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Out of Africa [Original Score]
(1985)
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by
John Barry
The lush soundtrack to Out of Africa added much to this movie. It was composed and conducted by John Barry and also includes some Mozart. MusD, All Music Guide
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Somewhere in Time
(1980)
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by
John Barry
John Barry's score to the cult favorite Somewhere in Time is among his most romantic, seductive work. It proves that Barry can get sentimental when he chooses and that when he does, he never gets cloying. It's a richly romantic offering from one of the cinema's finest composers. Robert Lovering, All Music Guide
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Dances with Wolves
(1990)
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John Barry
John Barry's fifth Oscar-winning score is a profoundly moving body of music, generally (though not entirely) elegiac in tone, very much like the movie for which it was written. It's also a bit of a mixed bag, occasionally falling back on material that will be familiar to fans of the James Bond movies that Barry scored during the early/mid-'60s. ...
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Somewhere in Time [Varese]
(1998)
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John Barry/John Debney/Royal Scottish National Orchestra
This re-recording of John Barry's score for the 1980 Jeannot Szwarc romantic fantasy film is a bit of a puzzle, albeit a delightful one. Recorded in 20-bit digital audio by John Debney and the Royal Scottish National Orchestra, this is the best account ever given of that score -- ironically, MCA/Universal, which distributes Varese Sarabande, also ...
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Best of Bond...James Bond: 40th Anniversary Edition
(2002)
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by
Various Artists
One of the signature aspects of a James Bond movie is its theme song, and, as demonstrated on this collection of those songs, there is a remarkable consistency to them. 1962's Dr. No, the first Bond film, featured Monty Norman's "James Bond Theme," a distinctive instrumental piece that has figured in every Bond picture since and that leads off the ...
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You Only Live Twice [Expanded]
(2003)
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by
John Barry
You Only Live Twice, like most of the other James Bond soundtrack albums in the series during the '60s, had more music than could easily be contained on one LP. This expanded, remastered reissue of the album contains an entire LP's worth of additional music, 35 minutes of material, although none of it is exactly a revelation. The best parts of ...
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Dances with Wolves [2004 Bonus Tracks]
(2004)
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by
John Barry
John Barry's fifth Oscar-winning score is a profoundly moving body of music, generally (though not entirely) elegiac in tone, very much like the movie for which it was written. It's also a bit of a mixed bag, occasionally falling back on material that will be familiar to fans of the James Bond movies that Barry scored during the early- to mid-'60s ...
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Octopussy [Rykodisc]
(1983)
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by
John Barry
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Goldfinger [Original Soundtrack]
(1964)
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by
John Barry
One of John Barry's best efforts, with a particularly striking title song belted out by Shirley Bassey between blasting brass fills, Goldfinger was also the first James Bond soundtrack to hit the number one spot on the U.S. charts (ironically, displacing another United Artists soundtrack, A Hard Day's Night), even as Bassey's performance hit ...
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The Living Daylights
(1998)
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by
John Barry
Timothy Dalton's debut as Agent 007 received mix reviews, but John Barry's original score is well above the average for a mid-'80s action film. In 1987, many of Barry's peers were following the lead of synthesizer champions like Giorgio Moroder and Vangelis. As a result, a high percentage of the movie soundtracks from the '80s sounded more out of ...
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From Russia with Love [Original Soundtrack]
(1964)
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by
John Barry
The first James Bond soundtrack composed from beginning to end by John Barry, From Russia With Love set the pattern for the score of every movie that followed in the series -- except for the title song (sung by Matt Munro) which, in this particular instance, was the least impressive element of the soundtrack. In later releases, the producers would ...
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The Man with the Golden Gun
(1988)
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by
John Barry
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A View to a Kill [Original Score]
(1985)
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by
John Barry
The title track, co-written by John Barry and performed by Duran Duran, is one of the better efforts from the later Bond movies, having a great beat, terrific music, and a solid performance from the band. The soundtrack is otherwise classic Barry/Bond, giving Roger Moore more musical punch in his last Bond outing than the film really merited. ...
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The Cotton Club
(1985)
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by
John Barry
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Moviola I
(1992)
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by
John Barry
John Barry specializes in lush, romantic, symphonic themes for big-budget motion pictures. Here, he conducts The Royal Philharmonic Orchestra, playing a series of them, from Born Free to Dances-With Wolves. William Ruhlmann, All Music Guide
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Chaplin
(1992)
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by
John Barry
John Barry seems to have been a perfect choice for the soundtrack to this Richard Attenborough film, providing a subtlety in the music (despite the plethora of Barry trademarks salted throughout) that makes for a pleasant listening experience outside of the movie itself. There is a quirky moment, though -- the last track, not included in the film, ...
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Octopussy [Capitol]
(2003)
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by
John Barry
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Ultra-Lounge, Vol. 16: Mondo Hollywood
(1997)
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by
Various Artists
The 16th volume of the Ultra-Lounge series is one of its finest. As its subtitle indicates, Ultra-Lounge, Vol. 16: Mondo Hollywood focuses on soundtrack music reinterpreted in a lounge style. This tactic works nicely because the material chosen is resilient enough to withstand the interesting interpretations they get here: Good examples include ...
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Ultra-Lounge, Vol. 13: TV Town
(1997)
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by
Various Artists
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Moonraker
(1988)
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by
John Barry
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Out of Africa [Varese]
(1997)
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by
John Barry
Joel McNeely & the Royal Scottish National Orchestra's version of John Barry's Academy Award-winning score for Out of Africa mixes the film's musical pieces with Celtic, classical, and pop favorites. Pieces such as Mozart's "Mozart: Clarinet Concerto in A major, K622 (adagio)," "Dear Old Ireland," and "The Ghost of Molly McGuire" blend well with ...
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The Best of James Bond: 30th Anniversary [1 Disc Set]
(1992)
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by
Various Artists
For those who don't want all the extra rarities included in the limited-edition two-disc set, yet still would like to own the most popular theme songs from the James Bond films, this single-disc collection will satisfy their needs quite nicely. All Music Guide, All Music Guide
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Music from the Films of Audrey Hepburn
(1993)
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by
Various Artists
In his liner notes to this collection, Henry Mancini, who wrote five of the 11 selections, makes the case that Audrey Hepburn was the inspiration for his writing for the pictures she starred in, and who is to disagree with him? Certainly, some of Mancini's most memorable work came with his Hepburn movies of the early '60s -- Charade, Two for the ...
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You Only Live Twice
(1967)
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by
John Barry
The most interesting and unusual of the James Bond soundtracks, You Only Live Twice was also something of a poor relation to the other soundtracks in the series, never selling as well as the earlier ones. John Barry's score reflects the movie's extensive use of Japanese settings and cultural background, with Japanese-flavored melodies and even the ...
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On Her Majesty's Secret Service [Bonus Tracks]
(2003)
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by
John Barry
One of the best James Bond scores just got a lot better, in this remastered, expanded edition that more than doubles the running time of the original LP or the old CD. John Barry, writing for a new lead actor in the role and a dazzling array of visual set pieces, as well as the most romantic and psychologically complex of all the Bond movies, rose ...
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