-husband. The woman agrees to do it and returns to the U.S. ...
Federal agent Robert Taylor journeys to a mythical South American community, there to break up a war-surplus contraband racket. American playboy Vincent Price is the brains of the outfit, aided and abetted by the disreputable Charles Laughton and John Hodiak. Ava Gardner, Hodiak's wife, takes over for her husband when he's sidelined by a heart ...
Fifteen-year-old Elizabeth Taylor receives her first screen kiss in the innocuous MGM confection Cynthia. Taylor plays the title character, a sickly, sheltered young lady who is never permitted the companionship of other teenagers. Frustrated though Cynthia may be, she has nothing on her parents, Larry and Louise Bishop (George Murphy and Mary ...
Strange but true: Norma Shearer turned down the title role in Mrs. Miniver to star instead in the insignificant trifle We Were Dancing. Loosely based on two Noel Coward playlets originally presented as part of the omnibus production Tonight at 8:30, the story concerns the romance between socialite Vicki Wilomirsky (Norma Shearer) and Nicki Prax ...
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