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Kind of Blue
(1959)
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by
Miles Davis
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with ...
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Birth of the Cool
(1949)
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by
Miles Davis
So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, The Birth of the Cool remains one of the defining, pivotal moments in jazz. This is where the elasticity of bop was married with skillful, big-band arrangements and a relaxed, subdued mood that made it ...
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Bitches Brew
(1969)
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Miles Davis
Thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion (for better or worse) and being the jazz album to most influence rock and funk musicians, Bitches Brew is, by its very nature, mercurial. The original double LP included only six cuts and featured up to 12 musicians at ...
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In a Silent Way
(1969)
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by
Miles Davis
Listening to Miles Davis' originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul's original version of "In a Silent Way," it comes across as almost a folk song with a very ...
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Milestones
(1958)
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by
Miles Davis
What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for ...
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Sketches of Spain [Bonus Tracks]
(1959)
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by
Miles Davis/Gil Evans
Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis' most enduring and innovative achievements. Recorded between November 1959 and March 1960 -- after Coltrane and Cannonball Adderley had left the band -- Miles teamed with British arranger Gil Evans for the third time. Davis brought Evans the ...
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Live at the 1963 Monterey Jazz Festival
(2007)
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by
Miles Davis
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The Complete Jack Johnson Sessions
(2003)
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Miles Davis
Of all the Miles Davis recordings, the 16 weeks of sessions that created a single, two-selection LP produced by Teo Macero called A Tribute to Jack Johnson have been the most apocryphal. While the album itself was a confounding obscurity upon release -- due to its closeness in proximity to the nearly simultaneous release of the vastly inferior yet ...
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'Round About Midnight [Bonus Tracks]
(2001)
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Miles Davis
The reissue of 'Round About Midnight is the definitive presentation of one of Miles Davis' greatest recordings. As is Legacy's wont, once an anthology box set is issued -- in this case The Complete Columbia Recordings: Miles Davis & John Coltrane -- the individual recordings are released with bonus tracks. This reissue features the original album ...
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The Essential Miles Davis [Columbia/Legacy]
(2001)
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Miles Davis
At first glance, it would seem like an impossible task to summarize Miles Davis' career into a succinct double-disc set. Still, a career as multifaceted and ever-changing as Miles' winds up having a clear narrative, one that can be told by just the highlights, which is exactly what Columbia/Legacy's excellent double-disc Essential Miles Davis does ...
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Porgy and Bess
(1958)
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Miles Davis/Gil Evans
Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin's Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the ...
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The Miles Davis Quintet, 1965-68: The Complete Columbia Studio [2004 Reissue]
(1965)
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by
Miles Davis
There's little argument that the quintet Miles Davis led between 1965 and 1968 was one of the classic combos in the history of jazz. By teaming with the adventurous young musicians Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums), Davis pushed mainstream jazz toward the avant-garde, expanding on the ...
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Tutu
(1986)
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by
Miles Davis
The controversial but memorable Tutu is mostly a duet between Miles Davis and the many overdubbed instruments of producer Marcus Miller (although violinist Michal Urbaniak, percussionist Paulinho da Costa, and keyboardist George Duke are among the other musicians making brief apperaances). Certainly the results are not all that spontaneous, but ...
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Doo-Bop
(1991)
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by
Miles Davis
If On the Corner suggested hip-hop beats as far back as two decades ago, then consider Doo-Bop as offspring. Miles' teaming with producer Easy Mo Bee is a natural -- more in league with England's acid jazz scene than anything in the trumpeter's recent canon. Those who've howled over the post-Bitches Brew work will find no solace here; instead, ...
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Complete Bitches Brew Sessions (August 1969-February 1970) [2004 Reissue]
(1969)
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by
Miles Davis
Columbia's continuing summation of the career of Miles Davis through lavish box set reissues resumed in 1998 with the Complete Bitches Brew Sessions, a four-disc set including all the music from the original 1970 double-album Bitches Brew, plus over two additional hours of music from the six-month period during which the album was recorded. (Some ...
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Amandla
(1989)
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by
Miles Davis
A particularly strong set by late-period Miles Davis, this LP is highlighted by a surprisingly straight-ahead performance titled "Mr. Pastorius." In addition to Davis and his new altoist Kenny Garrett, various guests (including Marcus Miller, guitarist Jean-Paul Bourelly, Joey DeFrancesco on keyboards, Rick Margitza on tenor, pianist Joe Sample, ...
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Workin'
(1959)
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by
Miles Davis Quintet
Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one -- as mythology would claim -- but two massively productive recording sessions in May and ...
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Miles Ahead
(1957)
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by
Miles Davis
This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis ...
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Walkin'
(1954)
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by
Miles Davis
The undeniable strength and conviction present in Miles Davis' performance on Walkin', underscores the urgency and passion with which he would rightfully reclaim his status as a primary architect of bop. Davis is supported by his all-stars, consisting of his primary rhythm unit: Horace Silver (piano), Percy Heath (bass), and Kenny Clarke (drums). ...
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Seven Steps to Heaven
(1963)
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by
Miles Davis
In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this CD, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the ...
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On the Corner
(1972)
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by
Miles Davis
Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner? Before the trumpet even enters the picture, the story has been broken off somewhere in the middle, with deep street music melding ...
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Four & More
(1964)
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by
Miles Davis
In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP; all of the music has since been reissued on CD. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at ...
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The Best Blue Note Album in the World Ever
(1999)
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by
Various Artists
The Best Blue Note Album in the World Ever may boast a silly title, but it's hard to argue with what's on this double-disc sampler. Not all of the label's greatest artists are here, but everything is representative, showing how hard bop like John Coltrane's "Blue Train" and Lee Morgan's "The Sidewinder" coexisted with soul-jazz from Grant Green ( ...
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The Best of Miles Davis: The Capitol/Blue Note Years [Blue Note]
(1992)
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by
Miles Davis
Mostly spotlighting Davis' late-'40s and early-'50s tenure at Blue Note, this best-of disc offers a very fine way for newcomers to get familiar with the early output of one of the all-time jazz greats. Not to slight later roundups on Prestige and Columbia, but Davis' Blue Note stretch provides listeners with a chance to hear the trumpeter at the ...
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My Funny Valentine
(1964)
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by
Miles Davis
Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of You," "Stella by Starlight," "All Blues," "I Thought About You," and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from ...
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