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Bernstein: The Final Concert
(1992)
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by
Boston Symphony Orchestra, Leonard Bernstein (conductor)
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Vivaldi: The Four Seasons
(1982)
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by
Joseph Silverstein (violin), Boston Symphony Orchestra, Seiji Ozawa (conductor)
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Beethoven: Violin Concerto; Mendelssohn: Violin Concerto [Hybrid SACD]
(2004)
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by
Jascha Heifetz (violin), Boston Symphony Orchestra, Charles Münch (conductor)
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Best of the Canadian Brass
(1989)
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by
Canadian Brass, New York Philharmonic, Members of the Boston Symphony Orchestra
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Tchaikovsky: Pathétique Symphony [Hybrid SACD]
(2004)
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by
Boston Symphony Orchestra, Pierre Monteux (conductor)
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Peter Lieberson: Neruda Songs
(2006)
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by
Lorraine Hunt Lieberson (mezzo-soprano), Boston Symphony Orchestra, James Levine (conductor)
The history of Peter Lieberson's Neruda Songs is so freighted with emotion that it's difficult to listen to them with any objectivity. The great Chilean poet Pablo Neruda wrote 100 Love Sonnets (1960) for Matilde Urrutia, who later became his wife, and Peter Lieberson set five of them for his wife, mezzo-soprano Lorraine Hunt Lieberson. Lieberson ...
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Tchaikovsky: Greatest Hits
(1991)
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by
Bamberg Symphony Chorus, Boston Pops Orchestra, Chicago Symphony Orchestra, Members of the Boston Symphony Orchestra, Eugene Ormandy (conductor)
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Rachmaninov: Piano Concertos Nos. 1 & 2
(2003)
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by
Krystian Zimerman (piano), Boston Symphony Orchestra, Seiji Ozawa (conductor)
Krystian Zimerman is getting better as he gets older. He used to be one of a half-dozen great young pianists, a brilliant virtuoso with tremendous expressivity, enormous soul, and a habit of making even fewer recordings than Argerich or Pollini. Over the years of ever-fewer recordings, he's grown into an astounding virtuoso and the emotional power ...
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Faure: Pelléas et Mélisande; Après Un Rêve; Pavane; Elégie; Dolly
(1987)
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by
Jules Eskin (cello), Lorraine Hunt Lieberson (soprano), Tanglewood Festival Chorus, Tanglewood Festival Chorus (choir, chorus), Boston Symphony Orchestra, Seiji Ozawa (conductor)
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Debussy: Images; Tchaikovsky: Symphony No. 1 "Winter Dreams"
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by
Boston Symphony Orchestra, Michael Tilson Thomas (conductor)
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Holst: The Planets / R. Strauss: Also Sprach Zarathustra
(2001)
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by
Boston Symphony Orchestra, William Steinberg (conductor)
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Sibelius The Complete Symphonies
(1995)
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by
Boston Symphony Orchestra, Colin Davis (conductor)
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Mozart: Greatest Hits
(1991)
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by
Boston Pops Orchestra, Chicago Symphony Orchestra, Géza Anda (piano), Gidon Kremer (violin), Members of the Boston Symphony Orchestra, New Philharmonia Orchestra, Newton Wayland (piano), Richard Stoltzman (clarinet), Vienna Philharmonic Orchestra
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Rachmaninov: Piano Concerto No.3, etc.
more music like this
by
Evgeny Kissin (piano), Boston Symphony Orchestra, Seiji Ozawa (conductor)
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Beethoven: Piano Concerto No. 5 "Emperor"
(1981)
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by
Boston Symphony Orchestra, Seiji Ozawa (conductor)
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Ravel: Daphnis et Chloe [Hybrid SACD]
(1993)
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by
Alumni Chorus (choir, chorus), New England Conservatory Chorus (choir, chorus), Boston Symphony Orchestra, Charles Münch (conductor)
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Berlioz: Requiem [Hybrid SACD]
(2005)
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by
Léopold Simoneau (tenor), New England Conservatory Chorus (choir, chorus), Boston Symphony Orchestra, Charles Münch (conductor)
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Ravel: Bolero; La Valse; Rapsodie Espagnole [Hybrid SACD]
(1994)
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by
Boston Symphony Orchestra, Charles Münch (conductor)
Among the label's earliest explorations of stereo reproduction, these vivid, historic recordings by Charles Münch and the Boston Symphony Orchestra have been staples of RCA's catalog and reissued many times over the years in all formats. This 2005 SACD in the refurbished Living Stereo series presents the two-track analog recordings of Ravel's Bol ...
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Beethoven: Piano Concertos Nos. 2 & 4
(1985)
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by
Rudolf Serkin (piano), Boston Symphony Orchestra, Seiji Ozawa (conductor)
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Rubinstein Collection, Vol. 57
(1999)
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by
Artur Rubinstein (piano), Boston Symphony Orchestra, Erich Leinsdorf (conductor)
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Paramount Pictures 90th Anniversary: Memorable Scores
(2002)
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by
Various Artists
Paramount Pictures 90th Anniversary: Memorable Scores actually covers a little less than 60 years of film music, but who's counting -- they were 60 good years. Presented primarily in chronological order (the first and last tracks are the exceptions), this disc presents both original soundtrack recordings and some re-recordings of music -- mostly ...
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Berlioz: Overtures; Queen Mab Scherzo
(1993)
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by
Boston Symphony Orchestra, Charles Münch (conductor)
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Saint-Saëns: Symphony No. 3; Debussy: La Mer; Ibert: Escales [Hybrid SACD]
(1959)
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by
Berj Zamkochian (organ), Bernard Zighera (piano), Leo Litwin (piano), Ralph Gomberg (oboe), Boston Symphony Orchestra, Charles Münch (conductor)
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Smetana: Má vlast
(1986)
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by
Boston Symphony Orchestra, Rafael Kubelik (conductor)
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Berlioz: Symphonie fantastique [Hybrid SACD]
(1993)
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by
Boston Symphony Orchestra, Charles Münch (conductor)
When it was first released by RCA, conductor Charles Münch and the Boston Symphony Orchestra's 1954 recording of Berlioz's Symphonie fantastique produced by John Pfeiffer was quickly recognized as the best recorded performance the work had ever had. Its smooth blend of bright winds, suave strings, sophisticated brass, sparkling harps, and ...
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