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The Black Saint and the Sinner Lady
(1963)
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by
Charles Mingus
The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and -- implied in his famous inclusion of liner notes by his psychologist -- it's as much an examination of his own tortured psyche as it is a ...
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Mingus Ah Um [Remastered]
(1999)
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Charles Mingus
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate acccessibility and brilliantly sculpted individual tunes. Mingus' ...
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Charles Mingus Presents Charles Mingus
(1960)
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Charles Mingus
Charles Mingus has a fascinating way of offering music that is grounded in tradition while remaining startlingly original. The freshness of a disc like Charles Mingus Presents Charles Mingus, has the effect of rendering much of what passes for jazz as tedious. The band is small for Mingus, and includes Eric Dolphy on alto saxophone and bass ...
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Pithecanthropus Erectus
(1956)
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Charles Mingus
Pithecanthropus Erectus was Charles Mingus' breakthrough as a leader, the album where he established himself as a composer of boundless imagination and a fresh new voice that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition. Mingus truly discovered himself after mastering the vocabularies of bop and swing, and with ...
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Blues and Roots
(1959)
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by
Charles Mingus
In response to critical carping that his ambitious, evocative music somehow didn't swing enough, Charles Mingus returned to the earthiest and earliest sources of black musical expression, namely the blues, gospel, and old-time New Orleans jazz. The resulting LP, Blues and Roots, isn't quite as wildly eclectic as usual, but it ranks as arguably ...
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Mingus Ah Um
(1959)
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by
Charles Mingus
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate acccessibility and brilliantly sculpted individual tunes. Mingus' ...
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Oh Yeah
(1961)
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by
Charles Mingus
After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which has to rank as the wildest of all his classic albums. Mingus plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while ...
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Mingus, Mingus, Mingus, Mingus, Mingus
(1963)
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by
Charles Mingus
Having completed what he (and many critics) regarded as his masterwork in The Black Saint and the Sinner Lady, Charles Mingus' next sessions for Impulse found him looking back over a long and fruitful career. Mingus, Mingus, Mingus, Mingus, Mingus is sort of a "greatest hits revisited" record, as the bassist revamps or tinkers with some of his ...
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Changes One
(1974)
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by
Charles Mingus
Charles Mingus' finest recordings of his later period are Changes One and Changes Two, two Atlantic LPs that have been reissued on CD by Rhino. The first volume features four stimulating Mingus originals ("Remember Rockefeller at Attica," "Sue's Changes," "Devil Blues" and "Duke Ellington's Sound of Love") performed by a particularly talented ...
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The Complete Town Hall Concert
(1962)
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by
Charles Mingus
Charles Mingus's Town Hall Concert has long been considered a famous fiasco, and the original United Artists LP (which contained just 36 minutes of music and did not bother identifying the personnel) made matters worse. But this 1994 Blue Note CD does its best to clean up the mess. It contains over half an hour of previously unreleased music and ...
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Mingus at Antibes
(1960)
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by
Charles Mingus
During 1960, bassist Charles Mingus led one of his finest bands, a pianoless quartet with Eric Dolphy (on alto, flute, and bass clarinet), trumpeter Ted Curson, and drummer Dannie Richmond. For this live concert, the band is augmented by the great tenor Booker Ervin for some stirring music. All of the music is memorable: "Wednesday Night Prayer ...
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At UCLA 1965
(2006)
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by
Charles Mingus
The back story behind this concert CD is that, in September 1965, Charles Mingus performed at the Monterey Jazz Festival. He had done so triumphantly well the year before, however, Mingus' 1965 set was inexplicably cut short at a half-hour (Mingus himself claims 20 minutes) and so the material he had planned for the event, much of it newly ...
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The Clown [Deluxe Edition]
(1957)
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by
Charles Mingus
The Clown was Charles Mingus' second masterpiece in a row, upping the already intense emotional commitment of Pithecanthropus Erectus and burning with righteous anger and frustration. With Pithecanthropus, Mingus displayed a gift for airtight, focused arrangements that nonetheless allowed his players great freedom to add to the established mood of ...
