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Alwyn Mellor (vocals), Anne Howells (vocals), Anthony Rolfe Johnson (tenor), Barry Banks (vocals), Eric Garrett (vocals), Felicity Palmer (vocals), Gareth Rhys-Davies (vocals), Janice Watson (vocals), John Mark Ainsley (tenor), Julie Gossage (vocals)
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Anne Howells (mezzo-soprano), Anthony Rolfe Johnson (baritone), Donald Adams (bass), Felicity Palmer (mezzo-soprano), Janice Watson (soprano), Marie McLaughlin (soprano), Nicholas Folwell (baritone), Richard Suart (tenor)
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Belinda Camilla Tilling (soprano), Cécile de Boever (soprano), David Daniels (counter tenor), Emmanuelle Haďm (harpsichord), Felicity Palmer (contralto), Ian Bostridge (tenor), Le Concert d'Astrée, Paul Agnew (tenor), Susan Graham (mezzo-soprano)
Wild, passionate, and over in less than an hour, Purcell's Dido and Aeneas is one of the greatest operas ever composed and it has received some of the greatest performances of any opera ever recorded. And while some of them have been sung with more refinement or more fervor, few can match this performance with Susan Graham as Dido and Ian ...
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Ameral Gunson (mezzo-soprano), Felicity Palmer (soprano), Jane Parker-Smith (organ), John Mitchinson (tenor), Malcolm King (bass), City of Birmingham Symphony Chorus (choir, chorus), Simon Rattle (conductor)
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Angela Gheorghiu (vocals), Bernadette Manca di Nissa (vocals), Carlo Guelfi (vocals), Cristina Gallardo-Domas (vocals), Felicity Palmer (vocals), José van Dam (vocals), Luigi Roni (vocals), Maria Guleghina (vocals), Neil Shicoff (vocals)
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Brian Runnett (organ), Felicity Palmer (soprano), Harry Dilley (trumpet), Joan Sutherland (soprano), Kiri Te Kanawa (soprano), Leontyne Price (soprano), Peter Hurford (organ), Peter White (organ), Richard Farnes (organ), Simon Preston (organ)
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Donald Adams (vocals), Felicity Palmer (vocals), John King (vocals), Michael Schade (vocals), Philip Lloyd Evans (vocals), Rebecca Evans (vocals), Richard Suart (vocals), Richard van Allan (vocals), Thomas Allan (vocals), Valerie Seymour (vocals)
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Felicity Palmer (soprano), Helen Watts (alto), John Shirley-Quirk (bass), Ryland Davies (tenor), English Chamber Choir (choir, chorus), English Chamber Orchestra, Raymond Leppard (conductor)
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Christina Clarke (vocals), Clifford Grant (vocals), David Lennox (vocals), Felicity Palmer (vocals), Ingvar Wixell (vocals), Jessye Norman (vocals), John Constable (harpsichord), Lillian Watson (vocals), Maria Casula (vocals), Mirella Freni (vocals)
This is a time-tested recording of Mozart's Le nozze di Figaro, reissued as part of Philips' reasonably priced Trio series. Over 30 years old at the time of this release, and perhaps not among the best available when it was new, Colin Davis' 1971 performance is still a respectable entry in the catalog of Figaro recordings. Davis deserves a lot of ...
