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2. Zelenka: Sepolcri (2011)
by Collegium Marianum, David Erler (alto), Hana Blaziková (soprano), Tobias Hunger (tenor), Tomás Král (bass)
Sepolcri were Central European Baroque pieces intended for performance at a Holy Week service centered on a representation of the Holy Sepulchre. ... More
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3. David Pohle: Wie der Hirsch schreyet; Musica sacra (2007)
by David Erler (alto), Hans-Jorg Mammel (tenor), L'Arpa Festante, Monika Mauch (soprano), Rien Voskuilen (organ)
David Pohle forges a near-direct link between the influence of Heinrich Schütz and the generation of Bach and Telemann. One of Schütz's last students ... More
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4. Antonio Lotti: Vesper Psalms
by Annekathrin Laabs (soprano), Barbara Steude (soprano), David Erler (alto), Tobias Berndt (bass), Sächsisches Vocalensemble (choir, chorus), Batzdorfer Hofkapelle, Matthias Jung (conductor)
The conventional wisdom about Venetian Antonio Lotti, composer of the a cappella masterwork "Crucifixus," is that as a card-carrying member of the ... More
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5. Machet die Tore weit: Baroque Christmas Cantatas from Central Germany (2007)
by Birte Kulawik (soprano), David Erler (contralto), Dorothea Wagner (soprano), Hans-Jörg Mammel (tenor), Matthias Lutze (bass), Sächsisches Vocalensemble, Batzdorfer Hofkapelle, Matthias Jung (conductor)
This disc represents one of a number of attempts to fill in the landscape of German music between Schütz and Bach -- a landscape that Albert ... More
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6. Georg Philipp Telemann: Kapitänsmusik 1724 (2008)
by Andreas Post (tenor), David Erler (alto), Ekkehard Abele (bass), Magdalena Podkoscielna (soprano), Matthias Vieweg (bass), Telemannisches Collegium Michaelstein, Ludger Remy (conductor)
As Bugs Bunny quipped during one of his sea-going adventures with Yosemite Sam, "if it's the Captain's mess, let him clean it up." It was Georg ... More
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