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Changes Two
(1974)
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by
Charles Mingus
Along with its companion volume Changes One, this is one of the great sessions from one of the best working bands of the 1970s. Starting with the spirited "Free Cell Block F, 'Tis Nazi U.S.A," this volume also includes the vocal version of "Duke Ellington's Sound of Love" with guest singer (and acquired taste) Jackie Paris, a remake of the classic ...
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A Modern Jazz Symposium of Music and Poetry
(1957)
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by
Charles Mingus
Despite its title, this CD reissue (made available through Evidence) does not have poetry and is not a "symposium." What it does have is a memorable narration by Lonnie Elder on "Scenes in the City" (one of the best collaborations between the spoken word and jazz), four obscure Charles Mingus compositions for his sextet (which consists of the ...
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Mingus at the Bohemia
(1955)
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Charles Mingus
A live performance at the Club Bohemia in New York, this is the first Mingus recording to feature mostly his own compositions. Some are his future standards. Here are his first attempts at future techniques such as combining two songs into one. His bass playing really stands out. Michael Katz, All Music Guide
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Classic Jazz [Sony]
(2001)
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by
Various Artists
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Tonight at Noon
(1957)
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by
Charles Mingus
Tonight at Noon is, essentially, a compilation album -- although not in the usual sense. There are two distinct sessions that make up its contents: a 1957 date with Jimmy Knepper on trombone, drummer Dannie Richmond, saxophonist Shafi Hadi, and pianist Wade Legge, and a 1960 session with Booker Ervin, Roland Kirk on saxes, Knepper, bassist Doug ...
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Jazz Composers Workshop [Atlantic]
(2000)
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by
Charles Mingus
The complex music on this LP finds bassist Charles Mingus looking toward contemporary classical music in some of the rather cool-toned arrangements. It was not until later in 1955 that he found the right combination of influences in which to express himself best but these slightly earlier performances have their moments. Four of the selections ...
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Me, Myself an Eye
(1978)
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by
Charles Mingus
Charles Mingus did not perform on the final sessions he made for Atlantic toward the end of his life. Too ill with ALS to pick up his bass, he nonetheless was a powerful presence in the studio. The arrangements and orchestrations were realized by trumpeter Jack Walrath based on Mingus's tapes and piano sketches. The huge band can get a bit ...
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Pre-Bird
(1960)
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by
Charles Mingus
This pair of 1960 studio sessions represents some of Charles Mingus' best arrangements. Leading the smaller of two groups, he interpolates "Exactly Like You" into a driving version of "Take the 'A' Train" and adds a soulful blues, "Prayer for Passive Resistance," both of which feature great solos by tenor saxophonists Booker Ervin, Yusef Lateef, ...
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Priceless Jazz Sampler
(1997)
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by
Various Artists
Priceless Jazz Sampler offers 15 highlights from BMG/RCA's Priceless series, including cuts by Tommy Dorsey, Glenn Miller, Lionel Hampton, Duke Ellington, Count Basie, Benny Goodman and Woody Herman. There's nothing rare on the compilation, so it's not necessary for collectors, but it's not a bad sampler for casual listeners curious about the ...
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Passions of a Man: The Complete Atlantic Recordings (1956-1961)
(1956)
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by
Charles Mingus
Passions of a Man: The Complete Atlantic Recordings (1956-1961) presents an interesting problem. There's little arguing that the music on Passions of a Man is seminal, ranking among his very best recordings. The question is whether the six-disc set is indispensable, considering that it is low on unreleased material and boasts one full interview ...
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Mingus Three
(1957)
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by
Charles Mingus
A rather conventional Charles Mingus recording, this trio set mostly features pianist Hampton Hawes (along with drummer Dannie Richmond) performing jazz standards and blues along with Mingus's "Dizzy Moods." The music is high-quality bop as one would expect from the talented musicians (Mingus has almost as much solo space as Hawes) and this 1997 ...
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The Birth of the Third Stream
(1956)
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by
Various Artists
In the mid-'50s Gunther Schuller came up with the term "Third Stream" to describe the musical experiments of the time that sought to combine together jazz and classical music. This CD has all of the contents from the earlier LP The Birth of the Third Stream and four of the six numbers (leaving out two advanced classical pieces) from Modern Jazz ...
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