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Bonaventura Bottone (vocals), David Fieldsend (vocals), Eric Idle (vocals), Felicity Palmer (vocals), Fenton Gray (vocals), Gordon Sandison (vocals), Jean Rigby (vocals), Lesley Echo Ross (vocals), Lesley Garrett (vocals), Linda Orniston (vocals)
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Ann Taylor (mezzo-soprano), Christopher Gillett (tenor), Della Jones (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gerald Finley (baritone), Josephine Barstow (soprano), Matthew Long (vocals), Peter Savidge (baritone), Robert Lloyd (baritone)
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Agnes Baltsa (vocals), Carole Malone (vocals), Felicity Palmer (vocals), Francisco Araiza (vocals), John Del Carlo (vocals), Ruggero Raimondi (vocals), Simone Alaimo (vocals), Ambrosian Opera Chorus (choir, chorus), Academy of St. Martin-in-the-Fields
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Edgar Fleet (tenor), Felicity Palmer (mezzo-soprano), Harold Lester (harpsichord), Harold Lester (organ), Helen Watts (contralto), Justino Diaz (bass), Mark Deller (counter tenor), Neilson Taylor (bass), Robert Tear (tenor), Sheila Armstrong (soprano)
The genre of Semele has always been somewhat ambiguous. Handel used an opera libretto by William Congreve for his text, but at its premiere he presented it as an oratorio. Its secular, dramatic story is certainly operatic, but its music includes stylistic elements of both Handel's English sacred oratorios and his Italian operas, so it's ...
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Alastair Thompson (tenor), Charles Brett (counter tenor), David Wilson-Johnson (bass), Felicity Palmer (vocals), John Angelo Messana (counter tenor), Malcolm Hicks (organ), Margaret Marshall (soprano), Nicholas Kraemer (harpsichord)
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Alwyn Mellor (soprano), Barry Banks (tenor), Clare O'Neill (vocals), Donald Adams (bass), Donald Maxwell (baritone), Eric Garrett (tenor), Felicity Palmer (mezzo-soprano), Gareth Rhys-Davies (baritone), John King (vocals), Neill Archer (tenor)
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Csaba Erdélyi (viola), Felicity Palmer (soprano), Jill Gomez (soprano), Moray Welsh (cello), Stuart Burrows (tenor), Thomas Allen (baritone), Philharmonia Chorus (choir, chorus), Welsh National Opera Chorus (choir, chorus)
The release of The Carmelites continues Chandos' English-language recordings of productions from the English National Opera, and while these may not be definitive versions of the operas, they constitute valuable contributions to a deeper appreciation of the works. The experience of hearing an opera in one's first language (assuming that the piece ...
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Arthur Davies (tenor), David Wilson-Johnson (bass), Felicity Palmer (mezzo-soprano), Margaret Marshall (soprano), Roderick Elms (organ), London Symphony Chorus (choir, chorus), London Symphony Orchestra, Richard Hickox (conductor)
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Alastair Ross (organ), Charles Brett (counter tenor), David Monrow Recorder Ensemble, Felicity Palmer (soprano), James Bowman (counter tenor), Jennifer Ward Clarke (cello), Jill Gomez (soprano), John Angelo Messana (counter tenor)
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Alfreda Hodgson (mezzo-soprano), Elizabeth Gale (soprano), Felicity Palmer (soprano), Linn Maxwell (soprano), Patricia Kern (mezzo-soprano), Philip Langridge (tenor), Richard Stilwell (tenor), Tatiana Troyanos (soprano)
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Anita Cerquetti (vocals), Birgit Nilsson (vocals), David Hill (organ), Elena Souliotis (vocals), Felicity Palmer (vocals), George Malcolm (organ), Helen Watts (vocals), Ileana Cotrubas (soprano), John Shirley-Quirk (vocals), Kiri Te Kanawa (soprano)
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Agnes Baltsa (vocals), Aldo Baldin (vocals), Alfred Brendel (piano), Barbara Hendricks (vocals), Cathryn Pope (vocals), Donald Maxwell (vocals), Felicity Palmer (vocals), Iona Brown (violin), Irena Grafenauer (flute), Jack Brymer (clarinet)
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Arthur Davies (tenor), Felicity Palmer (mezzo-soprano), Gwynne Howell (bass), Roderick Elms (organ), London Symphony Chorus (choir, chorus), London Symphony Orchestra, Richard Hickox (conductor)
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Ann Murray (vocals), David Wilson-Johnson (vocals), Felicity Palmer (vocals), Heather Harper (vocals), Kenneth Bowen (vocals), Linda Hirst (vocals), Norman Bailey (vocals), Peter Hall (vocals), Philip Langridge (vocals), Robert Tear (vocals)
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