Epic/Legacy's 2005 release All Over the World: The Very Best of Electric Light Orchestra is the latest installment in the seemingly endless series of ELO comps. Since it follows 2003's handy single-disc The Essential Electric Light Orchestra by merely two years, it's easy to wonder what distinguishes this from the other ELO collections on the ...
Since there was a Pure Funk and Pure Disco, it makes sense that a Pure '70s would follow. It couldn't be called "Pure Rock," since a lot of this simply doesn't rock at all -- "American Pie," anyone? However, all 20 songs on this collection (mostly culled from the Polygram vaults) reek of the '70s, and that's why this is a fun listen. Yes, it's ...
Most of ELO's biggest and best hits -- "Evil Woman," "Rockaria," "Telephone Line" -- are included on this solid but slightly skimpy collection. ~ Stephen Thomas Erlewine, All Music Guide
The Best of 70's Supergroups is a thoroughly entertaining 14-track collection that contains a wealth of album-rock and hard rock hits, including such radio staples as "More Than A Feeling," "Evil Woman, " "Come Sail Away, " "Taking Care of Business, " "American Woman, " "Black Magic Woman, " "Green-Eyed Lady, " "Sweet Home Alabama" and "We're an ...
There have been many ELO collections over the years -- some exhaustive, some not -- so it might initially seem that the 2003 collection The Essential Electric Light Orchestra is a little unnecessary, especially since the definitive 1995 double-disc set Strange Magic was still in print at the time of this release. This line of reasoning ...
Jeff Lynne reportedly regards this album and its follow-up, Out of the Blue, as the high points in the band's history. One might be better off opting for A New World Record over its successor, however, as a more modest-sized creation chock full of superb songs that are produced even better. Opening with the opulently orchestrated "Tightrope," ...
Face the Music was sort of ELO's return to a more basic sound after the ornate (and highly commercially successful) experimentation of Eldorado, and that's what's on display on this remastered edition as well -- everything is in high relief and all of the sound richly detailed, but it's the core band sound that stands out most, amid the rich, ...
Time takes its cues more from such bands as the Alan Parsons Project and Wings than from Jeff Lynne's fascination with Pepper-era Beatles. Sure, all the electronic whirrs and bleeps are present and accounted for, and Time did spawn hit singles in "Hold on Tight" and "Twilight," but on the average, ELO had begun to get too stuck on the same ...
For anyone who grew up during the last days of AM radio, anyone who remembers gas shortages, disco scarves, and feathered hair, this mammoth seven-disc box set, Have a Nice Decade: The 70s Pop Culture Box, will be a holy grail of nostalgia. First of all, the discs themselves contain a staggering 164 tracks. Basically, if you remember the song, it ...
The last ELO album to make a major impact on popular music, Out of the Blue was of a piece with its lavishly produced predecessor, A New World Record, but it's a much more mixed bag as an album. For starters, it was a double LP, a format that has proved daunting to all but a handful of rock artists, and was no less so here. The songs were flowing ...
ELO Classics is a budget-priced collection of some of Electric Light Orchestra's biggest hits. Although several of their finest moments are included, the album leaves off too much prime material to be definitive. Nevertheless, budget-minded casual fans should find ELO Classics an entertaining sampler. ~ Stephen Thomas Erlewine, All Music Guide
Jeff Lynne reportedly regards this album and its follow-up, Out of the Blue, as the high points in the band's history. One might be better off opting for A New World Record over its successor, however, as a more modest-sized creation chock full of superb songs that are produced even better. Opening with the opulently orchestrated "Tightrope," ...
Electric Light Orchestra's debut album is an astonishing creation in its own right, but neophyte listeners should be aware that it bears very little resemblance to the sound for which ELO would become known on its subsequent records. No Answer, as it ended up being called in America through a miscommunication with ELO's U.S. label, is a minimalist ...
Electric Light Orchestra's third album showed a marked advancement, with a fuller, more cohesive sound from the band as a whole and major improvements in Jeff Lynne's singing and songwriting. This is where the band took on its familiar sound, Lynne's voice suddenly showing an attractive expressiveness reminiscent of John Lennon in his early solo ...
Electric Light Orchestra continued on their winning Top 40 ways with the release of Discovery. Now pared down to the basic four-piece unit, Jeff Lynne continued to dominate the band and they still got their hits (this time around it was the smash "Don't Bring Me Down"). Elsewhere on the disc there was, of note, "Last Train to London" and ...
This is the album where Jeff Lynne finally found the sound he'd wanted since co-founding Electric Light Orchestra three years earlier. Up to this point, most of the group's music had been self-contained -- Lynne, Richard Tandy, et al., providing whatever was needed, vocally or instrumentally, even if it meant overdubbing their work layer upon ...
After mining the Beatles gold mine for all those catchy hooks, by the time that Balance of Power was released, Jeff Lynne and company had pretty much found that once-rich vein going dry. This album did contain yet another Top 40 hit with "Calling America," but by the mid-'80s, ELO were finding their audience and their inspiration on the wane. Not ...
Cut during the summer and fall of 1972, ELO 2 was where Jeff Lynne started rebuilding the sound of the Electric Light Orchestra following the departure of Roy Wood from the original lineup. It was as personal an effort as Lynne had ever made in music, showcasing his work as singer, songwriter, guitarist, sometime synthesizer player, and producer, ...
The very fact that Electric Light Orchestra released a second three-disc box set is a tacit admission that, yes, 1987's Afterglow wasn't everything it should be. Happily, 2000's Flashback is. Assembled with the cooperation of Jeff Lynne, Flashback covers all the bases, featuring all the hits, a good selection of album tracks, and seven previously ...
The last ELO album to make a major impact on popular music, Out of the Blue was of a piece with its lavishly produced predecessor, A New World Record, but it's a much more mixed bag as an album. For starters, it was a double LP, a format that has proved daunting to all but a handful of rock artists, and was no less so here. The songs were flowing ...
ELO's smart blend of pop and rock with modernly orchestrated classical music flourished throughout the '70s and '80s, since their sound was one of a kind. Plush arrangements that drowned themselves in bright synthesizers and vibrant guitar gave way to a brand new type of music, giving the Electric Light Orchestra a distinguished setting atop the ...
Time-Life Music's Sounds of the Seventies: Classic '70s features some of the decade's biggest hits: "Dust in the Wind" by Kansas, "Shining Star" by Earth, Wind and Fire, "Don't Bring Me Down" by ELO, "Sweet Home Alabama" by Lynyrd Skynyrd, "Ain't No Sunshine" by Bill Withers, "All the Young Dudes" by Mott the Hoople and "He Ain't Heavy, He's My ...
This album, recorded at Long Beach Auditorium on May 12, 1974, appeared as a limited release in a handful of countries in the mid-1970s, and showed up as a remastered, somewhat improved LP in 1985. But this marks its debut as a compact disc, made from the upgraded 1980s master. The resulting CD is, for starters, really, really loud, a far cry from ...
We guarantee every item's condition, as described on Alibris. If you are not satisfied that an item is as described, return your purchase for a refund.