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The Köln Concert
(1975)
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by
Keith Jarrett
Recorded in 1975 at the Köln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, ...
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Pärt: Tabula Rasa
(1984)
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by
12 Cellists of the Berlin Philharmonic, Alfred Schnittke (piano), Alfred Schnittke (prepared piano), Gidon Kremer (violin), Keith Jarrett (piano), Tatjana Grindenko (violin)
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Whisper Not
(2000)
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by
Keith Jarrett/Gary Peacock/Jack DeJohnette
For Keith Jarrett, this extremely satisfying concert with the Standards Trio on two CDs is a personal landmark, the first for-the-record sign that he had recovered from the chronic fatigue syndrome that laid him low for three years in the late 1990s. Indeed, by the time this Paris gig took place, he had come all the way back -- his technical ...
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The Melody at Night, With You
(1999)
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by
Keith Jarrett
This is a strangely moving and disturbing document in the long discography of Keith Jarrett: a solo piano album recorded in his rural New Jersey home studio in late 1997 at a time when he was reportedly suffering from chronic fatigue syndrome. In stark contrast to his other solo albums, this one consists of short, simple, straightforward ...
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Concerts
(1981)
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by
Keith Jarrett
By the early '80s, Keith Jarrett was definitely under siege, accused of arrogance, singing along too loudly, rambling eclecticism and other heinous crimes. Indeed, around this time, Jarrett would verbally attack music critics at his solo concerts, and the reflected paranoia is obvious in Peter Ruedi's defensive booklet essay for this three-LP set ...
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Staircase
(1976)
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by
Keith Jarrett
The fourth of Keith Jarrett's solo piano albums turns inward, away from the funky, pulsating melodic inventions of its predecessors toward a more reflective, scattered, never-despairing romanticism well removed from the pulse of jazz. As such, it is paradoxically his weakest solo piano album of the '70s and also the most influential, for here is ...
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The Cure
(1990)
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by
Keith Jarrett Trio with Gary Peacock and Jack De Johnette
Sure, the Keith Jarrett Trio of the '80s and '90s recorded way too much music for the casual fan to absorb. But one's reservations fade when confronted with the sheer creativity and empathy that the trio displayed in this gorgeously recorded live date at New York's Town Hall. As in several albums before, the emphasis for Jarrett, Gary Peacock and ...
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Up for It: Live in Juan-Les-Pins
(2003)
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by
Keith Jarrett
For a trio that has been together this long (over 20 years), Keith Jarrett, Gary Peacock, and Jack DeJohnette still play with the enthusiasm of a group of people discovering each other for the first time. That's no cliché. One listen to "If I Were a Bell," the opening track on this live set, reveals how footloose, free, and excited these three can ...
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Shostakovich: 24 Preludes and Fugues, Op. 87
(1992)
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by
Keith Jarrett (piano)
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At the Blue Note: Saturday, June 4th 1994 1st Set
(1995)
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by
Keith Jarrett
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Handel: Suites for Keyboard
(1995)
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by
Keith Jarrett (piano)
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My Foolish Heart: Live at Montreux
(2007)
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by
Keith Jarrett/Gary Peacock/Jack DeJohnette
My Foolish Heart is an anniversary release celebrating 25 years of the Keith Jarrett, Gary Peacock, and Jack DeJohnette trio's traveling and performing together despite the rich and varied individual careers of its members. Recorded in 2001 at the Montreux Jazz Festival, Jarrett held the tape close to the vest until what he felt was the right time ...
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The Out-of-Towners
(2004)
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by
Keith Jarrett Trio
Recorded in 2001 live at the State Opera House in Munich, Out of Towners features the Keith Jarrett/Gary Peacock/Jack DeJohnette trio in the kind of performance we've come to expect from them these last 21 years: Stellar. Being one of contemporary jazz's longest-running bands has its advantages; one of them is having nothing to prove. First and ...
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Sacred Hymns
(1980)
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by
Keith Jarrett
Here we have simplicity itself: a series of piano transcriptions of some solemn, now-dark, now-affirmative religious hymns by one Georges I. Gurdjieff, with none of the usual flourishes and heady flights generally associated with Keith Jarrett's solo records. Jarrett assumes the proper devotional position, playing with a steady tread but always ...
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The Carnegie Hall Concert
(2006)
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by
Keith Jarrett
The new rules Keith Jarrett has made for himself in solo performance are firmly in play on the two-disc Carnegie Hall Concert, recorded in the Isaac Stern Auditorium in September of 2005. Those who found his earlier solo recordings -- from Vienna and Köln to La Scala -- to be compelling might be a bit disconcerted at first, because of the ...
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Solo Concerts: Bremen and Lausanne
(1973)
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by
Keith Jarrett
These are the recordings that made Keith Jarrett famous. Originally released as a three-LP set, the two solo piano recitals feature Jarrett freely improvising and never seeming to run out of ideas. A simple figure often develops through repetition and subtle variations into a rather complex sequence and eventually evolves into a new figure. One of ...
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The Ultimate Recorder Collection
(1999)
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by
Alastair Ross (organ), David Petri (cello), Elisabeth Selin (recorder), George Malcolm (harpsichord), Guildhall String Ensemble, Hanne Petri (harpsichord), Keith Jarrett (harpsichord), Lars Hannibal (lute), Lars Hannibal (guitar), Michala Petri (flute)
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The Well Tempered Clavier: Book 1 (Bach)
(1988)
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by
Keith Jarrett (piano)
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Bach: Six Sonatas
(1992)
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by
Keith Jarrett (harpsichord), Michala Petri (recorder)
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Radiance
(2005)
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by
Keith Jarrett
Keith Jarrett returned to performing and recording solo concerts in 1995 with La Scala (released in 1997) after recovering from an illness. That fine recording followed his manner of working that he had begun on Köln Concert in 1975: That is, completely improvised concerts from beginning to end that had melodic and "motivic" centers. The double ...
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Paris Concert
(1990)
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by
Keith Jarrett
The self-imposed quarantine on solo concerts over, Keith Jarrett returned to the improvisatory format that he virtually invented, mellower and more devotional than ever. Indeed, within the 38 minutes of solo improvisation captured at Paris's Salle Pleyel, Jarrett pulls further away from the old rousing (and thoroughly American) gospel, blues and ...
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Sun Bear Concerts
(1978)
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by
Keith Jarrett
This gargantuan package -- a ten-LP set now compressed into a chunky six-CD box -- once was derided as the ultimate ego trip, probably by many who didn't take the time to hear it all. You have to go back to Art Tatum's solo records for Norman Granz in the '50s to find another large single outpouring of solo jazz piano like this, all of it ...
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Spheres
(1976)
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by
Keith Jarrett
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La Scala [2000]
(1995)
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by
Keith Jarrett
For this live solo concert (recorded at the Teatro alla Scala in Milano, Italy, and released in 1997), pianist Keith Jarrett performs two lengthy improvisations simply titled "La Scala, Pt. 1" and "La Scala, Pt. 2." Most of the music is quite lyrical and romantic. The first part (which lasted nearly 45 minutes) does have a section using a droning ...
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Setting Standards: New York Sessions
(2007)
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by
Keith Jarrett/Gary Peacock/Jack DeJohnette
Setting Standards: New York Sessions, a specially priced three-disc set issued by ECM, marks the 25th anniversary of the "standards" trio formed by Keith Jarrett, Gary Peacock, and Jack DeJohnette at a very particular time in jazz history. It assembles -- for the first time in one place -- the first three offerings by the trio recorded in its ...
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