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Carlo Colombara (vocals), Francesco Meli (vocals), Gordon Gietz (vocals), Jaël Azzaretti (vocals), Natalie Dessay (vocals), Paul Gay (vocals), Sara Mingardo (vocals), Lyon National Opera Chorus (choir, chorus), Lyon National Opera Orchestra
This recording of La Sonnambula is attractive (and significant) for a number of reasons. It's the first to use the critical edition of the score by Alessandro Roccatagliati and Luca Zoppelli, to which some music has been restored and which has corrected the orchestration and restored the original keys of various numbers for which transposition has ...
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Andrea Bocelli (tenor), Barbaro Sciuto (tenor), Carlo Colombara (basso profundo), Carlo Guelfi (baritone), Elena Zaremba (mezzo-soprano), Maria Grazia Calderone (soprano), Salvatore Bonaffini (tenor), Salvatore Todaro (bass), Veronica Villarroel (soprano)
Il Trovatore marks Andrea Bocelli's third complete opera recording for Decca -- a move signaling that both parties are serious about his operatic singing. One of Verdi's most vocally demanding scores, calling for a stand-and-deliver quartet of lead singers, Trovatore is a puzzling choice for the light-voiced Bocelli -- a bit like sending your ...
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Anna Gonda (vocals), Antonino Siragusa (vocals), Camerata Budapest, Carlo Colombara (vocals), Gloria Scalchi (vocals), Joseph Payne (organ), Julie Faulkner (vocals), Oxford Schola Cantorum, Simon Lindley (organ)
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Adelina Scarabelli (vocals), Alfonso Antoniozzi (vocals), Alfonso Marchica (vocals), Carlo Colombara (vocals), Daniela Dessi (vocals), Gastone Sarti (vocals), Giuseppe Sabbatini (vocals), Giuseppe Zecchillo (vocals), Paolo Gavanelli (vocals)
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Carlo Colombara (bass), César Hernández (tenor), Elena Filipova (soprano), Gloria Scalchi (mezzo-soprano), Hungarian State Opera Chorus (choir, chorus), Hungarian State Opera Orchestra, Pier Giorgio Morandi (conductor)
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Aldo Bottion (vocals), Barbara Frittoli (vocals), Carlo Allemano (vocals), Carlo Colombara (vocals), Francesco Piccoli (vocals), Giovanna Casolla (vocals), Jose Fardilha (vocals), Sergei Larin (vocals), Vittorio Vitelli (vocals), Zubin Mehta (conductor)
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Alberto Mastromarino (baritone), Allessandro Calamai (bass baritone), Andrea Gruber (soprano), Carlo Colombara (bass), Eliabetta Fiorillo (contralto), Francesco Palmieri (bass), Giovanni Bellavia (baritone), Graziano Polidori (bass)
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Antonino Siragusa (vocals), Carlo Colombara (vocals), Gloria Scalchi (vocals), Patrizia Pace (vocals), Hungarian State Opera Chorus (choir, chorus), Hungarian State Opera Orchestra, Pier Giorgio Morandi (conductor)
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Antonino Siragusa (vocals), Carlo Colombara (vocals), Georges Rabol (piano), Gloria Scalchi (vocals), Idil Biret (piano), Kodaly Quartet, Marat Bisengaliev (violin), Patrizia Pace (vocals), Hungarian State Opera Chorus (choir, chorus)
Don't believe the "Art and Music" tag on the top of this album's cover, for it suggests a much more ambitious effort to link the two expressive forms than is made here. There isn't much music here that Manet or his audiences would have listened to, although the overture to Offenbach's La vie Parisienne probably fills the bill. What Naxos has ...
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Blagoj Nacoski (vocals), Carlo Colombara (vocals), Damiana Pinti (vocals), Enrico Cossutta (vocals), Giuseppe Sabbatini (vocals), Mariella Devia (vocals), Vladimir Stoyanov (vocals), Chorus of the Teatro Lirico - Cagliari (choir, chorus)
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Carlo Colombara (vocals), Francesco Meli (vocals), Gordon Gietz (vocals), Jaël Azzaretti (vocals), Natalie Dessay (vocals), Paul Gay (vocals), Sara Mingardo (vocals), Lyon National Opera Chorus (choir, chorus), Lyon National Opera Orchestra
This disc of highlights from Virgin's complete recording of La Sonnambula is attractive (and significant) for a number of reasons. It's the first to use the critical edition of the score by made Alessandro Roccatagliati and Luca Zoppelli, to which some music has been restored and which has corrected the orchestration and restored the original keys ...
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