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Frida

Frida (2002) more music like this

by Elliot Goldenthal

There is always a question, when a composer works on a project set in a culture of which he or she is not actually a part, a project intended for an audience that goes beyond that culture, how closely the composer should hew to the music of the culture itself. Broadway composers, for example, often have employed musical motifs and an instrument or ...

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Interview with the Vampire

Interview with the Vampire (1995) more music like this

by Elliot Goldenthal

Elliot Goldenthal's score to the Neil Jordan adaptation of Anne Rice's Interview with the Vampire is appropriately gothic and romantic, and works well as its own entity. The only fault is the poor decision to include the tacky cover of "Sympathy for the Devil" by Guns N' Roses. ~ Stephen Thomas Erlewine, All Music Guide

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Final Fantasy: The Spirits Within

Final Fantasy: The Spirits Within (2001) more music like this

by Elliot Goldenthal

Elliot Goldenthal outdid himself with the epic score for this box-office bomb. A soaring, triumphant work brilliantly brought to life by the London Symphony Orchestra, Goldenthal's score surely would have received Oscar consideration if the film itself had performed better. Opening with an almost Wagner-ian tone, Goldenthal weaves a complex ...

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S.W.A.T.

S.W.A.T. (2003) more music like this

by Elliot Goldenthal

For his first score since winning the Academy Award for his work on Frida, Elliot Goldenthal composed an aggressive, ambitious, and slick set of music for the summer 2003 blockbuster S.W.A.T. The music works best with the visuals, and Goldenthal often uses the contemporary action film device of opening with a theme played with rock instrumentation ...

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Alien 3

Alien 3 (1992) more music like this

by Elliot Goldenthal

With Alien 3, Elliot Goldenthal popularized the postmodern classical aesthetic so dominant throughout Hollywood scores of the 1990s. A rigorously intellectual work that navigates with surgical precision between traditional orchestral beauty and modernist dissonance, its eruptions of symphonic anarchy remain extraordinarily potent. Goldenthal's ...

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Titus

Titus (2000) more music like this

by Elliot Goldenthal

Titus, Julie Taymor's controversial film adaptation of Shakespeare's gory Titus Andronicus, features a score by Oscar-nominated composer Elliot Goldenthal. In keeping with the film's modernized, surreal, and nonlinear style, Goldenthal fuses classical and contemporary elements together in a dynamic, often startling fashion. While it complements ...

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Othello [Opera OST]

Othello [Opera OST] (1998) more music like this

by Elliot Goldenthal

Written for the San Francisco Ballet Orchestra, Othello translates Elliot Goldenthal's signature film scoring techniques to the medium of ballet with impressive results. A work of remarkable structural intricacy, it embraces in full the dissonance and avant-garde leanings of the composer's feature film work, posing his most challenging and complex ...

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Watch the Skies

Watch the Skies (1999) more music like this

by Various Artists

Watch the Skies is a collection of excerpts from the scores of science fiction and/or extraterrestrial-oriented films both old and new. These versions are re-recordings, not parts of the original soundtracks, but what could have been a cheap ripoff turns out to be pretty well put together. John Beal's synthesized re-creations of the main-title ...

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Golden Gate [Original Soundtrack]

Golden Gate [Original Soundtrack] (1994) more music like this

by Elliot Goldenthal/Orignal Soundtrack

Long on atmospherics, with jazz fusion-flavored saxophone solos and the odd bit of bamboo flute, the Golden Gate soundtrack is one of those that sounds as though it's something significant, but then turns out to be quite forgettable instead. Goldenthal uses Chinese instruments and influences relatively well, but even this doesn't save this from ...

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Cobb [Original Soundtrack]

Cobb [Original Soundtrack] (1995) more music like this

by Elliot Goldenthal

According to composer Elliot Goldenthal, his score for the 1994 baseball biopic Cobb pivots on the concept of "composition as collision" -- in other words, the music embraces myriad styles and sensibilities in an effort to communicate the contradictions that form the larger-than-life persona that is Ty Cobb, Hall of Fame baseball player and world ...

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In Dreams

In Dreams (1999) more music like this

by Elliot Goldenthal

The ambitious In Dreams embraces electronics with a fervor unmatched by Elliot Goldenthal's previous scores. While his signature orchestral sensibilities remain firmly entrenched, the music's reliance on dissonant, otherworldly sound effects contributes most to its effective evocation of filmmaker Neil Jordan's nightmare world. Not all of ...

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Batman Forever [Original Score]

Batman Forever [Original Score] (1995) more music like this

by Elliot Goldenthal

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Butcher Boy

Butcher Boy (1998) more music like this

by Elliot Goldenthal

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Elliot Goldenthal: Juan Darien: A Carnival Mass

Elliot Goldenthal: Juan Darien: A Carnival Mass (1996) more music like this

by Alexandra Montano (vocals), Andrea Frierson Toney (contralto), Andrea Kane (vocals), Andrea Saposnik (vocals), Ariel Ashwell (vocals), Bruce Williamson (saxophone), Bruce Williamson (clarinet), Bruce Williamson (keyboards), Devin Provenzano (soprano)

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Public Enemies [Score]

Public Enemies [Score] (2009) more music like this

by Elliot Goldenthal

The soundtrack to Michael Mann's 2009 film Public Enemies, which centers on the life of criminal John Dillinger in the 1930s, a time when the public enemies list was exactly that -- public -- and was followed daily like a baseball box score, with the good guys winning sometimes and the bad guys winning sometimes (and yes, everyone was keeping ...

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Pet Sematary

Pet Sematary (1989) more music like this

by Elliot Goldenthal

While Elliot Goldenthal's first Hollywood score pays obvious homage to landmark efforts like Bernard Herrmann's Psycho and Lalo Schifrin's The Amityville Horror, Pet Sematary also succeeds on its own terms, introducing many of the avant-garde approaches that would distinguish the composer from his contemporaries in the years to follow. Employing a ...

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